{Dancer of Gor, page 172}
{Fighting Slave of Gor, page 288}
{Blood Brothers of Gor, page 40}
{Explorers of Gor, page 14}
{Fighting Slave of Gor, page 289}
{Blood Brothers of Gor, page 42}
{Dancer of Gor, page 32}
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| Dance of Submission | |||||||||||||||||||||||||||
| Slave dance, on Gor, incidentally, is a very rich and varied dance form. It covers a great deal more than simple "ethnic dance". For example, it includes dances such as hunt dances, capture dances, submission dances, chain dances, whip dances, and such. {Dancer of Gor, page 172} |
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| The institution of female slavery on Gor is doubtless thousands of years old; accordingly it is natural that there should be great complexity and refinement in such a delicious art form as slave dance. There are even, it might be mentioned, hate dances and rebellion dances, but most dances, as might be expected, are display dances, or need dances, or love and submission dances; even the hate and rebellion dances, of course, conclude, inevitably, with the ultimate surrender of the girl to her master as a love slave. {Fighting Slave of Gor, page 288} |
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| She began, then, helplessly, to dance her servitude, her submission, her slavery. {Blood Brothers of Gor, page 40} |
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| The tile dance, for simple psychological and behavioral reasons, having to do with the submission context and the motions of the body, can piteously arouse even a captured, cold free woman; in the case of a slave, of course, it can make her scream and sob with need. {Explorers of Gor, page 14} |
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| I have little doubt but what the disposition to, and the fundamentals of, slave dance are instinctual in a woman. No other explanation seems compatible with the readiness with which they can acquire such dance. {Fighting Slave of Gor, page 289} |
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| In the dance, as I chose to understand it, Winyela danced the glory of life and the natural order; in it she danced her submission to the might of men and the fulfillment of her own femaleness; in it she danced her desire to be owned, to feel passion, to give of herself, unstintingly, to surrender herself, rejoicing, to service and love. {Blood Brothers of Gor, page 42} |
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| Then it finished in a swirl and I spun and sank to my knees before them, my head down, my hands on my thighs, in a common ending position for such a dance. Never before, however, I think, had I been so suddenly and deeply struck with the meaning of this ending position, it following the beauty of the dance, its presentation of the dancer in a posture of submission. {Dancer of Gor, page 32} |
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| Quotes on the dance of submission ... | |||||||||||||||||||||||||||