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Biography - Awards - Shows GLADYS MARTINEZ NOSIGLIA Plastic artist born in the Peru, in each one of their pictorial works the reality of the characters is the main character, that existencialidad of the poverty in if, the fight of the daily life, the solitude lived in fullness, prints that are marked in severe frown in those that suffer them. Customs and ingrained traditions of coloring and festivity. It is real as the same life there is not plastic rupture of the images; reality of solid architecture in unitary, expressive, dynamic harmony, they are isolated, but at the same time included in the space that surrounds them; that it takes us for the use that makes of the language of the color full with brightness, cromacidad, cleaning of tonality and subtle atmosphere; that it moves us the fibers of the sensorial thing for their hiper realism. As this way in each one of their sculptural works, through what was for eras and it is, sense and lived… as the three elements of the life: I sweep (earth), I glaze (it dilutes), color (fire) in their composition, figuring as the rupture of the old and encapsulated, to reborn without violence toward another wide and infinite dimension in the space with fineness in the details and in the tonalities that he/she gives classic purity to the forms wanting to take them between the frontier of the surrealismo or expressionisms, by means of simbología gives a place to their imagination, lineal femininity by means of curved or movements of ellipses that he/she looks for to give forms of continuity; the representativeness of the same ones that you/they are suspended volatile, it leaves of their interior fantasy that explodes of a closed, hermetic world and he/she wants to escape, to flow, to leave, in the spaces that contain them in a constant trip to the eternal thing that it is the end of the interior and of the life misma…La perception objective and subjective narration is made in perfect synchronization it is in each one of its sculptural works, it is captured the emotion that feels before having made the things that surround it, before one can affirm like Picasso says “I don't look for, I find...”
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| EDUCATION |
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| 2000 – 1994 |
Studies of drawing & Painting in the Studio of Art, Jorge Arribasplata. Under: Jorge Arribasplata, well known Peruvian artist
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| 1996 |
Workshop of painting techniques Under: In the studio of the well know Peruvians Artists Pedro Egoavil Luis Quispejo Teachers of the Peruvians National School Of art “Bellas Artes”
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Workshop in the Peruvian University Mayor of San Marcos, Chemistry School. “The Glass and Applications” Under:
Ingº Alfredo Palomino Infante
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| 1995 | |
| 1993 |
Workshop in Ceramic Investigation Center “ALLPAMERICA”, Lima - Perú Studies of Constructive Design for Sculptor Under: Juan Pastorelli, well known Peruvian Watercolor Artist. Workshop in School of Art “CORRIENTE ALTERNA” Lima – Perú Studies in Glass Sculptor, fusing techniques, Kiln firing, sagging, slumping, molds, sand Molds,
and Pate de Verre. Under :
Patricia Lopez Merino, Sculptor Artist from Peruvian National School of Art “Bellas Artes”, Works and live in Paris, France
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| 1992 |
Workshop in School of Graphic Design Institute
de los Andes” Lima – Perú Advanced Technology in reductions glazes, kiln Construction. Under: Jorge Fernandez Chiti, from the “FUNDACION CONDORHUASI” Buenos Aires – Argentina |
| 1992 - 1991 - 1990 |
Studies in the School of Art “ESART” Drawing and Painting human anatomy, color, oil Techniques. Under:
Pedro Rotta, Leonel Velarde |
| 1991 |
Workshop in the Peruvian National Museum In Lima – Perú, advanced studies of Ceramic Sculpture and Architectural Ceramics. Under: Jorge Fernandez Chiti, from the “FUNDACION CONDORHUASI” Buenos Aires – Argentina |
| 1989 |
Workshop in the school of Art “Joe de Leon & Asociados S.A,. Studies of: Drawing and Painting Techniques. Under: The well know Peruvian Artist Miguel Angel Cuadros, Principal of the Peruvian National School of Art “Bellas Artes”. |
| 1989 – 1990 |
Studies of the Old Peruvian Culture of Ceramic Vicus, (400BC) from Alto Piura Technique, using Stone and wood paddle for hand building, engobes, Stains, Old Vicus Whistles technique, Old Peruvian Chulucanas kiln and firing technology (Alto Piura, Northern Coast of Perú). Under: Well know Ceramist Artist Jose Luis Yamunaque, In his own studio, Lima – Perú. |
| 1988 |
Workshop in the School of Art “Institute Superior of Design Toulouse Lautrec” May 1 – Nov. 30 Advanced Studies in clays, glazes, molds, decorations, Cloisonné, ceramic jewelry, ceramic sculptor. Under :
Ceramist Artist, Nora Rudoy. |
| 1988 – 1987 - 1989 |
Clay Bodies and glazes for Raku Ware firing methods, clay bodies in low and high temperature, functional stoneware pottery Under: Lucho Calderon, Teacher of the Peruvian Catholic University in Industrial design. Live and works actually in California, USA. |
| 1987 |
Hand building Techniques, forming methods and project Under: Ceramist Artist Alice Unger, study ceramic in Japan
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| WORKS EXHIBITIONS: | |
| 2001 |
“BARRO, VIDRIO, COLOR” At the Art Gallery Bohemia Ovalo
Gutiérrez, Miraflores, Lima-Perú |
| 2000 |
“COLECTIVA
2000” With the Painter Studio Arribasplata At the Art Gallery Bohemia Ovalo
Gutiérrez, Miraflores, Lima – Perú |
| 1997 |
“GLASS” At the Art Gallery “2V” 1997
In Monterrico Surco, Lima – Perú |
| 1996 |
“COLECTIVA 96” With the Painter Studio of Jorge Arribasplata At the Art Gallery 715 San Borja, Lima – Perú “ENCUENTRO DE ARTE 96 “ Sponsored by the United States of American Embassy and American School Franklin Delano Roosevelt. At the PEDRO DE OSMA MUSEUM. Barranco, Lima – Perú |
| 1995 |
“CANALOA DIOS DEL MAR” At the Art Gallery FORMAS Miraflores, Lima – Perú “ENCUENTRO DEL ARTE” IAt the PEDRO DE OSMA MUSEUM Barranco, Lima – Perú “MUESTRA
DE TALLERES LIBRES DE PINTURA” Sponsored by the Women’s Association at the Colombia Embassy
and Instituto Nacional de Cultura. In
San Isidro, Lima – Perú Winning the first Place with the Oil realism painting “Recuerdos
de mi Abuela” (Remembrance of my Grandmother) |
| 1994 |
“NOCHE
DE ARTE” Sponsored by the Women’s Association at the United States of American Embassy in Lima – Perú. “CERAMICA GRUPO INTEGRACION” At the Art Gallery “FORMAS” Miraflores, Lima – Perú. |
| 1993 |
“III
ENCUENTRO LATINOAMERICANO DE CERAMICA
ARTISTICA” (BIENAL) Sponsored
by INSTITUTO CONDORHUASI In
Florianópolis, Brazil. “GRUPO
INTEGRACION, CERAMICA 93” At the Art Gallery “EL PORONGO” Monterrico, Surco, Lima – Perú. “CERAMICA” At the Art Gallery “THADDAEUS”. La
Estancia, La Molina, Lima – Perú “GOLD,
SILVER, CLAY, GLASS” At the Art Gallery Hall of the ALLIANCE FRANCAISE In Miraflores, Lima – Perú. |
| 1992 |
“NOCHE DE ARTE 92” HOMENAJE A DAVID HERSKOVITZ “ENCUENTRO DE DOS MUNDOS” Sponsored by the Women’s Association of the United States of American Embassy In Lima – Perú “INSTITUTO DE LOS ANDES” Sponsored by the FUNDACION CONDORHUASI, In
La Molina, Lima – Perú. “HOMENAJE
A LA SRA. MARIA REICHE, CIUDADANA
HONORARIA DEL PERU” Sponsored
by FOPTUR. At the Art Gallery, Hotel de Turistas, Nazca ENTURPERU, Ica – Perú. |
| 1991 |
“CERAMICA, GRUPO INTEGRACION 91” At the Art Gallery “PRISMA” Barranco, Lima – Perú “II ENCUENTRO LATINOAMERICANO DE CERAMICA ARTISTICA” (BIENAL) Sponsored by the FUNDACION CONDORHUASI Buenos Aires – Argentina In
Santiago del Estero – Argentina. “ARTISTAS
CONTEMPORANEOS” Sponsored by the Women’s of the Benefic Association La Molina At the Art Gallery THADDAEUS, La
Estancia, La Molina. Lima – Perú. “HOMENAJE
AL SR. EMBAJADOR JAVIER
PEREZ DE CUELLAR” Sponsored by the Association for the Continental Peace of the O.N.U At
the Instituto Peruano de la Cultura Hispanica PALACIO
DE OSAMBELA. In
Lima - Perú |
| 1990 |
“CERAMICA
GRUPO INTEGRACION 90” At the Art Gallery of the Foundation BANK OF COMMERCE. In
San Isidro, Lima – Perú. “THE FLETHCER CHALLENGE CERAMIC AWARDS, 90” In Association with the Auckland Studio Potters, Inc, in June New Zealand. Hall Title of the Work. “SHE GESTATION” Gained to be in the final Award Exhibition. Published the in the well know Ceramic Monthly Magazine, November 1990, and the Catalogue of the Association. “NOCHE DE ARTE 90” Sponsored by the Women’s Association at the United States Of American Embassy In Lima – Perú “GALLERY, EXPO. 90” At The Hotel & Conventions “EL PUEBLO” Santa
Clara, Chaclacayo Lima
– Perú. “CERAMICA
GRUPO INTEGRACION 90” At the Art Gallery “ESTEBANDES” Arequipa, Lima – Perú. |
| 1989 |
“BARRO, FORMA Y COLOR 89” At
Instituto Cultural Peruano Nortemericano ICPNA, In
Miraflores, Lima – Perú “NOCHE
DE ARTE 89” Sponsored by the Women’s Association at the United States of American Embassy In Lima – Perú “LA GALERIA 89” Invited to participated at the Art Exhibitions. Sponsored by the Women’s Committees of the Peruvian Jewish Associations. “THE 2nd INTERNATIONAL CERAMICS COMPETITION 89”; In Mino Japon. Tajimi City, Gifu Hall titles of the works · “FLYING DREAMS” · “AERIAL ALTERATIONS” · “FIRE DANCING LADY” Gains HONORABLE MENTION present of Outstanding Achievement. Those works are in Permanent Exhibition in: · Mizunami Junior High School, Misunami City – Gifu – Japan. · Miyama Soo – 901 Sasaga Miyami Town Yamagata County, Gifu – Japan. ·
Tajimi
Cultural Hall – 2.8 Jakuta Cho, Tajimi
City, Gifu – Japan. “MATICES
Y COLORES III”, 89” Sponsors by the Women’s of the JUNTA DEL ACUERDO DE CARTAGENA. San Isidro, Lima – Perù |
| 1988 |
“IMAGEN 88” At School of Art “INSTITUTO SUPERIOR DE DISEÑO TOULOUSE LAUTREC”. Miraflores, Lima – Perú. |
| AWARDS: | |
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“MUESTRA
DE TALLERES LIBRES DE PINTURA” Sponsored by the Women’s Association at the Colombia Embassy
and Instituto Nacional de Cultura. In San Isidro, Lima – Perú Winning the first Place with the Oil realism painting “Recuerdos
de mi Abuela” (Remembrance of my Grandmother) |
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“ “THE FLETCHER CHALLENGE CERAMIC AWARDS, 90” In Association with the Auckland Studio Potters, Inc, in June New Zealand. Hall Title of the Work. “SHE GESTATION” Gained to be in the final Award Exhibition. Published the in the well know Ceramic Monthly Magazine, November 1990, and the Catalogue of the Association. Gains
HONORABLE MENTION present of Outstanding Achievement. “THE 2nd INTERNATIONAL CERAMICS COMPETITION 89”; In Mino Japon. Tajimi City, Gifu Hall titles of the works: “FIRE DANCING LADY” in Permanent Exhibition |
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Her ceramics, G Her ceramics, Glass Sculptors and Oil Paintings are in private collections in Argentina, Brazil, Mexico, Perü, USA., Italy, France, Belgium, and in Japan in Publics Hall Exhibitions. Catalogue
Ceramic Arts 1989, Mino
Japon; Nº 80 of 2835 works Exhibition. Published the in the well know Ceramic Monthly Magazine, November 1990, page 45. Catalogue
of the Association. Fletcher Ceramics Award, New Zealand, 1990; page 20 In the Ceramic Kilns Book, By Jorge Fernandez Chiti, 1992; page 234 |
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