Utopia

Album Cover: Adventures In Utopia

Stardom was handed to him with Something/Anything?, but Todd Rundgren rejected it. He wanted to explore new musical territory instead, and his adventures led him to form Utopia in 1974. Initially, Utopia was a prog-rock septet featuring three keyboardists, but as the '70s progressed, the group evolved into a shiny mainstream rock quartet. As the group evolved, Rundgren retreated into the background, as each of his bandmates contributed songs and lead vocals to the albums.

By the early '80s, Utopia had developed into a hit-making entity in their own right, even if much — if not all — of their audience were simply dedicated Rundgren fans, which highlights the problem with Utopia: although they did develop their own signature sound, they were nevertheless always perceived as Rundgren's folly. And to a certain extent that was accurate, since the band's musical evolution often mirrored his own — plus, once he decided he had enough of the group in 1985, it ceased to exist. At that point, Utopia was over a decade old, which made it something more than a folly, but even hardcore Rundgren fans will admit that it's impossible to view Utopia's career as being completely independent from his own.

After all, the band was born out of his desire to experiment with synthesizers and delve into prog-rock. In its original incarnation, the group consisted of three keyboardists — Moogy Klingman, Ralph Shuckett, and Roger "M. Frog" Powell — a bassist (John Siegler), a percussionist (Kevin Elliman) and a drummer (John "Willie" Wilcox), along with Rundgren on lead guitar. The band's first album was released months after Rundgren's Todd hit the stores. Appearing in October 1974, Todd Rundgren's Utopia consisted of only four tracks, all of which were mainly instrumental, none of which were less than ten minutes apiece. Rundgren continued in that direction on his next solo album, Initiation, which was released in spring 1975. Mere months later, Utopia released Another Live, a wild live album devoted to long synth experiments. Utopia's live concerts were marked by these improvisatory excursions, yet they were also distinguished by their video backdrops and random, computer-generated music.

Another Live proved to be the culmination of the synth experiments and, in some ways, the long stretch of willfully difficult records Rundgren was making during the mid-'70s. After recording the solo pop album Faithful in 1976, he revamped Utopia, stripping away two of the keyboardists (Klingman and Shuckett), as Elliman and Siegler left. Kasim Sulton joined as the new bassist. By any measure, Ra, the first album released by the new lineup, was a prog-rock record, but it was heavier and less overtly experimental than before. Ra was released early in February 1977 and was followed seven months later by Oops, Wrong Planet, a record that found the quartet abandoning prog for streamlined pop-rock, with a hard rock bent.

Utopia played on the club tour that resulted in the 1978 solo Rundgren live album Back to the Bars, which appeared after his hit record The Hermit of Mink Hollow. Back to the Bars featured both solo and Utopia material. No Rundgren or Utopia records were released in 1979, but the following year found Utopia reaching new heights. Released in January 1980, Adventures in Utopia brought the band their largest audience to date. On the strength of the Top 30 single "Set Me Free," the album climbed to number 32, spending 21 weeks on the charts. Utopia quickly followed the record in October with Deface the Music, a devastating satire of the Beatles. It was a good, clever record, but it shedded the group's recently expanded audience.

Following Rundgren's solo 1981 venture, Healing, the group returned in 1982 with Swing to the Right. The record stiffed, failing to crack the Top 100. Its failure was one of many problems Rundgren had with his longtime label, Bearsville. He was able to wrangle Utopia free from the label after Swing to the Right, moving the quartet over to the fledging Network label. Several months later, the group released Utopia. Thanks to the minor hit "Feet Don't Fail Me Now," which received moderate airplay on MTV, the record performed better than its predecessor, peaking at 84 and spending 19 weeks on the charts. Unfortunately, the label folded the following year, which meant Utopia had to find yet another new home. They settled with the another new label, Passport. Their first album for the label was titled Oblivion and released in January 1984.

Oblivion performed respectably in the charts, peaking at #74, but the following year its follow-up, POV, tanked, reaching only #161. Part of the problem was that Utopia's sound had progressed, but its glossy arena-rock was no longer contemporary. Following POV, Rundgren effectively pulled the plug on the group, choosing to concentrate on his solo career, as well as computer programming.

Like Rundgren, Powell concentrated on writing computer software; he also designed a keyboard called the Powell Probe. Sulton continued to play music, recording a handful of solo albums and acting as a sideman for Cheap Trick, Hall & Oates and Joan Jett, among others. Wilcox moved behind the scenes as a producer and songwriter. Utopia reunited in 1992 for a tour of Japan, which was captured on Rhino's live album Redux '92: Live in Japan. — Stephen Thomas Erlewine

Bio Above is from www.allmusic.com/cg/amg.dll?

My Words Regarding Utopia

I must admit, my relationship with Utopia started accidentally. One day I was chatting with someone in #Beatles. Shame, I forgot his nick. He told me that there are lots of music that can impress beatle fans. He especially pointed out Klaatu and Utopia, the album "Deface The Music" in particular. I copied and pasted the info in a text file. It was somewhere around 2001, probably during the later months. I almost forgot about these artists, because I was busy downloading B.B. King and George Harrison's solo works. After some time, I ran out of download choices. Then suddenly I remembered of those bands. I downloaded a couple of songs by Utopia, and a number of Klaatu. I liked both bands, but I first downloaded the whole Deface The Music album. It sounded great to me, and I instantly became a Rundgren fan. Next I downloaded Adventures In Utopia--probably their best album. This one was even better, with the progressive rock/hard rock sound. I'm personally a fan of both those genre of music. I enriched my liking by downloading the lengthier tracks like Ikon, Seven Rays (Live). They have a unique sound, and it's really refreshing. I'm now looking forward to collecting solo music by Todd. Too bad Kazaa never stands a chance against the huge collection of Audiogalaxy. Probably because you can share 0 files and get away with that, in Kazaa! In Audiogalaxy, you had to share lotsa files to get access to lotsa files. Fair deal, eh? Only Napsters and Audiogalaxies get the axe, while Kazaa remains. Why? Because they got some sort of a deal with Microsoft. Life is never a fair game, but this is too much.

You can download a song by Utopia from the downloads section

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