The Genius of Arthur C. Clarke



 




There are many great science fiction writers--Asimov, Forward, LeGuin spring readily to my mind. Others would have a different heirarchy. But few would deny that Arthur C. Clarke belongs somewhere near the top. In both brilliance of insight and long term productivity, Clarke has few peers. The most thoughtful science fiction movie ever came from the first of Clarke's insightful series on the future, 2001. One of the earliest enlightening speculations on first contact with aliens appeared in 1953, when Clarke released Childhood's End.
 

But in my estimation, Clarke's finest works are in the Rama series, which I would rate the greatest science fiction series of all time.  Asimov's seminal Foundation series, Adams' hilarious hitchiker's guides, Forward's pantheon of truly alien aliens all command high respect and praise. Certainly Clarke's own 2001 series is a truly great set of works that are better known and more widely revered than his Rama series. But in my estimation the Rama series outshines all others on several dimensions.
 

First of all, it is the most intelligent speculation about the possible population of aliens throughout the galaxy and their potential relationship to each other. Secondly, as much as it has to say about the possible nature of aliens, it has even more to say about a better known but less understood phenomenon--human nature. It is certainly one of the most thoughtful endeavors to understand what the long term impact of contact with aliens would have on human life.
 

The Rama series grows and flowers as Clarke and later his collaborator Gentry take decades to ponder who the alien "Ramans" might be. Each book is markedly more thoughtful and inspiring as the nature of galactic civilization is slowly but surely revealed. The series starts with an awesome mystery. In Rendezvous with Rama, a huge alien spaceship suddenly appears in the solar system, but does not communicate in any way with humanity. The stunned humans send a team of astronauts to investigate. While people on the ground speculate about who the Ramans might be, the astronauts have many adventures as they study carefully the bizarre structure and environments of the alien craft and work through their own hypotheses based on meager data and much supposition. However, at the end of the first book, when the Raman spacecraft departs as abruptly as it arrived, we know little more about the true character of the Ramans than at the beginning. Taken alone this antclimax is a bit of a letdown, but the fun is just starting.
 

In the second book, Rama II,  more than a half a century has passed with no further contact with the Ramans. The revelation of the existence of advanced aliens has actually had much less impact on human society than one might have expected. After the initial shock, life on earth has gone on largely untouched by the shocking but brief encounter, as individuals and society are largely unable to know what to make of their fleeting experience with alien existence. Then just as before, a second Raman ship approaches Earth, but remains just as mute as its predecessor. Through this second encounter we still learn little about the real nature of the Ramans, although much is discovered about human nature and our readiness to live in a galaxy populated with other intelligent species and advanced civilizations. However, at the end of Rama II several human astronauts choose to stay on the Raman ship as it heads off at near light speed to an unknown destination in the stars.
 

The series really comes to fruition in the third book, The Garden of Rama, as the human space travellers return to recruit human volunteers to live long-term in a Raman-designed multispecies environment. In fact, I would recommend starting with the third book rather than the first.  The Ramans still do not appear directly but we do meet their robotic representatives and begin to learn about the structure of galactic civilization. We are introduced to several interesting alien life forms.  The octospiders, who had been only fleeting observed by human astronauts in earlier works now become a real material presence. They are a large insect-like species that was originally genetically engineered by an even more advanced species and who now base their own society on genetic engineering of themselves and other species. A few humans also interact with an intelligent species that metamorphasizes from large, agile insects into a kind of a sentient organic computer. They live in symbiotic partnership with an intelligent bird-like species.  But as much as we learn about possible alien life forms, we learn more about human nature.
 

The vision of galactic civilization which was merely alluded to in the first two books and only hinted at in the third is finally unveiled in the final book, Rama Revealed.  Clarke and Gentry's presentation of how humans would react to living with the daily presence of intelligent aliens is eeriely convincing if not exactly flattering to humanity.
 

While the Rama series is Clarke's greatest achievement, many of his other works also stand head and shoulders above the crowd. 2001 is the most inspiring work of science fiction ever to reach the silver screen. The subsequent books 2010 (also made into a movie), 2063, and 3001 also contain fascinating speculation on the development of artificial intelligence and possible fusion of computers, biotechnology, and the human mind.   The original monolith beings always lurk in the shadows, a stark if generally mute reminder of an awesome power beyond human comprehension. 2001 is one of the first series to present a plausible and powerful view of the universe as populated with beings beyond human comprehension yet somehow involved in the process of human evolution and development.  These works present a convincing portrayal of how not only scientists, but also ordinary human beings, would react to daily life in the shadow of an awesome alien presence.  I sometimes feel as if Clarke and Gentry are sending a message from actualy existing aliens telling all who will hear why humanity has not been admitted into an already existing galactic federation of civilizations.
 

But 2001 was not Clarke's first work to evoke truly alien aliens who interact with humans in the development of our species. Half a century ago, when science fiction about aliens was mired in an infancy traumatized by world war and cold war, Childhood's End used classical religious images to not only present captivating alien beings but even better, to spin a fascinating yarn with some truly breath-taking plot twists. Although the passage of 50 years has made some of its assumptions seem a bit quaint, Childhood's End still stands as a masterful vision of a human future that is truly open.
 

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