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MEMORIES of TINA |
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The first time I met Tina she was in a bathrobe, a rag around her
head, no makeup, but her uniqueness and power couldn’t have impressed
me more. It was the summer of ’84, she was opening for Lionel Ritchie
at the Forum in Los Angeles and she
was in her dressing room after the performance. I remember feeling bad
for Lionel, she was a tough act to follow. A mutual friend of her
manager Roger Davies and mine recommended me for the band. I had played
for a couple of pretty famous singers but I was still quite nervous to
meet this legend and, of course, as a red blooded young man, excited to
meet the sex goddess. If I had any illusions about this, it was set
straight immediately. Although ve The next time we met we didn’t really meet, she got word to me at a small gig (she played SMALL gigs then) that I was to play a sax solo on ‘Help’ from off stage and that would be my audition. Tina has a very honest, no BS way about her and after the tune, she said to the audience something like, “The sax you heard was a guy we’re auditioning. He sounded pretty good, maybe we’ll keep him”. She did, and I started rehearsing with her and the band. The details of the first rehearsal escape me except for one extraordinary thing, she cooked home made soup for the entire band and crew. This was such a lucky time for me to join because ‘Private Dancer’ had just been released, ‘What’s Love Got To Do With It’ was climbing the charts and in a matter of a couple of months, she went from McDonald’s conventions and small casino gigs to selling out all the major coliseums in Europe and the US. The thing that stays with me the most is after seeing minor success totally screw up a couple of singers, she appeared to take it all totally in stride and didn’t seem to change one bit, with the exception of the soup, I guess that takes a little more time than she had then. As I recall, it was very good.
After 15 years of
playing for Tina, my impression of her character is a strong combination
of earthiness and spirituality. Although I have no proof of this and
it’s purely intuition on my part, there were a couple of
times sitting or
standing next to her when she would lean in to me slightly.
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One thing that definitely isn’t fantasy is her unique way with
words. Some may call it blunt but to me it speaks of a childlike lack of
fear that I really respect. A good example of this is on the ‘Wildest
Dreams’ tour. As many people who’ve seen the show over the years
know, when I first joined the group I was very much into bodybuilding
but then I lost interest in it and went on a strict vegetarian diet so I
lost quite a bit o One thing that I’m sure all of her fans know is her incredible commitment to her show. Tina is definitely not a drinker, but at the close of the ‘93 tour in New Zealand we had a big party where all of the band dressed in drag and lip-synced songs for her. Everybody had a great time and was quite boisterous and Tina, the only time in 15 years I’ve ever seen it, had one too many glasses of champagne. The next day, the last gig, she was quite ill and didn’t seem able to sit up, much less perform. And to make matters worse, the show was outside and it was raining extremely hard, almost horizontally, all the equipment was covered up, and it was bitterly cold. The rain all over the stage made it very slippery and the wind was still whipping. I had Doc Martins on and I was worried about falling. She gave a great performance that night, danced beautifully, went out from under the tent and got very wet with all her fans. My mouth was wide open, I was amazed, it was approaching superhuman.
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