Excerpts from my book "Torn Away Forever"




Here is a sample of the contents page and a small taste of some of the many stories from "Torn Away Forever".

contents page sample

"The Introduction":

About one thousand years ago, a race of people who originally came from the northern part of India, migrated across Asia to the Middle East and eventually reached Europe sometime in the fourteenth century, where Europeans misnamed them Egyptians, which was soon shortened to Gypsies.

Sadly, almost from the time they arrived in Europe, the Gypsies were met hostility. They endured persecution, firstly from the church, which saw heresy in their fortune-telling and secondly, from the state, which interpreted their nomadism as anti-social behaviour. Their animals were shot, their property vandalised and their women sterilised. Also, their babies and children were forcibly removed from them and given to non-Gypsy families to raise. My great-grandfather, August was one of these children.

This historical novel revolves around August, a full-blooded Gypsy, who was torn away from his real parents and his daughter, Elsa. It tells of the suffering and hardships they and their families were put through during two world wars and the periods in between, as well as the racism they had to contend with.



wagons

"Freddy":

After about half a year, Elisabeth noticed a change in Freddy's behaviour. He was becoming very agitated and couldn't stand still.

"Are they doing anything mean to you?" she asked on one visit.

He looked at her very nervously, then pulled up his shirt to reveal some marks on his back. Elisabeth gasped in horror.

"I don't believe it," she wept. "They've whipped my Freddy."

He turned around and signed to her that they hit him to try and make him talk. Elisabeth went straight to the office and demanded to speak to a doctor.

"Your son has been very disruptive," a nurse said to her, "and didn't do what he was told so we punished him."

She told them never to touch her boy again, but the warning fell on deaf ears. Elisabeth soon learnt that the doctors at the home were a law unto themselves and answered to no one and as time went by, she saw Freddy suffering more and more. There were needle marks in his arms where they had injected him with drugs, further beatings took place, and he was withdrawing further into himself.

"For god's sake," she yelled at the staff, "he's just a child, not a criminal. Why are you doing these things to him?"

"We've given drugs to all the patients here for extra protection against illnesses," they said.

Elisabeth couldn't bear it anymore. It was tearing her apart to see how her son was being treated and felt that she had let Freddy down by allowing him to get caught and not being able to get him out. She went into a depression, so Elsa, who had often visited Freddy with her mother, carried on seeing him alone. She always pleaded with the doctors to let her take him back, but they wouldn't listen. In fact, they hinted to Elsa that if she kept pestering them, something might happen to her, so she very reluctantly stopped. Freddy had been in the home for almost a year when he tried to escape by jumping out of a window two stories up, suffering a broken arm in the attempt. After that, every time Elsa saw him, he looked worse than before. His ribs were poking out, his face was sunken in and he was barely recognisable. Whatever they were doing to him, it was slowly killing the boy and the last saw time Elsa saw him, he couldn't even remember who she was. The next time she went to the home she was told that Freddy had died suddenly from a bad illness and the other patients had been taken away to another home. They said to her they had already cremated his body. Elsa was numb with grief and when she told her mother the terrible news, Elisabeth, who was already in such a depressed state, just simply stared at Elsa, crying.

"I knew it would come to this," she sobbed. "Those Nazis have killed my boy."

Elisabeth was so devastated, she rarely ventured out and talked to no one, except her husband and daughter, who did the shopping for her.

Many years after the war ended, the real truth was exposed. The Nazis tried to hide the atrocities that their doctors had committed on the children by taking the children away and putting them to death in the gas chambers of the concentration camps, then burning their bodies in the crematoriums to get rid of the evidence.

"The Gypsy Children":

There were two small fires burning and on one was a big pot, where the women kept adding vegetables and spices into while a couple of men tendered a small suckling pig on the other fire. One of them slowly turned it while the other sat beside him, talking, every so often, spitting his chewing tobacco into the flames. Elsa smelt the cooking and it made her mouth water. Some small children splashed about happily in a large puddle that an earlier shower of rain had left and close by were a few older ones, playing a game where they jumped over logs placed side by side, as fast as they could without falling over them. Nearby, two girls went round in a circle with an egg held between their foreheads, trying hard not to drop it, which required a lot of skill. Over in the corner of the field, two goats, which were tethered to a tree, were being milked by a couple of young girls. That looks easy, Elsa thought. She moved a few steps out from behind the tree where she'd been hiding to get a better view. It was then that one of the girls spotted Elsa and waved her over. Elsa hesitated for a moment, then ambled across to them.

"Hello," she said shyly. "I'm Elsa."

The two girls giggled at one another.

"I'm Maria," one said, as she deftly squeezed the goat's teat, "and that's Sarah."

Sarah stopped milking, smiled at Elsa, then carried on with her chore. The two pretty girls looked about ten or eleven, had long, thick black hair and large, greyish brown eyes. Both of them wore dresses that were covered in flecks of mud and neither had any shoes on. After a few moments, Maria hopped up and glanced at Elsa.

"Want to try it?" she asked.

"Sure," replied Elsa with a shrug of her shoulders.



gypsy children

"The Wild Boar and the Boring Bull":

Suddenly, he heard a loud snort and out of the bushes charged a great wild boar, straight towards him. August yelled, spun round and ran as fast as he could, with the boar chasing at his heels. Just as the animal lunged at him with it's tusks, August jumped up, grabbed onto a low branch of a tree and hoisted himself up. The boar crashed into the trunk, then squealed in pain and anger. It butted the tree a couple of times, but August held on tight. He looked into it's eyes and the boar looked straight back, steam coming from its nostrils as it snorted in frustration at him. What a great catch that boar would make, he thought. August waited for a short while to see what the animal might do. It didn't move away from the tree but stood there staring at him, so August carefully pulled a hunting net from his leather pouch and balanced himself in the fork of the tree, waiting silently for the right moment to throw it over the boar...
wild boar


"Willy's Ghost":

The mournful cry made her hair stand up on her body, because it was so full of sadness and sorrow. She sat up in bed, trying to make out where the crying was coming from. At first, it seemed to come from the hall, then it got louder until she believed it was coming from somewhere in her bedroom. The crying continued until the early hours of the morning, then it faded away. During the following week, the same happening occurred every night and the girls also heard the crying. One particular night after the crying ceased, as Elsa lay awake in her bed, she felt a draft blow through her bedroom, then the bedroom door opened slightly, before slamming shut, causing her to jump in fright. She sat up and looked in shock to see an apparition of her dead husband standing at the end of her bed. I'm not dreaming, she thought to herself. I'm wide awake, and can clearly see everything in the room. He stood there silently, looking at Elsa with the saddest blue eyes, his blond hair shimmering, his face so white, almost translucent. She just stared back at the him, completely overwhelmed with emotion. After a minute or so, he faded away and vanished. Elsa noticed a bright light shining through under the door, so she quickly put her dressing gown on and went into the hallway, but the light had disappeared, leaving the hall in darkness. She looked in on the children and found they were all fast asleep. There was no window open either which could allow a breeze to come in. Elsa stood in the hallway, utterly bewildered. It seemed so real, she thought...
ghost picture


"A Gypsy named Ferry":

On the ground floor of Elsa's apartment block, lived a woman known simply, as Ferry. She was a full-blooded Gypsy who still used traditional Gypsy medicines, and practised fortune-telling with the crystal ball, tarot cards and tea leaves. Ferry, who was a tall, heavily built women with piercing dark grey eyes and a thick head of long plaited grey hair, always wore an old dark red scarf around her head and large round earings which dangled from drooping ear lobes. Her fingers were covered in silver rings of all shapes and sizes and she dressed in, what seemed like layers of petticoats, under heavy old worn out dresses. Ferry was a bit of a loner, who idled away the hours, standing at the front door of the apartment block, smoking a cigar, for the most part ignoring the people as they came and went. Every now and then, she'd shout out strange things, especially to children, who sometimes annoyed her with their cheeky remarks. The neighbours believed Ferry was mouthing words to put a spell on the kids, so they'd stay away from her. Ferry was once part of an original travelling Gypsy side-show carnival that moved from town to town in wagons, setting up their tents and stalls in each one they visited. She was the fortune-teller, not one of the types that dressed up just to look mysterious, but a real Gypsy one, taught in the old ways which had been handed down from generation to generation...
crystal ball picture

All excerpts are the copyright of Yvonne Slee ©



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