::Defining Moments::

::The challenge::

any fandom, any character, moment that shaped who they are, 500 words.

::The stories::

*choose your poison*
Contact | The Dreyfus Affair | The Hours | Proof - the play | Requiem for a Dream | Smallville | The Virgin Suicides


November 10th, 1974
(Contact, Eleanor Arroway, 653 words)

It happened so fast; like a comet shooting across the sky.

Fear, incredible fear as she walked down the stairs, calling for her father. The sight of the popcorn, splayed out along the floor. It was like a jumble of images that weren't piecing together. She called his name, leaned over him, desperate. Open your eyes, she thought, just open your eyes.

Running up the stairs, she felt detached from her body, her legs moving on their own accord. The medicine, she screamed silently, the medicine. Running back down, pills in hand -- her fingers fumbling with the cap. Twist off, dammit, twist off.

She shook him, hoping he'd wake up. The pill was lying in her palm. What could she do? Put it in his mouth, hoping it would bring him out of the shock? She didn't know. She opened his mouth, slipped the pill inside, hoping it would go down. Go down, she cried, go down.

Five minutes later. Nothing happening. She screamed for her father, screamed that they were missing the shower and the popcorn was getting cold.

She dialed emergency. She waited and held his hand, cold, so cold, as they said they'd be right there. A whisk of people; running into the house, kneeling over her father, opening his shirt and pumping his chest. Men; towering over her, trying to pull her away from the scene as she kicked and screamed and cried for her father. Yelled for the medicine, that she gave him the medicine. Voices; trying to calm her, soothing, but she couldn't hear them; all she could hear was her heart pounding and the sound of her sobs.

The people move away, no longer bunching around her dad. She wipes at her eyes, looked at his figure on the floor expectedly, waiting for him to sit up and smile at her. Hey, Sparks. Where was her 'hey, Sparks?'

"Eleanor. Your father had a heart condition. It's stopped already, Eleanor. Before we go here. There's nothing we can do. I'm so sorry."

She stares at him, blankly. The words don't commute. She's empty, so empty.

"Where's my dad?" She whispers.

"He's.."

She looks over. He's being wheeled away, a sheet covering his face. They're taking her daddy away.

"We have to watch the meteor shower. He made popcorn."

A woman is at her side now, stroking her hair. "Sweetie, you can't."

The world turns dark. Her vision becomes blurred. And she cries into the woman's shirt. Cries so much. Mommy. Daddy.

Days later, she's sitting outside, her eyes vacant, her mind blank as the wind blows just as it did the other night. She looks dully at the priest who's just left her house. He stops in front of her. He's there to give her piece of mind. He's there to tell her she has to accept this, that there was nothing she could do. Her father was taken, and there was nothing she could do.

"..Sometimes we just have to accept it, as God's will," he finishes. She looks at him, and feels something she didn't even know she could. Contempt. At this priest, and at a God she's now sure does not exist.

"I should have kept some medicine in the downstairs bathroom. Then I could have gotten to it sooner," she spits out the words and turns her back on him, moving like a zombie past all of the people in her house. She sits at her desk and the tears fall. She turns on her radio transmitter, and begins to call for him, just as she has since this happened.

"CQ- CQ this is W-9-GFO, do you copy? Dad, this is Ellie, come back? This is Eleanor Arroway, transmitting on 14.2 megahertz. Dad � are you there? Come back."

She continues on automatic, she doesn't stop. He's out there; she knows he is. And she'll spend the rest of her life proving she isn't alone.

END

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Showers are for Pussies
(The Dreyfus Affair, Randy, 504 words)

IN THE CAR, on the way home, he blamed it on showers.

If he hadn't taken one, life would be just dandy, he'd go home and fuck his looker of a wife and that'd be all she wrote. Instead, he'd taken one; soaped down his body while he thought about tonight's game and the perfect home run he'd hit. He dropped the soap, and when he picked it up, his eyes trailed up the incredible body of the man across from him. D.J. Pickett - tall, muscled with dark, chocolate skin. He'd found his eyes focusing on the man's ass -- and dear God, what an ass. Droplets of water sliding over his skin, muscles rippling as he washed himself ... when Randy suddenly thought, 'what the fuck am I doing? I ain't no lefty!'

He turned away, tried to shake it all off, but he couldn't. Randy Dreyfus, married to the hottest fox in town, was getting a stiffy over another man. He'd left then, practically running and nearly slipping on the way to the locker room. He'd dried off quickly as the fellas came around and slapped him on the back, 'great game tonight, Shovel.' 'Say hello to that purty wife of yours.' 'Rushing home to celebrate, eh Randy? Ehhh?' Oh yeah, he needed to leave and fast.

Embarrassment then, huge Major League embarrassment as he tried to pull on his underwear and jeans so no one would notice his hardening dick. He ended up nearly fucking the lockers as he burrowed against them. Mission finally accomplished he'd turned around, about to throw his shirt over his head and hit the road, when Mr. Torment himself stepped out of the showers, gloriously naked with only a towel drying his short, dark hair. He looked over at Randy, gave a small smile and polite nod and kept on walking. That was it. Randy shot out of there like a cannonball, racking his brain, trying to come up with any other reason why this could have happened.

Which led him to this conclusion: Showers. Goddamned showers. And soap. Fucking slippery soap. That's it, from now on, he'd stink until he got home; he didn't care anymore. Now, away games, away games he'd just wait until he got to the hotel. Yes, that's what he'd do. But first, he'd go home and fuck his wife. He drove fast, faster than he ever had before, imagining thrusting inside Susie's body, kissing her soft skin, cupping her breasts, beautiful dark skin--

Fuck, no. White skin, girl skin, not ... D.J. Oh who was he kidding, yes D.J. -- naked and wet, that hard, toned body, those strong arms as he threw the ball to 3rd base.

Okay, this was getting ridiculous. He was a married man with two kids and a gorgeous wife probably waiting up for him in a $50 silk teddy from Victoria's Secret. He'd go home and give her the ride of her life.

He just hoped he'd stop picturing D.J. naked by then.

END

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Lose Yourself
(The Hours, Laura Brown, 250 words)

"It is Los Angeles. It is 1949. Laura Brown is trying to lose herself."

She'll awake the next morning and her day will begin again. She'll hope Richie will nap so she has a chance to read. She'll count the pills in the bottle every night, but will always put them back. She'll keep on living, this shell of a woman.

Eight months later, the baby will come. Three years after that, she'll overdose on the pills she didn't put back one night. They'll pump her stomach; they'll keep her alive. Five years after that, she'll leave her husband and two children. She'll wake up Richie in the middle of the night and hold him, but there will be no tears. He'll eye her, not unkindly, and communicate without words his knowledge of her deception. She'll take nothing but a few clothes, and her book, which she has re-read nearly fifty times over the past three years. She'll move to Canada and try to make something of her life. She'll fail.

Fifteen years later, a drunk driver will kill her daughter. Ten years after that, her ex-husband will die of cancer. And nearly fifty years after she left, after she kissed her Richie goodbye, she'll return, an old woman, to see her baby boy. Her baby boy who will kill himself to rid the pain; who will succeed in the one thing she's obsessed over since he was four years old.

She'll visit his coffin, a closed casket, and wish she could she her guy one last time.

She won't cry.

[end]

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Frozen
(Catherine, Proof - the play, 531 words)

"I only can see myself
Skating around the truth who I am
But I know, Dad, the ice is getting thin"

She felt numb and it had nothing to do with cold. Her hands shook as she held her pen, scribbling fluid lines of black ink onto the crisp pages of the marble book. She took a sip of coffee, relished in the hot liquid as it passed down her throat, damning the radiators for their incessant clanking. Dad was right; it was too hard to concentrate in there. She rubbed her eyes and continued to write. Pretty soon all the numbers and letters just melted together like snow and she couldn't tell one piece from the next.

She didn't know what she was doing, or why. She felt lost, utterly and completely, as she turned the page, filling up the book with endless sheets of elliptic curves and modular forms. The lines blurred, the equations meshed, and her eyes began to water. She didn't realize she was crying until a tear stained the page. She heard a bang, and stupidly jumped. It was the radiator, naturally, but for a split second she thought he'd fallen out of bed, or worse, down the stairs. He was the only thing on her mind, now. She spent every waking moment with him, except after midnight when she escaped to this mathematical world.

She often wonders if she started this proof to be closer to him; to the person he used to be. Even so, she'd never be able to tell him about it. Not anymore. Her tears continued to fall as she thought about that night last month, the excitement in his voice when he actually thought he'd come up with a new theorem. She cried a lot that night, too. Lately, she wasn't sure if she'd ever stop. She worked through the tears, the numbness in her body; the tension in her hands. She wished she could feel something, anything. It was as if she was watching herself from beyond her body as her brain spewed out the information like a calculator.

It was the end of January. She would have been packing up to go back to school about now. Instead, she had packed up her life there, said good-bye to her friends, the guy she was casually dating, the professors she admirably respected. She thought about Claire, Claire's great life, with her great boyfriend, her fancy New York apartment, and it's funny, because she never expected to be bitter at twenty-one.

The coffee's grown cold and the tears have all dried up. She thinks about turning in for the night, wonders if she's accomplishing anything at all. It feels ... she doesn't know what it feels like; a jigsaw puzzle, maybe. Or paint by number; where everything connects and falls into place as long as you have the right colors. Some nights she has the colors, bright radiant blue mostly, shining behind her eyes, and the dots are easy to find. Her body feels a shrill of hope, then. Hope that something brilliant is bound to happen -- that all of this is for a reason. Then she thinks of her father, ragged, worn thin, barely recognizable and the blue fades to black. And all she sees is the ink on the paper.

END.


Time Approaches Infinity
(Hal, Proof - the play, 462 words)

He nearly jumps out of his skin when she opens the door. A small part of him had thought, yes, she could be home, but he didn't want to get his hopes up. Yet there she is. Looking as beautiful as ever. His nerves are shot; he forgets why he came here for. She looks at him, says 'yes?' She doesn't know him.

He knows her. So he says he's looking for her dad, and he's taken to the porch. Immediately, his nerves escalate as he realizes he's there at a bad time. Small talk, an introduction, and he finds he can laugh off the nervousness as he hands in his dissertation. He's fully aware of Catherine. He wants to look over, take her in. When they talk, he finds he's caught between never wanting to stop and crawling under a rock lest he continuing sounding like the geek he knows he is.

He wants to kick himself for making her feel embarrassed. And then he shuts up, and takes in wonder that is father and daughter, captivated by the way they talk with one another; and a little envious.

When she invites him to go to dinner with them, his heart jumps into his throat. He looks into her eyes, and knows he'll only make a fool of himself; a lame excuse - "I have plans" when sitting around with his fellow would be mathematicians, drinking and rambling off prime numbers could be called nothing of the sort. Still, he doesn't imagine the small, inexplicable moment that passes between them when she urges him to come along.

He nearly stumbles as he leaves the house, cursing himself for not going along, for not spending time with Catherine like he's always wanted. And now she's going to Northwestern and he's missed his chance like the idiot he is.

He gets in his car, and remembers the first day he saw her; bouncing down the hall to her father's office, a smile on her face so huge it could light up the world. He wonders what she was happy about that day. And the other times, when she visited, and he'd catch glimpses of her. He'd fight with himself to go in, just a casual visit after all, talking to his advisor, no big deal.

But he'd chicken out, and she'd leave looking sad and worried. And, of course, he knew about Robert, knew the man would only get worse. He wanted to go over to her, to say something charming. But he isn't that guy, and now, once more, he's missed his chance. He has to meet with Robert next week; one last trip to his office. He drives away, hoping he can catch one final glimpse of Catherine before she goes.

END

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Lux Aeterna
(Requiem for a Dream, Harry, 391 words)

The pain swirls around him in a red haze, slowly fading against the backdrop of anesthesia. The room grows white around him and he begins to see visions. They start with Marion; morph into his mom; shift to Tyrone, bright, yellow sunshine blinding their eyes as they push his ma's television down the street, faster and faster, when all he felt was free.

But the image of Tyrone has become doctors and nurses, now, leaning over him. He opens his mouth to scream, but the white cloud is rolling in fast. He doesn't want to look, can't bear to see what they're doing to him, but he does anyway, following their gazes briefly toward his shoulder .As his eyes slip closed, he tries to convince himself this isn't happening, tries to pretend it's last fall, that brief fragment of time where things didn't seem so fucked.

They're not just cutting off an appendage; they're cutting off everything he knows how to be. His arm's been with him through everything. They shot up together, jerked off together, fingered Marion together.

His silent, wordless screams echo in his head, taking on a mute form when they are anything but. White fades to black, starts pulling him under, but he swears he can hear the whiz of the saw, swears he can see the hardened faces looking down at him. Marion is nowhere to be found, unable to be conjured up during this horror. Mom returns, but somehow she's lost her glow and is growing dark, her innocent, naive image disappearing along with his arm.

The world goes quiet around him. He's lost inside his own personal hell, and suddenly Marion *is* there. It's Coney Island, and it's sunny and beautiful but she doesn't turn when he yells for her, again and again. She's so close yet slipping through his fingers. He runs toward, relieved when finally she stops and turns. But as he reaches for her, he suddenly tumbles backward, body falling of a cliff, his head hitting hard concrete. He wakes up screaming her name in a desperate mantra. A nurse tries to comfort him, tells him she will come, but he knows the truth. There's nothing left anymore. The proof is reflected by the empty space on the right side of his body.

It hurts almost as much as his heart.

[end]

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Mrs. Potter's Lullaby
(Smallville, Lana Lang, 396 words)

"I can bleed as well as anyone but I need someone to help me sleep"

Lana Lang lay atop the blankets, waiting for Nell to come and tuck her in. She picked up the fairy wand on her nightstand and looked up at the glowing stars on her ceiling.

"I wish I may, I wish I might, have the wish I wish tonight."

She closed her eyes tightly, gave the wand a spin and wished for the same thing she has since that afternoon six months ago.

Nell slipped into the room just as she was opening her eyes.

"What did you wish for tonight, Lana?"

"To marry a prince," Lana fibbed as she put the wand back. She never told Nell her real one and only wish.

Nell smiled. "A prince in Kansas, eh? There'd have to be a castle first. Now, come on."

Lana yawned, kicking the covers with her feet and crawling under them.

Nell pulled tem snuggly around her and patted her head almost professionally.

"Sing the lullaby?"

She always asked even though Nell would have anyway; it had become a ritual since those first few nights after the accident. She'd crawl into Nell's bed, shaking from night tremors. Nell would hold her and whisper everything would be okay, but Lana knew it wouldn't. Then, suddenly, Nell had begun singing softly, sounding like her mother. It had soon become Lana's source of comfort.

"Okay, close your eyes."

Lana smiled and snuggled against the pink comforter.

"Lullaby and Goodnight.."

Her breath hitched as she wondered what words would come next. After that first night, she'd noticed the words never stayed the same. She'd asked Nell one day and was surprised to see her aunt blush and admit she didn't know the rest of them. Lana didn't mind, though; it made every night a mystery.

The song ended, complete with tonight's "Lana and Her Prince" lyrics.

"Aunt Nell, do you think Mommy and Daddy can hear you singing to me?"

Nell stilled and this time when she reached out to Lana, her touch was filled with warmth.

"I'd like to think so, Lana."

"Good. You have a pretty voice."

Nell smiled softly. "Thank you, Lana. Bedtime now."

Lana turned on her side and curled up. "Goodnight."

"Sweet dreams." Nell shut the light and left quietly.

"Goodnight, Mommy. Goodnight, Daddy,' Lana whispered softly to the glowing stars. She hummed her lullaby until sleep wrapped around her like a mother's embrace.

END.

"When I see you, a blanket of stars covers me in my bed"

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Magic Man
(Lux Lisbon, The Virgin Suicides, 415 words)

Stone Fox. Those were the words that got her. "You're a stone fox." She couldn't understand why, out of all the seniors in school, she was going to the prom with Trip Fontaine. Maybe because he was the first to ask -- but, for a guy she previously didn't give the time of day to, she was awfully head over heals for him now. His words: 'stone fox' kept running through her head.

He wanted her. She knew it. She loved feeling his eyes on her; loved thinking about him fantasizing about her. She wanted to blast her music, twirl around her bedroom and sing at the top of her lungs but she knew that would get her grounded, and she couldn't have that. So, instead, she snuck outside and lit a cigarette. The lights were on in the boy's room next door. She wondered what he was doing -- if he wanted her too -- if he was jealous that she was going out with Trip.

She flicked off her shoes and ran her toes through the cool grass, tipping her head back as she looked at the stars. She wondered if Cecilia was a star, now -- perhaps that bright blue and white one which was standing out above all the rest. She wanted to be a star like that -- shining so bright; blinding. Trip made her feel like one; made her feel like nothing else existed but she. Why'd it taken her so long to see it? He was perfect. Stone fox. Stone fox. He was so perfect.

She smiled widely around her cigarette and exhaled the white puffs of smoke, watching as it danced in the sky, trying to reach the stars but failing. She wanted to dance. She wanted to float weightlessly off the ground, touch that bluish-white star; touch Cecilia.

She couldn't wait to be in Trip's arms; envisioned it about a million times since this afternoon. Imagined twirling around the brightness of the decorated gym, moving to the music like something out of a dream; his hands on her back, strong and secure, flexing his fingers against her dress as she looked deep into his eyes, losing herself in the perfection of the moment. It was going to incredible, she thought as she tossed her cig onto the grass and spun around in circles, dancing on figurative air as she worked her way back to the house. It was going to be -- a night to remember.

END.

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