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| GABRIEL LEOPARDI | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| interview with: GABRIEL LEOPARDI |
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| 1 / before anything is your musical history shortly. Gabriel Leopardi: I was always a fanatic of the music and from very boy my attraction was mostly everything that that generates sound instead of toys. To the 11 years they gave me my first guitar el�trica with which I began to play and soon to arm the first neighborhood bands. After studying with different professors, books and clinical I found out when he/she had 17 years that there was a band of called progressive metal Damnation that audicionaba guitarists. In that moment he/she enters in the band with which we carry out several important dates and we record a disk and two eps. After 3 years the band is dissolved and I begin my own called project Cirse next to vocalist Luciana Segovia. At this time we are finishing with the mecla of the first Ep taken place by Andean Cesar (Stubborn). 2 / like the project of D.F.X was born? Gabriel Leopardi: A day Marcelo Yakko calls me with the idea of arming a parallel project and we agreed with our respective projects and that we won't be able to combine schedules of joining for the same one. Then we decide to make it in a virtual way without seeing us, neither to rehearse neither anything. 3/ How was the composition process? Gabriel Leopardi: The songs came out me naturally as if they had been there latent waiting the moment. I armed the scale models with all the instruments secuencied in midi to be able to send Yakko the topics and he can make this way suggestions. The same thing made him with their topics, and in very little bit time the disk was taking form. 4 / how works when the composicion way? Gabriel Leopardi: We manage ourselves basically by means of internet with files midi during the composition stage. Then in the recording when the files left making heavier the mail and inclusive a taxi was our help!! 5 / that opinion deserves the mixture and the art of v1.0? Gabriel Leopardi: The art of the disk has a very modern style and I believe that it reflects as much the content as the form in as the same one it was created, bony virtual. The mixture carried out by Yakko gave him a very special artistic touch that gave to some songs inclusive a new address, but at the same time I unify everything, I find very achieved and the contribution of effects special restitution all more filmico and this good one� 6 / is truth that the reissue of v1.0 will include an interactive track? that will include this additional track? If� it is an interactive track that includes pictures, information, biographies, and all that has to do with the presented DFX v1.0 as if it was an internet page. It is an extra gift that we wanted to give so that it is more complete the cd. 7 / do you say that the project has " expansion " to that he/she refers this I finish? Gabriel Leopardi: Clear, we refer to that our idea is that they leave adding musicians by way of companies in the next disks that also participate in a virtual way. Digital Fear Experimment will leave this way expanding� 8 / they leave their message to the listeners and the integral futures of D.F.X Mainly that the idea of all this is to continue making music in a honest way and from the heart, we wait anxious to all those musicians that want to be added to the project so that of to little bit this goes growing� good, we see each other but in the chat� jaj. |
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| interview con Gabriel Leopardi | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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