IRAN Section 2

 

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E  Social Structure

Iranian society in the early 20th century consisted of a narrow ruling elite (the Qajar dynasty monarch and his extended family, court-appointed officials in Tehrān and provincial capitals, major landlords, and chiefs of large nomadic tribes); a middle tier, including urban bazaar merchants, the Shia clergy, and artisans; and a large, poor segment comprising mostly share-cropping peasants and nomads but also some town dwellers engaged in service-sector trades. Following the overthrow of the Qajar dynasty in 1925, Reza Shah Pahlavi implemented wide-ranging economic development programs that stimulated the industrialization and urbanization of the country. These changes led to the emergence of two new, urban social groups: a middle class of professionals and technocrats (technical experts) and a working class engaged in manual and industrial labor. Reza Shah’s son and successor, Mohammad Reza Shah Pahlavi, continued the development programs, and the two new social groups gradually expanded.

 

By the late 1970s, however, the professional and technocratic middle class had divided into secular and religious factions. Both groups contributed to the overthrow of the shah in 1979; the secular group objected to the autocratic rule and economic corruption of the monarchy, while the religious group feared that the shah’s embrace of the West threatened traditional Islamic morality. The religious middle class, in alliance with the Shia clergy and under the leadership of Ayatollah Ruhollah Khomeini, gradually split from the secular middle class and consolidated power after the revolution. This group pursued an accelerated industrialization program, causing further expansion of the middle-income population from 15 percent of the total population in 1979 to 40 percent by 1996. The working class also expanded, while the peasant and nomad populations decreased; together these three low-income groups accounted for 53 percent of the population. High-ranking officials, physicians, and entrepreneurs made up the upper-income group (7 percent of the population).

 

F  Way of Life

Codes of personal conduct and group behavior that far predate the Islamic conquest of the 7th century continue to influence Iranian culture. Enduring cultural values include obligations to extended family, hospitality toward guests, and striving to act morally. However, social changes during the 20th century have affected these values. For example, the new professional middle class began living in nuclear family (consisting only of father, mother, and children), rather than extended family, residences. Busy lifestyles in large cities and eight-hour workdays proved incompatible with the custom of spontaneously inviting friends home for a meal. The increase in educational opportunities for girls since 1979 raised expectations among women for work opportunities outside the home. The rapid expansion of the middle class since the revolution has stimulated the growth of a consumer society in which various material goods are perceived as status symbols.

 

The 1979 revolution was heavily imbued with religious rhetoric. Its leaders subsequently banned many forms of entertainment that they considered sinful, including casinos, nightclubs and dance halls, movies that featured nudity or sexual themes, and musical genres such as pop and rock. For more wholesome entertainment, the government encouraged Iranian traditional and Western classical music, new films emphasizing family values, and recreational and sports facilities segregated by gender. Both men and women were required to dress modestly in public. For women, modest dress, or hejab, meant covering their hair with a scarf and having no exposed flesh other than their hands and faces; for men it meant wearing long trousers and long-sleeve shirts.

 

The population continued to enjoy pre-revolutionary leisure activities such as attending sports events, especially soccer, the national pastime. Popular foods include fresh seasonal fruit, greens, and nuts. Also popular are traditional Iranian dishes of steamed rice served with minced lamb and chicken kebabs cooked over charcoal or with traditional stews made with simmered meat, fruits, legumes, and spices. Tea is always served to guests in the home and the workplace; fruit juices and carbonated beverages also are popular. The sale and consumption of alcoholic beverages has been prohibited since 1979, although there is a black market for bootleg vodka and wine. Other general recreational and leisure activities include hiking, picnicking, watching television and videos, and making seasonal visits to Caspian Sea beaches and various historical sites and religious shrines. In large cities, shopping and attending movies, concerts, theaters, museums, and poetry readings also are popular.

 

G  Social Issues

Although government programs have reduced the number of families with annual incomes below the officially defined poverty line from 47 percent in 1979 to 19 percent in 1996, poverty continues to be a major social problem. To lessen the impact of poverty, the government provides low-income families with various subsidies for food, fuel, and utilities. Health care services remain inadequate in rural areas. Another serious social problem is the widespread recreational use of illegal drugs, especially among young men, despite the government’s heavy use of the print and broadcast media to educate the public about the harmful effects of addiction and drug-related crime.

 

H  Social Services

Public social services in Iran include a national health insurance program that provides free or low-cost health care in government-run city hospitals and village clinics. A social security program, funded by a special tax on wages and salaries, provides pensions for retired public sector employees and some private sector employees. It also provides survivor benefits to widows of deceased retirees and veterans killed in action, disability payments to family heads incapacitated by work-related injuries or catastrophic illnesses, and special payments for minor-aged children of deceased workers. Numerous private organizations also provide various social services for low-income people.

 

IV  ARTS

Iranian art forms have a long tradition and distinctive style, as exemplified in architecture, carpets, ceramics, metalware, painting, and woodwork. Government patronage of artists dates from more than 2,000 years ago. Aesthetic ideals predating the Islamic conquest of the 7th century, such as stylized figural representation and geometric shapes, influenced the evolution of art in Iran during the early Islamic period (650-1220). Examples of elaborately decorated bronze, ceramic, gold, and silver objects from this period are preserved in museums. Persian poetry also developed during this time, and works by several poets of the period are considered classic literature. During the Safavid dynasty (1501-1722), considered a golden age for Iranian art, miniature painting and architecture reached their highest point of development. In the 20th century Iranian artists and writers began experimenting with new styles and techniques, incorporating European and East Asian influences into their work.

 

A  Literature

From its beginnings in the 9th century, Modern Persian literature was dominated by poetry. Important poets of the 9th through the 12th century include Rudaki, noted for his qasidas (panegyrics, or written works of praise); Firdawsi, who wrote the famous epic of pre-Islamic Iran, the Shahnameh (completed in 1010); Omar Khayyam, author of the famous Rubáiyát; and Nezami, who wrote the collection known as Khamseh (Quintet). Persian poetry reached its height in the 13th and 14th centuries with mystical poets Jalal al-Din Rumi, Sa’di, and Hafiz. Subsequently, Persian literature declined, and for nearly five centuries both poetry and prose remained uninspired imitation of past masters. A literary revival began in the late 19th century and has continued to the present. Fiction, especially in the form of the short story, has emerged as a new and important genre. Modern Iranian writers include Mashid Amirshahi, Simin Daneshvar, Ismail Fassih, Houshang Golshiri, and Moshen Makhmalbaf (who also directs films). Writers may explore many themes that were prohibited prior to the 1979 revolution, such as political freedom, rebellion against authority, satire of monarchy, and fictional accounts of suffering under the Pahlavi dynasty. However, since the revolution, works deemed to be anti-religious have been banned.

 

Persian art and architecture first developed in the time of Persian king Cyrus the Great (6th century bc) and experienced a renaissance during the Sassanid dynasty (224-651 ad). After the Islamic conquest, the mosque became the major building type, and several new styles of painting developed and thrived during the Safavid era (1501-1722).

 

B  Art and Architecture

Persian art and architecture first developed in the time of Persian king Cyrus the Great (6th century bc) and experienced a renaissance during the Sassanid dynasty (224-651 ad). After the Islamic conquest, the mosque became the major building type, and several new styles of painting developed and thrived during the Safavid era (1501-1722).

 

The 1979 revolution ushered in a period of renewed creativity in fine and applied arts. The proliferation of exhibits sponsored by the Ministry of Culture, by various museums, and by private galleries inspired artistic creativity in mediums as diverse as calligraphy, graphic art, painting, photography, pottery, and sculpture. The boom in public and private construction following the Iran-Iraq War (1980-1988) provided new opportunities for architects. Most new buildings have tended to be updated versions of the structures they replaced. Some younger architects have been experimenting with designs that incorporate traditional architectural motifs into contemporary buildings. In textile arts, younger designers continue to experiment with new patterns and color schemes for hand-knotted carpets and woven coverings. See also Iranian Art and Architecture.

 

C  Music and Dance

Iranian musical tradition is marked by unique vocal styles and rich solo instrumental performance. Since the 1979 revolution, there has been a major revival of interest in Iranian traditional and folk music, both of which are aired regularly on government-run radio and television stations. Popular nationally known singers and performers of traditional music include Hossein Alizadeh, Mohammad Reza Lofti, Shahram Nazari, and Mohammad Shajarian. However, every town has locally famous singers. Traditional musical instruments include the kamánche, or spiked fiddle; the santur, a stringed instrument similar to the hammer dulcimer; the setar, which resembles a lute; and the tar, an ancestor of the guitar. Many Iranian musicians have acquired international reputations as virtuoso performers of these instruments. The most popular folk troupes are those performing Azeri Turkish, Kurdish, and Luri music, as well as Persian seafaring songs from the Persian Gulf coast.

 

D  Theater and Film

A type of passion play called ta’zia, depicting events of Shia religious history, developed during the Safavid era (1501-1722) and enjoyed great popularity during Qajar rule (1794-1925). Influenced by increased European contact, playwrights of the 19th and early 20th centuries wrote satires that often called for reform. During the Pahlavi dynasty (1925-1979), plays were typically patriotic and pro-Western. Since the 1979 revolution, which sought to promote Islamic values, the government has encouraged playwrights but has prohibited plays considered immoral or antireligious.

 

Iranian filmmakers produced the first Iranian feature films in the early 1930s and have made more than 1,000 movies since then. Iranian directors often also write the screenplays for their movies. During the 1990s several Iranian films won awards at international film festivals. Award-winning filmmakers include Bahram Bayzai, Abbas Kiarostami, Majid Majidi, Mohsen Makhmalbaf, and Dariush Mehrjui. In 1997 Kiarostami's Taste of Cherry won the prestigious Palme d’Or (Golden Palm) award for best film at the Cannes Film Festival, and in 1999 Majidi’s Children of Heaven was nominated for an Academy Award for best foreign film of 1998.

 

E  Libraries and Museums

Of Iranian cities, Tehrān has the largest number of museums, including Iran Bastan Museum (Museum of Ancient Iran), which displays archaeological objects unearthed at Iran's pre-Islamic sites. Tehrān’s museums also include Abgineh va Sofalineh Museum, a museum of glass art and ceramics with hundreds of chronologically displayed exhibits, and the Museum of Contemporary Art, which specializes in Iranian and international painting and sculpture. Other major museums are located in Eşfahān, Mashhad, Qom, and Shīrāz. Since 1979 the government has constructed museums in more than 25 provincial capitals. The National Library of Iran, located in Tehrān, houses many valuable manuscripts and historical documents. Public libraries exist in hundreds of municipalities.

 

V  ECONOMY

Although agriculture historically was the most important sector of Iran’s economy, its share of the gross domestic product (GDP) has been declining since the 1930s due to the rise of manufacturing. Meanwhile, the mining sector, which is dominated by the production of oil, has grown rapidly since Iran nationalized its oil fields in the 1950s. Factory manufacturing has experienced periods of both rapid growth and stagnation. Trade and commerce activities have expanded with the country's increasing urbanization. During the late 1970s the Iranian economy appeared ready to grow to a level on par with the world’s developed countries, but the 1979 revolution and the subsequent eight-year war with Iraq strained all economic sectors. However, the need to produce for the war effort actually spurred industrialization, as did government spending on infrastructure development.

 

In the mid-1990s the service sector contributed the largest percentage of the GDP, followed by industry (mining and manufacturing) and agriculture. About 60 percent of the government's budget came from oil and natural gas revenues, and 40 percent came from taxes and fees. Government spending contributed to average annual inflation rates exceeding 20 percent. In 2000 the GDP was estimated at $105 billion, or $1,650 per capita. Because of these figures and the country’s diversified but small industrial base, the United Nations classifies Iran's economy as semi-developed.

 

A  Government Role in the Economy

Government planning plays an important role in Iran’s economy. Since the late 1940s the government has designed and implemented multiyear planning programs with the goal of industrial diversification. After the 1979 revolution, the government continued the industrialization that the shah had pursued but emphasized economic self-sufficiency, which required greater investment in agriculture. However, the flight abroad in 1978 and 1979 of most of the social and political elite, along with their capital (estimated at more than $28 billion), combined with the costly war with Iraq in the 1980s, left Iran’s economy severely damaged.

 

In the 1990s the Iranian government sought to privatize state industries to stimulate the ailing economy. In 1991 about 45 percent of large industry was government-owned. The majority of heavy industry—including steel, petrochemicals, copper, automobiles, and machine tools—was in the public sector, while most light industry was privately owned. That year the government announced plans to privatize 400 state-run factories; however, the actual sale of these companies proceeded slowly. A five-year development plan for the period from March 1995 to March 2000 calls for the creation of 2 million new jobs, primarily through stimulation of the private sector, especially industry.

 

B  Labor

In 2000 Iran’s labor force was estimated at 19.7 million, of which women accounted for 27 percent. Unemployment stood at about 10 percent for the labor force as a whole, although the unemployment rate for women and men aged 16 to 25 exceeded 20 percent. The agriculture and service sectors employed the greatest number of workers. Although there are numerous government-affiliated trade associations, there are no independent labor unions in Iran.

 

C  Services

Urbanization has contributed to significant growth in the service sector. In 2000 the sector ranked as the largest contributor to the GDP (59 percent) and employed 45 percent of workers. Important service industries include public services (including education), commerce, personal services, professional services (including health care), and tourism. The tourist industry declined dramatically during the war with Iraq in the 1980s but had revived significantly by the mid-1990s. About 1,700,000 foreign tourists visited Iran in 2000; most came from Asian countries, including the republics of Central Asia, while a small share came from the countries of the European Union and North America. The most popular tourist destinations are Eşfahān, Mashhad, and Shīrāz.

 

D  Agriculture

Iran’s agricultural sector contributed 19 percent of the GDP in 2000 and employed 23 percent (1996) of the labor force. Since 1979 commercial farming has replaced subsistence farming as the dominant mode of agricultural production. Some northern and western areas support rain-fed agriculture, while other areas require irrigation for successful crop production. Wheat, rice, and barley are the country’s major crops. Total wheat and rice production fails to meet domestic food requirements, however, making substantial imports necessary. Other principal crops include potatoes, legumes (beans and lentils), vegetables, fruits, fodder plants (alfalfa and clover), oil seeds, nuts (pistachios, almonds, and walnuts), cotton, sugarcane, sugar beets, herbs, spices (including cumin, sumac, and saffron), tea, and tobacco. Honey is collected from beehives, and silk is harvested from silkworm cocoons. Livestock products include lamb, beef, goat meat, poultry, eggs, milk, butter, cheese, wool, and leather. Major agricultural exports include fresh and dried fruits, nuts, animal hides, processed foods, and spices.

 

E  Mining

Although the mining sector contributed 17 percent of the GDP in 1996, mineral extraction in Iran employs less than 1 percent of the labor force. Petroleum has long been the country’s most important mineral resource. Since 1913 Iran has been a major oil exporting country. In the late 1970s it ranked as the fourth largest oil producer and the second largest oil exporter in the world. Following the 1979 revolution, however, the government reduced daily oil production in accordance with an oil conservation policy. Further production declines occurred as result of damage to oil facilities during the war with Iraq. Oil production began increasing in the late 1980s due to the repair of damaged pipelines and the exploitation of newly discovered offshore oil fields in the Persian Gulf. By 1999 Iran’s annual oil production was 1.3 billion barrels; two-thirds was exported. Iran also has the world's second largest reserves of natural gas; these are exploited primarily for domestic use.

 

Although the petroleum industry provides the majority of economic revenues, about 75 percent of all mining sector employees work in mines producing minerals other than oil and natural gas. These include coal, iron ore, copper, lead, zinc, chromium, barite, salt, gypsum, molybdenum, mica, silica, talc, uranium, and gold. The mines at Sar Cheshmeh in Kermān Province contain the world's second largest lode of copper ore. Large iron ore deposits lie in central Iran, near Bafq, Yazd, and Kermān.

 

 

 

 

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Contributed By:

Eric Hooglund

 

Microsoft® Encarta® Encyclopedia 2003. © 1993-2002 Microsoft Corporation..

Abbreviated by Ehsan Ghafoorian.

All Rights Reserved .

 

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