Charlie
Rose: Two years ago, actress and comedienne Bonnie Hunt was
commissioned by MGM to write anddirect a film. (laughs) The result
of her labor is a film called "Return to Me," The story
is about a man who loses his wife and then discovers his new love
has received his wife's heart. (Shot of DD reading a magazine [the
Movieline with DD on the cover] and whistling, which is cracking
CR up.) Joining me tonight are actor and director Bonnie Hunt, and
the star of the film, David Duchovny (DD gives a sardonic thumbs
up), best known from the hit television series, "The X Files."
This marks his debut as a leading man in a romantic comedy. In this
movie, you'll understand why the film business has overlooked his
potential for so many years as a leading man. It will establish
him as a major motion picture star. (BH nods and smiles in agreement.)
This movie is testing through the roof. Why? What is it about this
movie that you think-- I'm now being serious...
Bonnie Hunt: Yes, honey, I realise that. (DD laughs) Now
that you've taken your hand off my knee.
Charlie Rose: It's a good knee though.
Bonnie Hunt: Thank you.
David Duchovny: Lord, I know it.
Charlie Rose: Tell me what it is...
David Duchovny: I felt it up my ass a few times during the
filming of this movie. (BH cracks up)
Charlie Rose: I've heard about that, too.
Bonnie
Hunt: Oh, dear...
Charlie Rose: And more about that later, America. You know
something about this business. You've made a film that you're proud
of. What is it about this story that you think is so attractive
to audiences?
Bonnie Hunt: Well, I think--
Charlie Rose: And don't give me some short answer like, "You
saw the film and you're asking that question?"
Bonnie Hunt: Charlie, I'm not going to say that. I don't
even know where you'd get the idea I would say something like that.
David Duchovny: Very odd.
Bonnie Hunt: Strange, isn't he?
Charlie Rose: Yes, I know. (To DD) You think I'm dreaming
this David?
David Duchovny: I don't know, I don't know where you're coming
from.
Bonnie Hunt: I'm waiting for someone to wake me up.
Charlie Rose: Okay, tell me about this film. Why are you
proud of it?
Bonnie Hunt: Well, I'm proud of it because of the teamwork
that goes into making a movie, correct?
Charlie Rose: Oh, come on, that's always said.
Bonnie Hunt: Well, jeez, Charlie. Why don't I bring a bunch
of balloons in here and you can just pop them one by one and then
we can go off the air.
Charlie Rose: Okay, we'll try again.
Bonnie Hunt: You know, I think that over time, one of the
things that great storytelling has had, as a couple of ingredients
is a fairy tale type of story with real, honest characters at the
core of it. And I think that's what this film is. I think it's very
accessible and very real, but also it has a story that's different
and unique and unusual, and I think that makes people really happy.
Charlie Rose: Tell me a little more about the story.
Bonnie Hunt: It's a story about two people that meet under
extraordinary circumstances, unbeknownst to them. A man loses his
wife, he's in mourning. He's trying to get himself back in the dating
world, and back on his feet, and back to his life, through the help
of friends. And there's a young woman across town who's received
his wife's heart, years earlier, in a transplant, and they meet,
not knowing this connection between the two of them. And the audience
has all the information, and the characters do not, and it makes
for a nice journey.
Charlie Rose: This is a great idea. Now who's idea was it?
Who wrote the original screenplay?
Bonnie Hunt: Don Lake and myself wrote the movie, called
"Return to Me."
Charlie Rose: And then you went out and hired the actors.
Bonnie Hunt: Right.
Charlie Rose: And who do we have in this film?
Bonnie Hunt: Carroll O'Connor, his first movie in twenty-five
years, Robert Loggia, the great Robert Loggia, James Belushi, who
really is in his element in this film.
David Duchovny: He's fantastic in this.
Bonnie Hunt: He's so great, yeah. And David Alan Grier, he's
one of my favourite all time funniest people I've ever known
David Duchovny: Best black vet performance since "Dr.
Doolittle," I think.
Bonnie Hunt: (laughing) Wow.
David Duchovny: Don't you think?
Bonnie Hunt: That's impressive. We might use that for one
of the quotes in the TV spots
David Duchovny: Thank you.
Bonnie Hunt: And Minnie Driver, of course, who I'm so lucky,
said yes to me in my first directing role. And most importantly,
David was the first person that I hired, that believed in it from
the beginning, and never even batted an eye at saying yes, that
he could believe that I would pull this off.
Charlie Rose: Yeah, when you get David to sign on, you've
got something going here.
Bonnie Hunt: That's right.
Charlie Rose: You can shake the money tree, and you can do
things, right?
Bonnie Hunt: yeah, well I usually shake the money tree even
when I dance, Charlie
David Duchovny: (Laughing) Can I have directions to the money
tree? I'd like to do some shaking myself.
Charlie Rose: Let me just establish some things here. What
was it about this movie that attracted you? You get a lot of offers.
David Duchovny: It was very easy for me, because I'd heard that
Bonnie had written and was going to direct a movie. And I knew Bonnie
from doing "Beethoven," this movie that she starred in,
and I had a little role in, in 1990, about a dog.
Bonnie Hunt: But I was in the dog suit for most of it. But
still, it was a good role.
David Duchovny: Yeah, it was. And I'd just-- I'd always really
liked Bonnie, and thought she was one of the smartest, funniest
people that I'd met out in Los Angeles.
Charlie Rose: I'll certainly agree with the latter.
David Duchovny: Yeah.
Bonnie Hunt: He doesn't think I'm funny.
David Duchovny: Well, you're not a comedian.
Bonnie Hunt: No.
David Duchovny: So I got sent this script that Bonnie was
going to do, and I assumed that it was going to be a funny script,
because I assumed Bonnie would want to direct a comedy. And I read
this very simple, beautiful love story -- extraordinary circumstantial
love story. And I just knew that if she brought her sense of humour,
more than to the words of it, I just knew that-- Bonnie doesn't
really write punch lines, but she has a sense of what makes a scene
funny is the interaction of the characters. And I just thought it
would be a great combination of a movie, if you had this beautiful,
simple love story, with Bonnie's sense of humour on top of it. And
that's exactly what happened. I'm very lucky to have taken that
chance.
Charlie Rose: Let me just test something...
Bonnie Hunt: Great isn't it, David? This is great for us,
you know, we've been friends a long time.
David Duchovny: Well, here's the deal, it's like we've been
friends, and you know, you rarely get a chance to actually take
a chance on somebody professionally. I mean, you make friends, you
take chances on them personally. But, here was Bonnie doing her
first film, here am I, you know, trying to expand from television,
and we got a chance to take chances on each other. And regardless
of what happens with this movie, I love the movie, Bonnie's proud
of the movie, and it's just paid off in a way that never happens.
Charlie Rose: Here is Minnie Driver and David in a scene
together.
Charlie Rose: Very nice. Nice scene.
Bonnie Hunt: Yeah, it is a nice scene. And what's great is
that you see that they see each other, and there is some connection
there, but we justify it two ways. And it's up to the audience to
decide if it was fate, and they feel something special, or because
they actually did see each other earlier in the film, their characters
do pass each other, so...
Charlie Rose: How do you like directing?
Bonnie Hunt: Oh my God, I think it's the best.
Charlie Rose: Really? Better than anything you've ever done?
Bonnie Hunt: Um, professionally? (DD laughs)
Charlie Rose: (laughs) Yeah, of course.
Bonnie Hunt: I don't know Charlie, you were very personal
before the show started.
Charlie Rose: This is when I had my hand on your knee?
Bonnie Hunt: Yes. I felt like I could truly be a story teller
from beginning to end. That was a great joy. It was incredible to
have all these people that knew so much more than I did, that were
part of my team, from the gaffer on up, to respect me, and to give
me the time of day, and to help me make the story come to life.
And everybody was there because they wanted to be. I mean, each
and every actor came to meet with me -- we didn't audition anyone,
because I just wanted actors to come in and talk, and see what the
deal was. Just the actors alone, all saying yes to a first time
director, is, for me-- I'm just so flattered, and moved by it.
Charlie Rose: Were you scared?
Bonnie Hunt: Terrified.
Charlie Rose: Really.
Bonnie Hunt: I mean, it's twenty-five million dollars of
a movie, you know, of a budget, and a studio saying "Here's
this money." And I'm going to my home town, hiring all my friends,
and we're going to put on a show. Like my brother said, "It
was really nice of MGM to let you make a twenty-five million dollar
home film."
David Duchovny: (echoes) Home movie.
Charlie Rose: Your own movie.
Bonnie Hunt: All my family is in it. So for me, it was like
a fantasy, it really was. And it was great. It was absolutely great,
and I can't wait to try it again some time.
Charlie Rose: Are you going to do it? Do you have plans already?
Bonnie Hunt: Yes, the studio does.
Charlie Rose: Do they really? They've seen this, and liked
this, 'cause it tested through the roof--
Bonnie Hunt: Right.
Charlie Rose: And so therefore--
Bonnie Hunt: They bought another movie from us.
Charlie Rose: Do you know what it's going to be?
Bonnie Hunt: It's called, "Anniversary."
Charlie Rose: Here's a point at which David's character asks
Minnie Driver's character for the first date.
Bonnie Hunt: He's so cute there, it's ridiculous. I mean
I'm even attracted to him, and he's like my brother.
David Duchovny: My Lord.
Bonnie Hunt: Yeah, that's a great moment.
Charlie Rose: That was a nice moment.
Bonnie Hunt: Isn't he a classic movie star, in this movie?
David Duchovny: Well, Bonnie--
Bonnie Hunt: We're turning into Jerry Lewis and Sammy Davis
Jr. on this topic. (Sammy Davis voice) This guy...
David Duchovny: Yeah, Bonnie allows the moments to happen--,
Like I said, the best thing about Bonnie's comedy is there's no
punchlines. At least, I didn't get any.
Charlie Rose: It just sort of develops.
David Duchovny: Like, some of the other characters do have
punchlines, but--
Bonnie Hunt: It's about life, it's not set up type jokes.
David Duchovny: Exactly, and it's so refreshing to act that
way, 'cause you're not trying to sell the comedy, it actually is
organic to the material.
Bonnie Hunt: You know Charlie, Billy Wilder, Preston Sturges,
these guys, if they had a doorman with three lines, they got a three-dimensional
character. You knew instantly who this guy was, he's probably working
family man, with so many kids, just in a moment. And Don Lake and
I, when we were writing, really kept that as our little light at
the end of the tunnel when we were writing. Let's try to maintain
that, let's try to keep it timeless. Let's not put in any trendy
Starbuck's or Monica Lewinskey jokes, or something that would--
In five years, people would go, "Well what's that joke about?
I don't understand." DD We've only got one -- the Sammy Sosa.
Bonnie Hunt: That's it. But he's a classic, so--
David Duchovny: (laughs) We're hopin'.
Charlie Rose: And the movie's set in Chicago, so--
David Duchovny: Right, right. There were good reasons for
the Sammy Sosa line. Even though David looks nothing like Sammy
Sosa.
Bonnie Hunt: I know, but that's what makes it so ridiculously
funny. (DD cracks up) And those little kids-- That's how we got
half my nieces and nephews in there. They're running after Sammy
Sosa.
Charlie Rose: Why did you set it in Chicago?
Bonnie Hunt: Well, you know, write what you know, and that's
my old neighborhood. And I think, Chicago, to me, even though it's
a huge city, is like a giant Mayberry, from my perspective. It's
just a neighborhood of people that work together, and I think, you
know, one thing we're lacking in L.A. is that Chicago goes through
these incredible winters, and windy days--
David Duchovny: And joined together.
Bonnie Hunt: And people help each other dig their cars out
of the snow, and you know, you can be waiting for a bus, and just
look at somebody, and in an instant, you're friends, 'cause it's
like, "Can you believe we're standing out here in this weather?"
Charlie Rose: That's what's so amazing -- I lived there in
1979 when they had the great--
Bonnie Hunt: That's right, the big snowstorm. I was there
too.
Charlie Rose: And it's the coldest I have never been in my
life.
Bonnie Hunt: But you know what? Everybody's going through
it at the same time, so it's this common experience that brings
people together. Where in L.A., there's an earthcake once in a while--
earthquake--
David Duchovny: (laughing) Earthcake! I like that. (All laugh)
Bonnie Hunt: Boy, how flime ties. (CR reaches toward BH across
the table) Uh oh, he's coming at me. Watch me, David.
David Duchovny: At least both his hands are above board.
Bonnie Hunt: Get the bouncer.
Charlie Rose: Oh, come on. You mentioned Billy Wilder and
Preston Sturges. Do you study to prepare to be a director? Or did
you just take what you had learned from all of your own theatrical
experiences?
Bonnie Hunt: Well, as far as directing--
Charlie Rose: Is it about looking at a bunch of movies, say,
"I want to see how they did, I'm going to look at what Billy
Wilder did, and what these other guys-- people did, and I'm going
to take some crash course in directing." ?
Bonnie Hunt: No, they influenced me emotionally over my life,
as a creative person. Certainly not directly, where I would sit
down--
David Duchovny: You've digested that.
Bonnie Hunt: Yeah, and you know, technically, I've learned
from all the directors I've ever worked with, certainly. You know,
I've asked Sydney Pollack, "Why that lens?" and Cameron
Crowe, "Why're you doing this?"
Charlie Rose: When you're working with them.
Bonnie Hunt: Yes, as an actress. I got my education that
way, and I felt, that when I was going to go to a studio and say
I wanted to do this, that I knew which film to order, technically,
that I'd be somewhat prepared.
Charlie Rose: When did you, in your life, decide that, "I
want to make a movie. I want to direct a movie." ?
Bonnie Hunt: I think when I saw--
Charlie Rose: Was it ten years ago? Five years ago?
Bonnie Hunt: No, I think when I saw-- as a child, when I
would watch movies like, "Notorious" and... There were
certain films that really moved me, and that I thought were incredible
storytelling, and there were relatives in my life that told incredible
stories. You know, my Dad was a great storyteller. And I think that's
an incredible experience, and you can do it free at a coffee shop,
or you can get money from a studio--
Charlie Rose: (laughs) You can get twenty-five million dollars
from MGM, and put your friends in the movie, and you're off and
running.
Bonnie Hunt: That's right.
Charlie Rose: As long as you have a good story.
Bonnie Hunt: That's right. And that's your safety net, is
having that good story, every day when you get up and go to work.
You know that you've got this good story, with great characters,
characters written with a strong foundation... It's just the joy
of storytelling for me, it's always motivated me towards wanting
to be a director, because you ultimately get to at least get a shot
at telling the story from beginning to end. And as an actor, I feel
the same way, when a director hires me. I want to help them tell
their story.
Charlie Rose: Here's my question too. Are you surprised it's
as good as it is? In any way? In other words, you're a first time
director, you're out there with no net, except (gestures to DD)
great supporting people, some photographers, actors, and all that.
Are you surprised? Is there any element of, "Well, I would
have been happy if it had been half as good."
Bonnie Hunt: Well...
Charlie Rose: In other words, you did it, you hit the ball.
Not that you shouldn't be able to do it, bit it's your first time
out. A lot of people make there first time movie, and it's okay,
and it entitles them to come back... (turns to DD) You know what
I'm saying, don't you?
David Duchovny: Well, if I can answer that question, I'm
surprised, but it has nothing to do with my estimation of Bonnie,
or anything like that. It's just because--
Charlie Rose: It's so difficult to make a good movie.
David Duchovny: Not only that, but this is exactly the movie
that I thought I was making, that I had hoped would be made, when
I thought it would be both sentimental and funny. So, I'm surprised,
because everytime I go and do a piece of work, I think, "This
is what it's going to be," and it never turns into that, and
I'm very surprised when it happens.
Bonnie Hunt: I did get a letter from one of the executives
at the studio, after he saw the first cut of the film. This is before
it was tested, this was before, you know, we had any hopes-- I mean,
all the attention that we're getting, we feel very fortunate that
the movie is getting such a great response. But he wrote me a letter
saying, "I've been in this business for a long time, and I
remember the day you came in and pitched this story, and you told
us what you were going to do with this movie." And he said,
"And you did it. And it very rarely happens." And he said,
"I thank you." And that letter was so nice for me, because
it wasn't about that we had a box office success yet, or that anything
was happening yet, or that any reviews were in. he felt, personally,
that I had delivered, and that meant a lot to me.
Charlie Rose: Was anything surprising about this experience
for you? Unexpected?
Bonnie Hunt: Well, because I've been in Hollywood for a long
time, I was surprised every time when somebody listened. (DD laughs)
Charlie Rose: That's very good.
Bonnie Hunt: Yes, truly.
David Duchovny: You know, I can corroborate that, because
Bonnie, when she would direct me, she would be amazed that I would
listen to her. And she'd thank me. And I'd say, "What're you
talking about? That's what we're here to do, to act like--"
Charlie Rose: Listen, and collaborate, and make this thing
work as good as it possibly can.
David Duchovny: Yeah.
Charlie Rose: Okay, roll tape. Here it is.
Charlie Rose: Well, there it is. The film is called "Return
to Me." It opens nation wide this Friday, April 7. My thanks
to Bonnie Hunt, my thanks to David Duchovny.
David Duchovny: Thanks for having us.
Charlie Rose: It's a pleasure to have you here. Good luck.
It's great.
Bonnie Hunt: Thanks, Charlie.
David Duchovny: Thank you.
Charlie Rose: Thank you for joining us. See you next time.
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