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T
H E L E G E N D O F T H E
T U A R - T U M S
B Y C L A I R M I L L E T T
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| In
1980, I was camping at the bottom of the Grand Canyon and met an artist
by Havasupai Falls. We became friends and he shared the following story
about the Papago Park area in Phoenix, Arizona with me. |
THE
PAPAGO BUTTES
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The
name 'Valley of the Sun' is much older than most people imagine. I learned
this as I listened to a strange and fascinating story. A story revealed
to me by an old, wrinkled, white-haired apache woman one clear, chilly
September evening as she huddled by my campfire. A story only she knows...and
me, and now you!
She explained
how, millenniums ago the sun sent down an awesome, brilliant fireball
to incinerate a band of giant invaders who threatened his children.
She told me those Indians still survive today in huge caverns beneath
the Valley floor. How they kidnap all who discover them, taking them
away to their subterranean cities.
I can't
swear this story is true, but I heard it from a dying woman, the guardian
of her people's legends. In telling this tale, I am making good my pledge
to her that night, to keep the story alive after she was gone.
Because
I am deeply interested in Indian lore and traditions, I have spent many
years studying and painting their ceremonial dances. I have become friends
with many of them. It was through one such friendship with an Apache
medicine man that I was invited to the very impressive 'Changing Woman
Ceremonial' (Apache Crown Dance) for his daughter. Few white men are
invited to these very personal, sacred ceremonies. I took it as a high
compliment when I was asked to come.
I recall
the magic that drew around us even as we arrived at the ceremonial site
in the mountains northeast of Phoenix. It was raining steadily and rivulets
of water ran down the tracks in the dirt road ahead of us.
"Looks
like bad weather for the dance," I observed to an old medicine
man.
He shrugged
and replied, 'No. I made the medicine to move the storm away until we're
through.' The rain soon turned to a light drizzle, then stopped. Not
until the fourth day as we drove away from the meeting place did the
rain clouds come back again.
My daughter
and I spent four days with the San Carlos Apaches and their guest from
the Mescalero Apache tribe. I lent a hand in the cooking, corn grinding
and wood gathering, as my daughter did. We soon melted into the crowd.
The deep feeling of promise and beginnings swept us up, and though we
couldn't understand all the Apache word of the prayers, we prayed along
with her people for the girl's future happiness and well-being.
Late the
third evening, we returned to our camp from the colorful ceremonial
dances and I put another log on the fire. Bright sparks jumped into
the air and the flickering flames performed a ritual dance of their
own. I sat almost hypnotized by the erratic movements of the fire, with
the rhythmic beat of the drums in the distance. I heard someone approaching.
There was a rustling of leaves, a snapping of twigs, the crunch of feet
and the whisper of cloth brushing the undergrowth as two figures came
toward us.
As they
entered the ring of light diffused by my fire, I recognized an elderly
white-haired Apache woman I had ground corn for, and her granddaughter.
Stiffly, the old woman, with the help of her granddaughter, settled
down cross-legged near the warmth of the fire. The younger woman invited
my daughter to go see something interesting in the main camp, leaving
us alone in the serene beauty of the mountain night. The old grandmother
leaned forward and said in a high-pitched voice, "You asked about
stories. I will give you one because I like you and trust you I will
die very soon and I do not want my story to go to my grave with me."
She went on to explain that none of her young relatives seemed interested
in the legends that had been passed down through generations of grandmothers.
She asked me to pledge that I would help preserve the story she was
about to tell me.
I swore,
and she slowly began the tale the Tuar-tums, the little Indians who
lived down in the 'Big Valley' (the Salt River Valley of the 'Valley
of the Sun'), and the Jian-du-pids, the giants who invaded their land,
stole their water, ruined their fields, drove them underground and were
finally seared into the earth by the Great Father, the Sun.
'Long,
long ago, long before the people you call Hohokam came here and dug
the first irrigation canals (the first you found anyway), a little tiny
people lived in the Big Valley. They were like so (holding up a hand),
'bout three feet high. Good farmers, using water from the Salt River
to grow fine crops and raise fat animals. They were very happy, singing
and chanting as they worked, until the Jian-du-pids came.'
She described
the coming of enormous Indians, apparently as big as Paul Bunyon, who
used a tree for a toothpick. They came dragging with them massive sleds
containing all their wealth. Their vast horde of gold weighed down a
mountainous camel (she called it a Bay-ze-lea). They also had with them
a huge reddish-brown hunting dog whose head stood as high as the knees
of his masters. It swept on ahead, killing the Tuar-tuams and their
animals and ruining their fields.
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CAMELBACK
MOUNTAIN
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The
giants came from the northeast, headed for their old home in the south,
led by Evilkin, a massive, hulking man who struck fear into the hearts
of all who saw him. When they reached the Roosevelt Lake area, they
decided they could go no further by land, that they must build a ship
to carry them southwest to their home beyond the Gulf of Baja. But where
could they find enough water in the parched desert to float such a tremendous
ship as they required?
The tiny
Tuar-tums lived in the Big Valley using the water from the rivers to
supply their needs for raising food. They lived a healthy, productive
life until the Jian-du-pids came into the valley and diverted all the
rivers, creeks and streams, destroying the dams and irrigation systems.
The Jian-du-pids wanted all the water to flow down the Salt River so
they could launch their ship. In trying to do this, they destroyed much
of the civilization the Tuar-tums had built up. Many of the Tuar-tums
were killed, their farms and homes ruined.
For a time,
the Jian-du-pids returned to the north to bring in more gold and supplies,
but the Tuar-tums knew they would come again. To save their lives, the
little people decided to build everything underground - their homes,
their farms, even divert the rivers into the Undervalley. Since there
were large honeycombed caverns already in existence, this was not an
impossible task.
To the
east, the Four Peaks each held a Tuar-tum sentry facing one of the four
points of the compass. The lookouts signaled with polished copper shields
to a central watchkeeper in the Valley to warn of the return of the
enemy.
When the
Jian-du-pids returned with more supplies and gold, the bright copper
shields flashed the warning. Bitter war, resulted, though of course
the tiny Tuar-tums could do no more than tear down the new diversion
dams at night, steal back their grain and torment the Jian-du-pids by
piling thorn bushes and jumping cactus in their blankets.
Retaliation
followed as darkness follows dusk, and soon the Tuar-tums knew they
must hide. They fled into the vast caverns which they had made ready
beneath the Valley floor. They made their homes there, using stored
food and supplies and grew their crops in tiny plots in out-of-the-way
places on the surface.
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HOLE
IN THE ROCK
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In
what is now Papago Park, between Van Buren and McDowell Road, you will
find 'Hole in the Rock'. A window on the eastern face of the butte opens
onto a wide downward slope under the western face. From the opening,
westward, a huge tunnel sloped down to the safety of the catacombs of
the Undervalley (below the city of Phoenix). At the very top is a small
opening. The old woman explained that the central watchkeeper climbed
a long wooden ladder from the main tunnel, which led into the caverns,
and stood his watch looking out this vent. The ladder was made from
small stripling juniper trees lashed together with leather thongs. What
we see now as 'Hole in the Rock' was the main entrance to the Undervalley.
One terrible
dawn, after a particularly annoying Tuar-tum attack, in the blinding
glare of the rising sun, the Jian-du-pids rushed the entrance to the
Undervalley. Great feet rose and crashed down as the invaders stamped
angrily on the tunnel roof and all around the area, collapsing many
of the caverns and utterly destroying everything they could of the Undervalley
and its people. Bay-ze-lea, their great camel, lay down a little way
to the north, watching, and Dap-gong, their hunting dog, snapped and
snarled fiercely at the wrecked entrance, peering through the tiny hole
that led now only to a smashed slope of earth, debris, and dusty rubble.
From behind
a mesquite bush some distance away, little Dar-lac peered fearfully
out at the terrible devastation. He was perhaps the smallest of the
Tuar-tum men - brown, wrinkled and frail, but surely their holiest holy
man. "Oh, Father Sun," he cried out in beseeching anguish,
"your children will all be smashed. No more will the Tuar-tum live
to sing to you in mid-winter joy as your warmth returns, bringing with
it planting time. Help us, Oh Father, or we will all perish! We have
done all we have the strength to do. Help us, oh Father Sun!"
With that,
trembling, Dar-lac retreated underground in utter despair. He did not
see that the dawn this day grew more brilliant than ever before, that
Father Sun flung out an orange ball of flame which almost touched the
earth. It destroyed the giant ship in its cradle, leaving only molten
rock to mark the place where the golden hoard of the Jian-du-pids lay
buried. Dar-lac did not see the holocaust rush straight toward the rampaging,
terrified invaders and sear them all to smoking skeletons - melting
them down like butter, striking them lifeless and shapeless in an instant,
their faces contorted in agony. The 'the little finer of the Sun', having
flicked away the threat to his children, returned to the heavens.
I looked
up from the crackling, dancing flames of the campfire into the sad eyes
of the old woman. "You see? The Anglos make a park for golf and
picnics and cage up strange animals in a zoo. They name it all for the
Papago tribe, right on the spot where all this happened. Do they not
call the mountain to the north the camel's back? Is there not still
a hole in the rock where the door was? Are there not the grotesque melted
faces of Evilkin and his henchmen in the stone of the buttes? Do you
not see the dog still turning to snap at his tail in the searing flames?
I said
that I would go and look, and a week later, standing beside my van,
I did see them. On the western face of the butte is a distorted but
massive face, and across McDowell Road looking down on the National
Guard vehicle park is another , and yet another she called Eye Socket
Mountain. The camel is still there to the north without a doubt. Turning
east, through the morning haze, I could surely see the 'Four Lookouts'
(Four Peaks) in the distance north of the Superstition Mountains.
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SUPERSTITION
MOUNTAIN
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Superstition Mountains might, I suppose, look like a charred ship, and
when I think of the hundreds who have searched the mountains' innermost
recesses for the fabled hoard of glittering gold, from Jacob Waltz on,
I wonder. The old woman said they just haven't dug deep enough to reach
the 'belly', or what we would call the 'hold' of the giant ship.
I have
found no corroboration for the old woman's story. All I can find are
the molten faces in the stone...the Camel's back, the dog, the hole
in the rock, Four Peaks, and the Superstitions. And I wonder!
Why do
so many climbers fall from Camelback Mountain and the Papago Buttes?
Why have so many people gone into the Superstition Mountains, never
to be seen again? Is it forbidden soil, or sacred ground? Do the Tuar-tum
medicine men cast an evil spell on those who trespass, causing the intruders
to slip and fall? Or, are they pushed by the phantom-like Tuar-tums
who scurry back down into their Under-valley?
The old
woman swore the Tuar-tums still live in the Undervalley. "Do not
climb the Papago Buttes," she said. "Do not peer too deeply
into the holes. If you find the secret opening, you will be caught and
taken down. No one has ever returned!"
As she
finished her story, we both sat quietly starting into the fire for several
minutes without speaking; the she impatiently signaled for me to help
her to her feet. As she quietly slipped away into the inky darkness,
I shivered, but not entirely from the chill breeze which suddenly set
the leaves on the trees dancing and murmuring above me.
This article
was printed in Outdoor Arizona in August, 1978
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About
the Author:
Day-ga-Khle-chee (Man with Red Whiskers) is the Indian name given
to Clair Millet. He is well known to the Indians of the Southwest
as an interested student of their lore. His paintings capture the mystic
glow of firelight behind ceremonial dancers in full costume, and while
he gathers material for his art, he gathers stories too. This is one of
them. The Apache story-teller has since passed away; but, as she requested,
the story has not followed her. |
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