25 is twen*ty-sev*en; twen*ty-sev*en, 25





























1 of 26 (a/z)

    frosted fakes-they gggraTe!
  1. a flame: son of spam i aM
  2. 6 foot 2, eyes of mud/moO
  3. vicious factious fictitiOus

2 of 26 (b/z)

    Canon fodder
  1. Serial reader/linear writer
  2. Now what? the party line:
  3. Straight ahead

3 of 26 (c/z)

    tHere's no there there
  1. wOrd is a word is a word--
  2. oR is it?
  3. [Error: invalid file name]

4 of 26 (d/z)

    a Spike lee joint
  1. meTatext: how great thou
  2. arT
  3. Mo better Pomo(dernism)

5 of 26 (e/z)

    a don king Presentation
  1. reader versUs writer
  2. 12-chapter Bout
  3. -gonna reinScribe your face

6 of 26 (f/z)

    sandy: "arf-Arf!"
  1. [abort retry fail?] a
  2. [abort retry fail?] r
  3. [abort retry fail?] f

7 of 26 (g/z)

    brickbat
  1. the mouse thaT roared
  2. click-and-draG racer
  3. cut and paste, O bricoleur

8 of 26 (h/z)

    virtuous realiTy
  1. cult of s(t)imUlation
  2. virtual virginS sacrificed
  3. [you must be eIghteen]

9 of 26 (i/z)

    zed, said fred
  1. cypherspace: zer0s and 0nes
  2. (mostly zer0s) oUght-naught
  3. [error: disk fulL]

10 of 26 (j/z)

    I. [read/write eRror]
  1. read=to skim, skIp, browse
  2. read=to process, to consume
  3. read=to produce, to write

11 of 26 (k/z)

    II. [read/wrong eRror]
  1. read=appropriate, poach...
  2. ...steal
  3. revise, rewrite, Reinscribe

12 of 26 (l/z)

    III. [wread/rite error]
  1. i read, therefore i am...
  2. ...a writer
  3. [error: access denied]

13 of 26 (m/z)

    stupid is as stupid as dos
  1. artificial intelligence
  2. natural-born stupidity
  3. [error: not enough memory]

14 of 26 (n/z)

    daed si luap
  1. cuckoo haiku:
  2. i am the eggmAn (poached)
  3. paper-backed Writer

15 of 26 (o/z)

    united centEr
  1. the center Cannot hold
  2. text is decEntered
  3. you are herE

16 of 26 (p/z)

    apParently transparent
  1. 7-Layers-of-deferral cake
  2. syStem requirements=pentium
  3. foRk, capacity for opacity

17 of 26 (q/z)

    all lost in the Supermarket
  1. personality: renT to own,
  2. no money down. NO likee?
  3. morph it, put it to sleep

18 of 26 (r/z)

    (f)layers of defuR-all
  1. abstracted/distraCted
  2. deferred/referred to the
  3. son of a son of a footnote

19 of 26 (s/z)

    francophilosophistry
  1. bricolage/decoupage
  2. "j'aime Jerry"[nutty frogs]
  3. i'm going to s/z-land!

20 of 26 (t/z)

    untitled
  1. word imprinted--
  2. Word Imperfect
  3. [intentionally left blank]
    123456789123456789123456789

21 of 26 (u/z)

    global search-anD-replace-
  1. -village: find "Individual"
  2. replace with "coMmunity"
  3. [error: not founD]

22 of 26 (v/z)

    I. prix fixe: man vs man
  1. heterogeneitY/displacement
  2. fragmentatioN/multiplicity
  3. [incompatiblE file format]

23 of 26 (w/z)

    II. dim sum: man vs himself
  1. Place: ity[bity] ipli-city
  2. Men: "hetero!" "frag!"
  3. Gene? dismultation.

24 of 26 (x/z)

    wYsiwyg
  1. wHat you're seeing is wrong
  2. (You guess?). when you're
  3. sAd, invoke web--your god

25 of 26 (y/z)

    deep blue or widely re(a)d?
  1. sink or skim? read deep
  2. (ragged claws scuttling) oR
  3. wide (flat rock skipping)?

26 of 26 (z/z)

    http://www.revOlution.com
  1. after the revoLution, every
  2. 1 will write, No
  3. 1 will read
PAPER OR PLASTICREADINGWRITINGAN
DCOGNITIONPREANDPOSTCOMPUTER
WORD
ISAWORDISAWORDORISITWORDISAWORDIS
AWORDISAWORDISAWORDISAWORDSA
MEWORDDIFFERENTPRESENTATIONDIFF
ERENTDELIVERYINTHESENSEOFCLASSIC
ALRHETORICANDDIFFERENTMEANINGS
DIFFERENTEMPHASESNOWPRETENDYO
UREREADINGTHESEWORDSONACOMPU
TERSAMETEXTDIFFERENTMEDIUMHOW
DOYOUEXPERIENCETHEELECTRONICTE
XTDIFFERENTLYFROMTHEPAPERONEH
OWFARAREYOUGOINGTOREADHOWFA
RDOYOUWANTTOHOWMUCHDOESTHET
EXTANDITSLOOKDRAWNYOUINDOY
OUREYESTIRESOONERDOESYOURMOU
SEHANDACHEHOWDOESTHETEXTDISP
LAYONYOURPCISTHEFORMATTINGRI
GHTARETHEFONTSREADABLEYETST
YLISHDOTHELINEBREAKSWORKORD
OYOUHAVETOCURSORAROUNDISYO
URCOMPUT
ERSLOWISYOURSCREENDIRTYGOT
THEURGETOJUMPTOHYPERTEXTINS
HORTHOWMUCHRHETORICALCONT
ROLDOIRHETORWRITERHAVEOVER
THETEXTANDULTIMATELYOVERYO
UANDCONVERSELYHOWMUCHCON
TROLDOYOUHAVEOVERMEIEMYTE
XTHOWDOYOUREADITISITSTILLRE
ADINGWHICHPARTSDOYOUSKIM
WHICHDOYOUIGNOREINTHEGUTEN
BERGELEGIESSVENBIRKERTSDISCUS
SESTHEENDOFAUTHORITYBROU
GHTABOUTBYHY
PERTEXTANDTHECONTROLITGI
VESTHEREADEROVERNAVIGATIONA
NDDISPLAYTHETEXTISNOLONGERT
HESTATICPRODUCTOFONEMINDCO
MMITTEDTOPAPERFORTHEAGESITIS
ACONSTANTLYCHANGINGDECENTR
ALIZEDMANYHEADEDHYDRATHATE
VERYREADERCREATESFORTHEMSEL
VESTHEREADERBECOMESTHEAUTH
ORWRITINGHEROWNTEXTWITHEAC
HCLICKOFTHEMOUSETHESTRUCTU
RETHATANAUTHORSOCAREFULLYA
RCHITECTEDFORHERWORKISDEFENS
ELESSAGAINSTTHEKEYWORDSEARC
HCAPABILITIESOFTHECOMMONCOM
PUTERWRITESMARTINRYDERADD
SJAYDAVIDBOLTERTHEREADERMA
YWELLBECOMETHEAUTHORSADVER
SARYSEEKINGTOMAKETHETEXTOV
ERINADIRECTIONTHATTHEAUTHORD
IDNOTANTICIPATETHECOMPUTER
THEREFOREMAKESVISIBLETHEC
ONTESTBETWEENAUTHORANDREAD
ERTHATINPREVIOUSTECHNOLOGIES
HADGONEONOUTOFSIGHTBEHINDT
HEPAGEWHATARESOMEOFTHEOTH
ERDIFFERENCESBETWEENPAPERAND
PLASTICTEXTBESIDESREPRESENTIN
GIDEASAPAPERTEXTALSOCONSTITU
TESAVISUALARTIFACTTOUSECHA
RLESKOSTELNICKSTERMADINGAN
SICHATHINGITSELFATEXTSPHYSIC
ALQUALITIESEVERYTHINGFROMTHE
SIZEWEIGHTANDORIENTATIONOFP
APERTOTYPEFONTSGRAPHICSANDU
SEOFWHITESPACEMAKEUPTHISTHI
NGNESSPLASTICTEXTINCONTRAST
ISNOTHINGNOWHERETHELETTERS
WEENCOUNTERONOURCOMPUTERSC
REENSEEMTOBETHESAMELETTERST
HATWEFINDINOURPAPERBACKSSCH
OLARLYEDITIONSLEATHERBOUNDT
OMESANDFLAKINGDISINTEGRATIN
GACIDIMPREGNATEDNINETEENTHC
ENTURYBOOKSBUTTHEYAREINFACT
THETEMPORARYTRANSIENTREPRES
ENTATIONSOFDIGITALCODESSTORE
DINACOMPUTERSMEMORYECHOE
SBOLTERTHEBITSOFTHE[ELECTRON
IC]TEXTARESIMPLYNOTONAHUMAN
SCALEELECTRONICTECHNOLOGYRE
MOVESORABSTRACTSTHEREADERA
NDWRITERFROMTHETEXTIFYOUHOL
DAMAGNETICOROPTICALDISKUPTOT
HELIGHTYOUWILLNOTSEETEXTATA
LLTHETEXTISFILTEREDTHROUGHL
AYERSOFHARDWAREANDSOFTWARE
THEREARESOMANYLEVELSOFDEF
ERRALTHATTHEREADERORWRITERI
SHARDPUTTOIDENTIFYTHETEXTATA
LLISITONTHESCREENINTHETRANSIS
TORMEMORYORONTHEDISKTHISV
ERYEPHEMERALITYOFSUBSTANCEAN
DSPACEAVIRTUEFORBOLTERWHOSE
ESTHEPOSSIBILITIESFORNEWWAYSOF
COLLECTINGANDPROCESSINGINFOR
MATIONISONEOFPLASTICTEXTSORIG
INALSINSFORBIRKERTSEXCHANGIN
GTHEPHYSICALPAPERBOUNDTEXTFO
RITSMACHINEMEDIATEDPLASTICCO
UNTERPARTHEARGUESSACRIFICES
DEPTHFORBREADTHASREADERSSKI
MACROSSTHESURFACEOFAVASTU
NDIFFERENTIATEDANDINSTANTLY
AVAILABLESEAOFINFORMATIONRA
THERTHANDELVEDEEPLYINTOANY
GIVENTRIBUTARYTHEPOINTISWELL
TAKENPARTICULARLYWHENRUMI
NATINGOVERTHEFOLLOWINGSENT
ENCEFROMSTEPHENBERNHARDTD
ESCRIBINGTHEINCREASI
NGLYVISUALASPECTOFINFORMATIO
NANDTHEGROWTHOFELECTRONICM
EDIAHEWRITESFURTHERUSEOFISOL
ATEDLOCALIZEDPASSAGESALSOSEE
MSLIKELYWITHINFORMATIONCALL
EDUPINSHORTSNATCHESININTERAC
TIONALPATTERNSRATHERTHANINE
XTENDEDRHETORICALLYINTEGRAT
EDPROGRESSIVETEXTSTHISISHYPERT
EXTINANUTSHELLANDITSPERFECTLY
ACCEPTABLEFORCERTAINTYPESOFIN
FORMATIONBUTWHATHAPPENSTO
XTENDEDRHETORICALLYINTEGRATED
PROGRESSIVETEXTSPASTPRESENTA
NDFUTUREARETHEYHYPERTEXTUALI
ZEDAGAINSTTHEIRANDTHEIRAUTHO
RSWILLDICEDINTOSCREENSIZEDSEG
MENTSHYPERLINKEDEVERYWHICHW
AYFROMTHEMETAMORPHOSISABRO
WSERNOTREADERCOULDJUMPTOANP
ESTEXTERMINATORSHOMEPAGEORA
VIDEOTRAVELOGUEFORPRAGUEMY
POINTISSOMETEXTSBELONGINELECT
RONICMEDIASOMEDONOTINBETWEE
NTHEFUTURISTSANDTHELUDDITESLIE
SAGOLDENMEANOFELECTRONICAND
PAPERTEXTSCOEXISTINGP
EACEFULLYEACHINITSAPPROPRIATE
PLACEANDWHATISAPPROPRIATEWI
LLBEDECIDEDBYWRITERSANDREADERS
THISISALARGEPARTOFWHATSCARESMA
NYHUMANISTSABOUTTHENEWTECHNO
LOGIESTHEDEMOCRATICIZINGIMPULSE
THATELEVATESREADERJUSTASITREDU
CESWRITERITHINKWECANRECOGNIZ
EANDENJOYTHERICHESOFTHEINTERN
ETINMODERATEPORTIONSANDCONTI
NUETOSAVORONPAPERANAUTHORSI
NTEGRATEDLINEAREXTENDEDDEPICT
IONOFTHEWORLDWHETHERTHISWILL
ACTUALLYHAPPENHOWEVERISANYO
NESGUESSRIGHTNOWTHEFORCESOF
ALLENCOMPASSINGINFORMATIONEL
ECTRONIFICATIONAREVIRTUALLYHA
INCONTROLFURTHERWHENONEHA
SACCESSTOACDROMOFSAYSHAKES
PEAREWITHHYPERTEXTGRAPHICSA
UDIOANDALLKINDSOF
WHISTLESANDBELLSWHYBOTHERT
OSITDOWNWITHAPAPERBACKHAMLE
TANDACTUALLYREADTHETHINGEL
ECTRONICINFORMATIONISSEDUCTIV
EITMAKESLEARNINGSEEMEASYAND
FUNITSENTERTAINMENTANDTHATS
WHATOURCULTURESBUILTAROUND
ELECTRONICALLYAVAILABLEINFOR
MATIONCANSUPPLEMENTOURKNOW
LEDGEOFAGIVENTEXTWHENITREPL
ACESOURFOCUSEDATTENTIONTOTH
ATTEXTHOWEVERTHEREINTHEDAN
GERLIES*PERSONALTESTIMONIAL
FORELECTRONICTEXTTHEFOLLOW
INGISANUNPAIDTESTIMONIALINSUPPO
RTOFELECTRONICTEXTTOWRITEAPA
PERFORACLASSONTHEHISTORYOFEN
GLISHPROSESTYLEIDOWNLOADEDA
COPYOFWALDENFROMANINTERNETSI
TEOFEBOOKSBYAPPLYINGVARIOUSFU
NCTIONSOFBOTHWORDPROCESSINGAND
MTASTEXTANALYSISSOFTWAREIWASABL
ETODERIVESOMEINTERESTINGQUANTITA
TIVEINFORMATIONABOUTTHETEXTSSTYL
EALSOBYREDUCINGTHETEXTSIZETOONE
POINTANDDISPLAYINGTHETEXTINLANDSC
APEFORMATIGOTAGRAPHICPICTUREOFPA
RAGRAPHANDSENTENCELENGTHIMSURE
THATTHOREAUOFALLAUTHORSWOULDN
OTHAVEAPPROVEDOFSUCHREADERCENTR
ICTEXTMANIPULATIONANDTECHNOLOGI
CALRELIANCEBUTITCERTAINLYPROVEDT
OBEAVALUABLERESEARCHMETHODFORME
*JUSTASGUTENBERGSINVENTIONWASPIV
OTALINREPLACINGORALITYWITHLITERAC
YSOAREWEPASSINGTODAYTHROUGHAPO
RTALINTOAGRAPHICVISUALWORLDINW
ALTERONGSANDERICHAVELOCKSTERMI
NOLOGYSECONDARYORALITYEVENTH
ESHORTHISTORYOFCOMPUTERSILLUSTRA
TESTHISCHANGEQUITENICELYFROMTHEN
ONINTUITIVEDOSBASEDENVIRONMENTSO
FYESTERDAYWEHAVEEMERGEDINTOTHELI
GHTOFGRAPHICALUSERINTERFACESGUIS
ICONSWYSIWYGANDTHEHEGEMONYOFT
HEMOUSEOVERTHEKEYBOARDTODAYSI
NFORMATIONTHENISVIRTUALANDVISU
ALWHATISCALLEDTHEVISUALRHETORI
COFTEXTSHASBEENANINCREASINGTO
PICOFEXPLORATIONFORMANYWRITER
SBERNHARDTKOSTELNICKEDWARD
TUFTEINBERNHARD
TSCONCEPTIONWRITTENTEXTSCAN
BENONVISUALLYORVISUALLYINFOR
MATIVECONTRASTANOVELWITHTU
FTESELEGANTINTEGRATIONOFTEXT
ARTGRAPHICCHARTINENVISIONING
INFORMATIONVISUALLYINFORMATIVEV
ARIEDSURFACEOFFERSAESTHETICPOSSIBI
ESLOCALIZEDEACHSECTIONISITSOWNLOCAL
EWITHITSOWNPATTERNOFDEVELOPMENTICO
NICSPACINGHEADINGSREVEALEXPLICITHIG
HLYVISIBLEDIVISIONSREADERCANJUMPARO
UNDPROCESSTHETEXTINANONLINEARFASHI
ONACCESSINFORMATIONEASILYREADSELEC
TIVELYNONVISUALLYINFORMATIVEHOMOG
ENOUSSURFACEDENSEUNDISTINGUISHEDBL
OCKOFPRINTPROGRESSIVEEACHSECTIONLEA
DSSMOOTHLYTOTHENEXTINTEGRATEDREAD
ERMUSTREADORSCANLINEARLYTOFINDDIVIS
IONSSIMILARLYINANARTICLEWRITTENS
EVENYEARSLATERIN1993ASELECTR
ONICTEXTHADBECOMEMUCHMOREC
OMMONBERNHARDTDELINEATESSO
MEOFTHEFEATURESOFSCREENBASE
DTEXTITISSITUATIONALLYEMBED
DEDBOUNDUPINTHECONTEXTOFASI
TUATIONINTERACTIVEINVITINGA
CTIVERATHERTHANPASSIVEREADIN
GFUNCTIONALLYMAPPEDPROVID
ESCUESFORUSEMODULARPRESEN
TEDINSELFCONTAINEDCHUNKSNA
VIGABLESUPPORTSREADERMOVEM
ENTINANYDIRECTIONHIERARCHIC
ALLYEMBEDDEDTEXTCONTAINSOT
HERTEXTSSPACIOUSUNCONSTRAI
NEDBYPHYSICALITYGRAPHICALL
YRICHCUSTOMIZABLEANDPUBLISH
ABLEFLUIDCHANGINGSOWELLDE
SIGNEDELECTRONICTEXTSTOTAKEF
ULLADVANTAGEOFTHISSPACIOUSG
RAPHICALLYRICHMEDIUMSHOULD
MAKEUSEOFVISUALRATHERTHANVE
RBALSTRUCTURESRIGHTTHEYSHO
ULDBUTTHEYARENTARGUESGEOR
GEPLANDOWTHISPARADIGMSHIFTF
ROMVERBALTOVISUALHASENCOUN
TEREDSTIFFRESISTANCEOFTENFRO
MTHOSEFROMWHOONEISLEASTLIKE
LYTOEXPECTITNAMELYFROMTHOS
EWHOALREADYEMPLOYCOMPUTERS
FORWRITINGTHISSTEMSFROMATR
ADITIONALROMANTICCONCEPTION
OFWRITERSASPUREWRITERSNOTCO
MMUNICATORSAVIEWPOINTWHICH
ALSODEVALUESVISUALINFORMATIO
NMAKINGUSEOFSUCHDEVALUEDO
RLESSERVALUEDFORMSOFINFORMA
TIONORDOESVISUALMATERIALDES
ERVETHEDESCRIPTIONREALINFORM
ATIONATALLINSOMEWAYREDUCE
STHESTATUSOFTHEWRITERMAKING
HIMORHERLESSOFAREALWRITERTH
ISVIEWMAYSTILLPREVAILINCERTAINQ
UARTERSACADEMIAFOREXAMPLE
BUTITHINKTHEOVERWHELMINGPREV
ALENCEANDIMPORTANCEOFGRAPHI
CCONTENTINELECTRONICMEDIAHAS
MADEWEBPAGEDESIGNERSANDWRITE
RSMORENOTLESSAWAREOFANDRE
SPONSIVETOVISUALCONCERNSBESI
DESLANDOWSBOOKWASPUBLISHED
FIVEYEARSAGOANETERNITYINCOMP
UTERYEARSA486PCWASTHEFASTESTTH
INGGOINGTHEWEBSOMETHINGASPID
ERMAKESWHETHERANDWHERERES
ISTANCETOVISUALINFORMATIONEXI
STSISBESIDESTHEPOINTITSHERETH
EPUREVERBALWRITINGSPACETHEIM
PLICITIDEALOFPRINTTECHNOLOGYN
OWPENETRATESORISPENETRATEDBYTH
EPICTORIALSPACEOFTHEIMAGEAND
THENUMERICALSPACEOFTHEGRAPH
[P]RINTISANTICIPATINGTHENEWVI
SUALRHETORICOFELECTRONICWRITI
NG*ASNOTEDABOVEIFTEXTINAPLAS
TICMEDIUMASSUMESPAPERDIMENSION
STHERESULTCANBEAWKWARDINAPPR
OPRIATEEVENUNREADABLEWHATABO
UTTHEOPPOSITECANPAPERTEXTDRE
SSITSELFINTHENONLINEARDECENTER
EDGRAPHICALLYRICHREADERCENTR
ICRATHERTHANAUTHORITATIVECL
OTHESOFITSPLASTICCOUNTERPARTT
HEINHERENTPHYSICALITYOFPAPERM
AKESSOMEOFTHESEEFFECTSHARDER
TOACHIEVEBUTIFTHELONGHISTORY
OFMETATEXTUALEXPERIMENTINGFR
OMLAURENCESTERNETOROLANDBAR
THESANDJOHNBARTHISANYINDICA
TIONITCANBEDONEANDDONEWELL
INFACTARGUECLIFFMCKNIGHTAND
REWDILLONANDJOHNRICHARDSON
WHILEEARLYTEXTSWEREUN
DOUBTEDLYLINEARINTERMSOFCON
TENTANDUSAGETHEINCREASINGSO
PHISTICATIONOFBOTHTECHNOLOGY
ANDREADERSSKILLSALLOWEDTHIS
LIMITATIONTOBEOVERCOMEINDEE
DINSOMERESPECTSITISPOSSIBLETO
CLAIMTHATTHELINEARDOCUMENT
WASOBSOLETEBYTHE13THCENTURY
!INTHISLIGHTTHECLAIMSTHATHYPE
RTEXTHASTHEPOTENTIALTOFREETH
EREADERFROMTHECONSTRAINTSOF
LINEARBASEDDOCUMENTSAPPEART
OBEUNJUSTIFIEDASMEDIEVALSCH
OLASTICISMBROUGHTABOUTANINC
REASEINBOTHVOLUMEANDCOMPLE
XITYOFINFORMATIONTEXTSFORTHE
FIRSTTIMEADOPTEDVISUALANDGRA
PHICHIERARCHIESSCHEMATICSDIA
GRAMSCLASSIFICATIONSALLDESIG
NEDWITHTHEREADERSCHOLARINMI
NDTHESETECHNIQUESENABLEDWR
ITERSTOPREPARETEXTSRICHINCROS
SREFERENCESWHICHPRESUPPOSEDT
HATTHEREADERLIKETHEAUTHORH
ADTHEABILITYTOFLIPFROMFOLIOTO
FOLIOINORDERTORELATEDARGUME
NTSTOTHEIRLOGICALANTECEDENTS
ANDTOCOMPARECOMMENTSONREL
ATEDBUTDISPARATEPASSAGESOFAS
CRIPTURESOUNDSLIKEHYPERTEX
TTOMECONCLUDETHEAUTHORSTH
ESKILLSTHATWEHAVEACQUIREDFO
RTEXTHANDLINGINTHEBROADESTSE
NSE[RAPIDSILENTREADINGSKIMREA
DINGREADINGTABLESANDGRAPHSA
NDEXTENSIVEUSEOFINDICESANDCO
NTENTS]MAKESERIALREADINGARAR
ESTRATEGYOUTSIDEOFFICTIONP
ERHAPSINDEEDTHEEXTENTOFSERIA
LREADINGANDLINEARWRITINGINTH
EPRINTAGEHASBEENOVERESTIMATE
DPARTICULARLYBYTHOSELIKEBIR
KERTSWHOHAVEANAXETOGRINDIN
THEDEATHOFLITERATUREALVINKER
NANCITESNABOKOVSPALEFIREASG
RAPPLINGWITHAGROWINGNARCISSI
SMANDSOLIPSISMINMODERNLIFETH
AT[MAKES]ANYKINDOFCOMMUNICA
TIONINCLUDINGTHEPRIVILEGEDLIT
ERARYKINDBETWEENAUTHORSAND
READERSINCREASINGLYDIFFICULT
PERHAPSEVENIMPOSSIBLETHENO
VELCONSISTSOFANUNFINISHED999LI
NEPOEMANDTHEPUTATIVELYSCHOL
ARLYBUTINCREASINGLYBIZARRECO
MMENTARYTHATACCOMPANIESITA
SBOLTERWRITESOFBARTHESSZAC
OMMENTARYISBYNATUREASERIESO
FINTERRUPTIONSANDINTHISCASEB
ARTHESCOMMENTSOVERWHELMTH
ESTORYANDPRYITAPARTBOTHTYPO
GRAPHICALLYANDCONCEPTUALLY
BARTHESWRITINGISDECADENTINTH
ESENSETHATITISADECLINEORFALLI
NGAWAYFROMANIDEALFORMOFWRI
TINGFORTHEAGEOFPRINTNABOK
OVSNOVELISDECADENTINTHESAME
WAYITISHYPERTEXTUALANDCANBE
READLIKEAHYPERTEXTBUTONLYTH
ATTOCALLITASYMPTOMOFLITERAT
URESDEMISEISBOTHTOOVERSTATET
HETHREATOFHYPERTEXTUALPROSE
WHETHERPAPERORPLASTICANDTO
DEVALUETHESTAYINGPOWEROFLIT
ERATUREHOWEVERYOUDEFINEITK
ERNANSDIREPESSIMISMREMINDSON
EOFTHOSESELFPROCLAIMEDPROTEC
TORSOFENGLISHWHOCOUNTITSDEC
LINEWITHEVERYHOPEFULLYANDI
MPACTUSEDASAVERBTOBIRKERT
STHENIWOULDSAYTHEREISMOREIN
HEAVENANDEARTHANDINPAPERAND
PLASTICANDINREADERANDWRITERT
HANISDREAMTOFINYOURPHILOSOPH
YHISRELUCTANCETOFULLYADOPTPL
ASTICTEXTISUNDERSTANDABLEEVE
NADMIRABLEBUTIBELIEVEHISARGU
MENTSUFFERSFROMTOOMUCHDIAL
ECTICNOTENOUGHSYNTHESISTOOM
UCHEITHERORBLACKWHITELINEAR
NONLINEARDEPTHBREADTHPRIVA
TECOLLECTIVEAUTHORITATIVEMIS
READERLYLIFEANDREADINGANDW
RITINGISMOREMESSYTHANTHATS
OISTHISPAPERMOREMESSYTHANTH
AT[ANDINSOWRITINGIBREAKTHEH
YPERTEXTUALSENSEOFSTOPPAGEI
MPLIEDBYTHECENTEREDASTERISK
ABOVEANDINSOWRITINGTHEPREV
IOUSPHRASEIM
AKEAMETATEXTUALCOMMENTONT
HISTEXTBREAKINGTHEWRITERREA
DERCONTRACTBREAKINGTHEHERM
ETICSEALOFTHISACADEMICPAPERM
AKINGAPOSTMODERNLEAP]BUTASD
ONALDNORMANWRITESINTHEDESIG
NOFEVERYDAYTHINGSHYPERTEXTM
AKESAVIRTUEOUTOFLACKOFORGAN
IZATIONBUTTHISISNOTWHATIWA
NTEDTOSAYTHETEXTTAKESOVERM
YAUTHORITYWANESREADERSRULE
WHATIWANTEDTOSAYWASIMWRO
NGIBEINGTHISTHESEWORDSASSE
MBLEDINTHISWAYSAYSWHOSAYS
EVERYMISREADERITHASBEENSAID
THATTHEREARENOREADINGSONLY
MISREADINGSBUTLETSREVERSETH
ATLOGICTHEREARENOWRITINGSON
LYMISWRITINGSREADERSAREALWA
YSRIGHTBECAUSETHEYTAKEWHATT
HEYWANTNEEDFROMATEXTTHATS
AIDTHECOLLABORATIVEREADERCE
NTRICNATUREOFHYPERTEXTMAKES
ITTHEBESTPLACEFORMISWRITING
ASPETERELBOWNOTES[W]RITINGT
URNSOUTTOBETHEIDEALMEDIUMFO
RGETTINGITWRONGTHISEVANESCE
NCEOFWRITINGISENORMOUSLYENH
ANCEDBYTHENEWELECTRONICMEDI
AWHEREWORDSAREJUSTELECTRICA
LORMAGNETICIMPULSESONASCREE
NORADISKFURTHERTHECULTIV
ATIONOFWRITINGASEPHEMERALFOS
TERSTHEMENTALITYWHEREBYWE
USEDISCOURSEANDWRITINGINPART
ICULARNOTSOMUCHTOEXPRESSWH
ATWETHINKBUTRATHERTODEVELOP
ANDTRANSFORMITTHISISEXACTLYW
HATOURCOMPOSITIONTHEORYCLASS
HASDONEVIATHEHYPERNEWSSITEONT
HEINTERNETTRUESOMESTUDENTSAR
EMOREWILLINGTHANOTHERSTOBARE
THEIRINNERTHOUGHTPROCESSESOTH
ERSPREFERRINGTORELEASEFORPUBLI
CCONSUMPTIONAPRODUCTRATHERT
HANAPROCESSBUTALLOFUSINCLUD
INGTHEINSTRUCTORARETHECOAUTH
ORSOFAMEGATEXTAPROCESSCOMP
UTERPROCESSEDTHATSNEVERFINAL
THATSCONSTANTLYCHANGINGTOME
ETITSMISREADERSANDMISWRITER
SCHANGINGNEEDSANDVIEWSITISHE
RETHATTHEDREAMSNIGHTMARESOFF
UTURISTSLUDDITESAREREALIZEDTHA
TTHEAUTHORITYOFAUTHORANDAUTH
ORSTEXTENDSCOMMENTS




























bob [email protected]

go back

go home

go on

note: the conceptualization and execution of this hypertext markup language document has been certified as drug-free by the Surgeon General designate, whoever that is.

Hosted by www.Geocities.ws

1