PAPER OR PLASTIC READING WRITING AND COGNITION PRE AND POSTCOMPUTER

WORD I SAW--OR DIS A WORD? OR IS IT WORD? I SAW ORDIS. A WORD IS A WOR--DIS A WORD. I'S--AW, ORDSA!
ME WORD, DIFFERENT.
PRESENT, AT I.
ON DIFFERENT DELI, VERY IN THESE NoSE OF CLASSIC AL.
RHETOR, I CAN!
D: DIFFERENT MEANINGS DIFFER ENTEMPHASES--NOW PRETEND, YO!
U REREAD I NeGate THESE WORDS.
ON A COMPUTER SAw ME TEXT DIFFERENT.
ME D*UMb, HOW DO YOU EXPERIENCET? HEEL, ECTRO-NICTEX!
To DIFFER, ENTLY FROM THE PAP.
. . .ER. . .
O NEH
OW!
FARARE convertible
YO, U GOING TOREADor? HOWFA!
oR DO YOU WANT TOH?
OW!
MUCH DO ESTHETick!
EXTAND IT! S'LOOK, DRAWN YOU INDO YOUR EYE STI.
I, Oklahoma RESOONER.
DOES YOur UR-MOUSE HAND A CHEHOWDO?
ES THE TEXTDISP LAYing ON YOUR* CIST?
HE, FORMATTING? oR I, niGHTmARE?
T: HE FONTS REal ADABLE, YET STY.
Gordon LISH, DO THE LINE--BREAKS WORK!
OR DO YOU?--HA!
VETO, CURSe, OR A ROUND?
IS YOur UR-COMPUTERS LOW?
IS YOUR SCREE*D vIRTYGO?
T: THE URGE TO JUMP--TOo HYPER?
TEX, TINS, HORT*Oculture.
W: MUlCH RHET, OR I, CALCONTRO?
L: DO I RHETOR, WRITER?
HAVE OVERT HE-TEXT?
AN DULl T*o MATE, L*OVER?
YO, U AND CONVERSE LY--
[HOW MUCH CONTRO!]
L: DO YOU HAVE OVER ME I?
E: MY TEX, THOugh WD40.
O, YOU READ I--'TIS I!
T: STILL READ I?
Newt GingWHICH PARTS DO YOU SKIM?
WHICH ***** IGNOR*IN'?
THE GUTEN BERGer
ELEGIES for SVEN BIRK ERTS' DISCUS
iS ES THE END? no
O FAUTHOR, I ****OUGHTA BOUT, BY HYPE!
oR TEX *AND THE CONT ROLInG in the hay
I VEST HERE A DEROVER
NA, VIGATION AND DISP LAY THE TEX--'TIS NO LONGER. . .
THE STAy-TIC PRO!
DUCk, TO FONE MINDCO liMMITTED.
TOP A PERFORT?--HE AGES
IT IS A CONSTANT LYe, CHANGING
DECENT
RALI ZED, MANY HEADed ED
The Greeks: HYDRATHATE--VERY REAl
DERCREATES--FOR THEM*, ELVES
T. HEREADER--BECOME STHEAUTHly
OR WRITING HER OWN TEX.
T: WIth THE ACHe
C: LICK OFf THEM, O U SETH!
ESTRUCTan
U R ETHATANA--Ur T*ORSO
C: A REFULL? YA.
RC: HIT ECTED FOR HER WORK
IS DEFENSE LESS A GAIN?
iS *THE KEY WORD SEARCH?
CAP A BILl, I TIE.
but SOFT, HE's COMMON.
COMe, PUT 'ER* RITE SMART IN RYDER
ADDS JAYDA VIDBO, aLTER THE READER
MAY WELLBECOME THEA [u, THOR SA*VER]
SARY SEEKING TO MAKE THE TEX TOwER
I NAD, I RECT, I OwN THAT
THE AUTHOR DID NO TANTI
CI: PATE THE COMP, UTER THE REFOREM
AKES VISIBLE THE CON
[TEST BET, WEEN]
AUTHOR A NoD, READ ERTH
A TIN: PREVIOUS TECHNOLOGIES--HA*! GONE ON
O, U TOo?
F: SIGHT BEHIND The HEP
AGE: WHAT A RESOME! hire him
OF THE * THERD, IF inFERENCE
S: BET WEEN
P: APE ann RAND
P: LAST IC-TEXT BESIDES REPtile
RESENT IN GIDE A SAP
APE ouR TEXTAL--SO?
CONSTITUTES A VISUAL ART, I FACT
T: lOUSE! CHARLatan!
ESKOSTEtic *NICKSTER?--MAD!
I NeGAte
*S: ICH bin A THING, ITS ELF, A TEXT
S: PHYSIC AL QUALITIES: EVERYTHING FROM THE deli
SIZE, WEIGHT, AND/OR IndENTATION OF PAP
ERTO-TYPE is FON!
iT'S GRAPHIC SAND, U SEe
OFf WHITES, PACEMAKEr
UP THIS!
THINk Gman, Eliot NESS
P: eLASTIC TEX*, IN CONTRAST
IS NO THING NOW HERE?
THE LETTERS WE** COUNT, ERONOmous Bosch
yoUR COMP, yoUr TERSe
CREEN SEEM crime scene
TO BET, HE'S A MELETTERiST
HAT WE FIND IN OUR PAPER
BACKS to SCHOL golden rule
ARLY ED?--I TION shun
SLEATHERBOUND TOM
E: SAND, FLAKING
DISINTEr, au GRATIN
GACID IMP REGNATED NINE TEENs!
THe CENTauR?--Y, BOOK!
SBUT THE YARE IN FACT
THE TEMP OR ARY**ANS I ENTREPRES
thEN TAT I ON SOFDI--GIT ALl
CODESS TORED IN A COM P U!
[TERS*E MORY ECHOES]
BOLT EaRTH
E-BITS OFT HEEL ECTRO-NIC
TEX: TARES I'M PLYNOTO NA HUMAN
SCALE ELECTRON
I CuT ECH*O LOGs
YuRE MOVE
SOR ABSTRACTS THERE
A DERAND WRITER FROM THE TEXT
IF YOU HOLD A MAGNET, I CORruPT
I CALl DIS KUPTOT--HE LIGHTs, YOU WILL NOT SEE
TEX: TATA
aLL* HE-TEXT IS FILTh
E: RED THROUGH sLAYERS OF HARD WARE
AND SOFT WARE?--THE REAR
E: SO MANY LEVEL
SOFt, DEFER *ALT mad HATT*ER
wEADER OR WRITER?--I, SHARD
PUTTO I DENT, I FYT HE--TEX!
TATA
coLLISI*ON THE SCREEd
*IN THE TRANSIST, OR MEMORY?
O RON, THE DISK, *HIS VERY EPHEMEnant
*AL--I TY OFf SUB Sandwiches
T: ANd ClEAN Da SPACE--A VIRTUE!
F: OR BOLT
ER, WHOSE ESTHEtic?
POSSIB*Ly I
TIE SFORNE, WAYS OF COLLECT
I NeGAte aND PROCESS; I NeGate INFORMATION
IS ONE OF e*LASTIC TEX
T: SO oRIGINAL SINS FORBear
IRKs EaRThy SEX
C: HANGING THE PHYSICAL *APE
R: BOUND TEX*, FOR I
'TiS MACH 1 I NE*ED
I ATE *PLASTICCO
UNTER PAR, THEA aRGUES SACRIFICE fly
S: DEPT. *FOR BREAD
THAS READERSSKI
MACROS Skim THE SURF
ACE OF A VAST U
N: DIFFERENTIATE DANDI
iNSTANT LY, A VAIL--ABLE
SEe A OFIN
FORM A TION
RAT HER, *HANDEL!
VE, DEEP LYINg, TO ANY GIVing
EN: TRIBUlation, TARrY
THE POINT; I SWELL
TAKE iN PART *draCULA
R: LY WHEN RUMINATIN
hanGOVER
T: HE FOLLOWs, I NeGate [SENT]
hENCEFROM, STEP HEN
BERNHARDT, DE SCRIBe
I NeGate THE INCREASINGLY VISUAL ASPECT OF INFORMATION
AND THE GROWTH OF ELECTRONI*sM
ED: I *HEW RITES FUR THE RUSE OF ISOLA
TED: LO-CAL, I ZED
PASS A GE
SAL: SO SEE, MS LIKELY WITHIN FORMATION
CALL ED
U PIN SHORT SNATCHES IN INTERACTIONAL PATTER
NS: RATHER THAN I, NEXT END ED
R: HE TORI Misspelling CALLs *IN**GRATE
D: PRO-agGRESSIVE TEX
i*S iT HIS? tIS HYPER
TEX: TINA NUTS? HELL, AND ITS PERFECT
LY, ACCEPTABLE FORCE
ReTAIN TYPE
SO FINe, FORM A T, ION BUTt
WHAT HAP?
PENSive, TO eXTEND ED
RHETOR, I CALL* IN TEGRA roar
TED: PROGRESS? I'VE TEXTS PAST, PRESENT, AND FUTURE
ARE THE *HYPER TEX evenTUALly I?
ZED AGAIN
piST, THE IRA**T*E **AUTHORS
WILL DICE DINner TO SCREEN-SIZE
DSEGmentation MEaNT SHY PERsons LINK ED EVERY WHICH WAY
but loose
*pROM, THE METAph*OR PHO SIS And BRO
uSER, NOt TREADER
COULD JUMP TO APE S*EX
TERMINATOR'S HOME PAGE www.illbeback.com
OR A VIDEO TRAVEL
rOGUE FOR PRAGUE
MY POem INTImates
S: SOME TEX
TS: BELONG IN ELECT
RON, ICk MEDIA
SOME DONOT IN BETWEEN THE squad cars
FUTURe IS *SAND
THE LUDDITE *LIES *GOLDEN
ME ANd *FELE CiTRON
I CAN Do!
PAPER TEX*
SCOt EXISTING PEACEFULL
YEACH!
IN ITS APPROPRIATEd *LACE--AND WHAT IS APPROPRIATEd?
WILL BED dECIDE?
D: BY WRITER georges SAND
READ ERST: "HIS IS ALl
ARG!: PART OF WHAT SCAR*S
MAN* vs HUMAN--IS iT* A BOUT?
THE NEWT ECH*O
LOG, I
ESTHEtick DEMOCRATs
I, exerCIZING IMP--pULSE THAT ELEVATES; READER JUSTice: A
SIT REDUCES
WRITE RITH INK WE CAN RECOGNIZE!
AN' DEN JOY, THE RICH* SOFT HE-INTERN
EaT IN MODERATE PORTION
SAND CONTINUEs TO SAVOr RON
PAPER AN AUTHOR: SINTEGRATED
LINEs ARE XTc ENDED
DEPICT I ONe OF THE WORLDs
WHETHER *HIS sWILL ACTUALLY HAPPENs
HOW EVE RISes? ANYONE'S GUESS
RIGHT NOW, THE FaRCE SOFA
the eLLEN-COMPASSING lesbian
INFORM A raTIONEL ECTRON
I FIC-A-TION
ARE VIRTUes ALL?--*HA!
IN-CONTROL FUR
T: HER, WHEN ONE HAS ACCESS
TO ACcess DROMOdary, *SAY "SHAKES"
PE ARE WITH HYPERTEXT
GRAPHIC SAUDIarabia
O, AND ALL KIND SOFt
WHIST LESs AND BELL more
S: WHY BOTH? ER...
TOSs IT DOWN WITH A PAPERBACK HAM
LET A* DACTUALLY READ
THE THINGEL
ECTRONIC INFORMATION ISS rEDUCTIVE
IT MAKES LEARNING SEE ME
AS YANni, *FUN IT SENT
ERTAINMENT AND THAT'S WHAT
O, oUR CULT U RE*BUILT, AROUND ELECTRONs
I CALL YAVA 1-888-33deity
I LABLE INFORMATION CANS
sUPPLE MEN TOUR
KNOWLEDGE OF AGe
I VENT EXTreme WHEN IT REPLACEs SOUR FOCUS [ED: ATTENTION
TOTs!]
HAT TEXT--HOW?
EVER THERE, ** THE DANGlER LIES
PERSON, AL: TESt TIM
ON I, AL [FOR ELECTion]
RON, I C TEX*--HE FOLLOWs, I NeGate
IS A NUN PAID?
TESTIMONI-AL INSUPPORTable OF ELECT RON
I C TEXT TO WRITE A PAPER
F: OR A CLASS ON THE HISTORY
O FEN, Gordon LISH PROSE STYLE
I'D OWN LOAD ED
A COP *OFf the WALl
DEN FROM Anais NIN
disinTER NET SITE OF *BOOKS BY APPLYING VARIOUS FUN:
CuT IONS OF BOTHersome WORDs
PROCESs, SING, AND M*ASTEr XTra-ANALYSIS
S: OFTen WAR
E: I WAS ABe
LET O D*RIVE SOME INTER*STate
Senora INGQUANTITA incognito
TI*E INFORMATION ABOUT THE ankles
TEX'S STYLE: ALSO BuY RED
U CING THE TEXT fantastic
SIZE TOO NEPOtism
IN TAN
D: DISney PLAYING
T: HE-TEXT
IN LAND, eSCAPE FORM
A "TIGO-TA-GRAPH"--I C PICTURE OF PA!
RAGe, RAPHAel
aND SENT hENCE
LENGTh: HIM SURE of THAT
THOREAU
O FALL, AUTHORS!
WOULD NOT?--HA!
VEt0/APPROVE
D: OF SUCH READERs' CENses TRICT
EXT-MAN
I PULATe
ION AND TECHNO
LOGIC, AL. RELIANCE
BUT IT CERTAIN LYes
PROVED TO BE A VALUe
ABLE RESEARCH ME
THOD FOR ME
JUST AS GUT good enough
ENBERG'S INVENTION
WASP, I VOTe
AL: IN REPLAy, CING ORAL
I TrY WITH LITE RACY StO*RiEs
WE PASS IN*TO DAYTHROUGH
A PORT
AL's INTO A GRAPHIC VISUAL WORLD
IN WALTE, wRONGS AND *RICHes hAVE LOCK
STERMINOLOGY SECOND
vARY ORAL
I TYE VENTHE
SHORn, *HIS TORY
OF COMPUTER'S ILLUSTRious dATES, THIS CHANGE QUITE NICE
LY FROM THEN ON IN
a round TUIT I'VE
DOS-BASED dEN
VIRus ON MEN
T: SOFt YES
TERse DAY WE HAVE *MERGED INTO
THE LIGHT OF GRAPHIC AL, USER-IN-TER-FACE
S: GUISe; I CON
S: WYSIWYG AND THE HEdGE
MONeY OFT
HE-MOUSE OVER THE KEYBOARD
TO DAYS-INn: FORM A chain
T: I ON THEN IS VIRTUAl LAND
VISU-AL, WHAT I* CALL ED
THE VISU-AL RHETOR, I
COF. TEX** HAS BEEN Anais NIN
CREASING TO PICO FEX
dePLORATory I, ON FOR MANY
WRIt TERS*E
buRN HARD
TKO
STELNICKED
WARD-TUF
moTE IN BERNHARDT'S CONCEPTION
WRIT TENT
EXTS CAN BE NO
N: VISUAL aL, YOu'Re VISUALLY INFORMATIVE
CONTtrast RASTA-NOVEL WITH TUFness
TE: SELlEGANT disINTEGRATION OF TEXT
ART GRAPHIC CHARred
TIN, ENVISIONING IN
FORMATION, VISUALLY INFORMed
creATIVE, VARIED web SURF
A CEO oFFERS AESTHETIC POSSIBILITIES
LOCAL IZ*oD what a croc, EACH SECT I*Nsect
IS IT SOWN?
LOCAL EWe, I
THI*S OWN PATTER
N: OF DEVEL**MENT
ICON, I* SPACING
HEADINGS RE: VEAL
EXPLosions elICIT HIGHLY VISIBLE DIVISIONS
READER CAN JUMP AROUND, PRO CESSpool
T: HE-TEXT IN ANON
Mr. LINE ARFASHI ON ACCESsing SIN: "FORM A noTION EASILY"
READ SELECT
I'VE LYed NONVISUALLY IN many FORMs
creATIVE HOMO GENi*US
SURF ACE
DENSE UND IST deutsche
IN GUIS*E, DouBLe lOCK OF PRINT
PROGRESS, I'VE EACH SECT
I*N LEAD, SSMOOTHLY TO THE NEXT sIN
inTEGRATE DREAD
shERm MUST READ
OR SCAN LINE eARLY TO FIND DIVISIveness
ON* SIMILAR LYes IN AN ARTICLE
WRIT TENSE
V: EN YEARS LATER IN 1993 An ibm SELECTRONIC
TEX* HAD BECOME MUCH MORE COMMON
BoRN HARD To DELI--NEAT
ESSO
ME OF THE FEATURES OF SCREEN
BASE
D: TEX's TIT IS SITUATIONALLY EM-BED-DED, BOUND UP
IN THE CON, TEX
TOo FAS*T U ATe
I*N INTERACT, I'VE INVIdious
T: INGACTIc VERA, *HER T*AN PASSIVE
READING FUN
C: TI*N ALLY sheedy
MAPPED service PROVIDer
rESCUES FOR USE
MOD, U LARP
RESENTED IN SELF-CONTAINED CHUNKS
NAVI GABLE, SUP in PORT
S: READER, MOVEM!
sENT IN ANY DIRECTION
HIERARCHIC ALLY
EMBED DEaD TEXT
CONTAINS OTHER TEXTS
SPACIOUS UNCONSTRAINED
BY PHYSIC AL I TY
GRAPHIC ALLY RICH
CUSTOMIZABle LEAN *PUBLISH
ABLE FLUID, CHANGING SO WELL
DESIGN ED ELECTRONICally sheedy
TEXTS TO TAKE
FULL AD: VANTAGE 1 mg tar
OF THIS SPACIOUS GRAPHIC ALLY sheedy
RICH MED ***, SHOULD MAKE U SEe OF VISUAL dan RATHER THAN
VERBAL S**U*TURES
RIGHT THEY SHOULD
BUTT HEY!
"AREN'T," ARGUES GEORGE
P: LAND, OW
THIs SPARADIc GaMeSHIFT FROM VERBAL TO VISUAL
HASEN COUNTERED, "STIFF, RESIST A NiCE OF*fE*r FROM THOSE"
FROM WHO ONE I--SLEASTLIKE--LY TO
EXPECTorate IT
NAME LYs
FROM THOSE WHO AL READilY EMPLOYs--COMPUTERS
FOR WRIT IN *THIS STEM
S: FoR*MAT--RADITIONAL ROMAN
TICCO iNCEPTION OF WRITER SASquatch
PURE WRITER?--SNOT
COMMUNe I CAT OR SAV*E
W: POINT WHICH AL
SO DEVA alLUdES VISUAL INFORMATION-MAKIN'
GUiSE OF SUCH DEVALUE
DORLESS ER, VALUED FOR MS OFfice
IN FORMATION, ORDer
OESVISUAL MATERIALDES
ERVE, THE DESCRIPTION REAL
IN FORMATION, A TALL INSOMniac
hE WAY REDUCES THE STATUS OF THE WRITER-MAKING
HIM- OR HER-LESS OF AREA
L: WRITERTH
IS VIEWing month of MAY STILL PREVAILINg?
CERTAIN QUARTER
SACADEMIA, FORE!
XAMPLE: BUT I THINK THE OVERWHELMING PREVALENCE AND IMPORTANCE OF
GRAPHIC CONTENT IN ELECTRONIC MEDIA HAS MADE WEB PAGE DESIGNERS
AND WRITERS MORE NOT LESS AWARE OF AND RESPONSIVE TO VISUAL
CONCERNS
BE SIDE
SLANDOWS BOOK WAS PUBLISHED
FIVE YEARS A-GO*NE: inTERNITY INCOMPlete
compUTER YEARS Ago the year 486 PC
WAS THE FAST aEST*Hetic IN-*GOING
T: HE-WEB, SOME THING A SPIDER MAKES
WHETHER AND WHERE, RESIST!
lANCE: TOo VISUAL IN FORMATION
EXIST, SIS
BESIDES THE POINT, IT'S HERETic
HE: PURE VERB-AL
WRITe IN G-SPACE THE IMPLICIT IDEAL
OFf-PRINT TECH? NO
LOGY
NOW PEN *sTRATEgieS fOR thIS PEN
demons*TRATED BY THE PICTORIAL
SPACE OF THE IMAGE AND THE NUMb
hERICAL SPACE OFT*En GRAPH
PRINT*'S ANTI
preCIPitATING THE NEW
VISUAL RHETOR, I COF
ELECTRON I C, WRITING
A SNOT, ED
ABOVE, IF TEX* IN A PLASTIC jumpsuit
MEDIcal UMA thurman
So SUe ME!
SPAP
ERDIMENSIONS THERE SULT*AN
BE A WaKWARD INAPPROPRIATEE
ViEw NUN, READABLE *HAT
A BOUT--THE OPPOSITEs
CANPAPE uRTEXTDRES
SIT-SELF IN THE aNON LINE
hARDECENTER
ED: GRAPHIC ALLY sheedy, RICH READER
CENTRIC dan, RATHER T*AN
AUTHORITAT, I'VE CLOTHES OF ITS PLASTIC
COUNTERPARTT
HE's INHERENT, PHYSICAL
ITY OF PAPER MA
KESS *ME
OF THE SEEFFECT SHARDER
TO ACH*E, rEBUT
IF THE LONG** STORY OF ME
TA-ta, TEXTUAL EX
PERIMENTING FROM
LAURENCE STERNE TO ROLAND's BAR
THE georges SAND's JOHN BAR
THIS ANY INDICATION IT CAN BE DONE AND DONE WELL?
IN FACT, ARGUE
CLIFF MCK NIGH-T AND REWD ILL ON AND JOHN RICH hARD SON
WHILEE ARLY TEX* SWERE UNDOUB TED LY LINE
AR INTER MSOF CON TENT AN DUSAGE THE IN CREASING
SOPHISTry and try again
ICATION OF BOTH TECH
NO, LOGY
AN DREAD hERS
*KILLS ALLOWED, THIS LIMIT
nATION TO BE OVERCOME IN DEED
INSOMniac *RESPECTS IT
IS POSSIBLE TO CLAIM THAT?
THE LINEs ARe DOCUMENTed
WAS OBSequious
O LEThE, BY THE 13TH
CENTURY! IN THIs SLIGHT THEn CLAIMS THAT HYPE
uR-TEXT HAS THE POTENT
I, ALTOFREETH
E-READER, free FROM THE CONSTant RA*NTS OF LINEAR-BASED DOCUMENTS
APPEAR TO BE UN
JUST as IF lIED AS ME
DIE VAL kilmer
SCHOol pLASTIC IS *BROUGHT to you by Microsoft
ABOUT AN INCREASEd INBOT
H: VOLU-ME AND COMPLE-me
XITY OF IN FORMATION TEX*
SFOR THE FIRS
*TIME ADOPTED VISUAL AND GRAPHIC HIERARCHIES
autoSCHEMATICS
DIAGRAM* CLASS, IF I CAn'T
I**S ALL DESIGNED WITH THERE ADs
ERSCHOLAR IN MIND THE SET tECHNIQUES
tENABLE* WRITERS TOP REPAREd TEXTS
RICH IN CROSS-REFERENCES
WHICH PRESUP
POSED THAT *HERE, ADdER-LIKE, THE AUTHOR Hides
AD: THE ABILITY TO FLIP brains
FROM *OLIO TO *OLIO IN ORDERTORE
beLATED ARGUMENTS TO THE hIeRLOGICAL ANTECEDENTS
AND TO beCOMe PAREnt, COMMENT* ON RELAT**ions
BUT DISPARATE PASS AGES
OF A SCRIPTURE
SOUNDS LIKE HYPE
R TEXT TO ME CONCLUDE THE AUTHORS
THESe KILL
iS THAT WE? HA!
VEra ACQUIRED FOR TEX
T: HANDLe IN GIN THE BROAD
wEST SENSE--RAPIDSILENTREADINGS
K: I'M READING READING
T: ABLE SAND GRAPH SAND
EXTENSIVE, U SEe
this is the point at which I became tired of this extensive exercise, although the deconstruction was still incomplete--The Editors