The young animators at the studio found a project
better suited to their talents in The Great Mouse Detective
(1986), based on Eve Titus' popular children's books about Basil
of Baker Street, a Sherlock Holmesian mouse. With the assistance
of the mouse/physician Dr. David Q. Dawson, Basil defeats a scheme
by the insidious Professor Ratigan to kidnap Queen Moustoria on the
eve of her Diamond Jubilee and usurp the throne.
Instead of trying to disguise Basil's obvious literary
ancestry, the filmmakers flaunted it, simultaneously invoking and
spoofing Holmes. Much of the film displayed the sort of energy
the Silly Symphonies had during the early 1930s, the energy
of young artists celebrating their abilities. The few weak moments
— a production number for a barroom singer and the scenes with
Queen Moustoria — occurred when the animators seemed to be holding
back, rather than strutting their stuff.
The climatic confrontation between Basil and Ratigan
was set inside the mechanism of Big Ben. Computer graphics were
used to produce an ominous, complex environment of interlocking gears.
The computer generated frame-by-frame images of the moving gears,
which were photocopied onto cels and painted. Animator Phil
Nibbelink worked with computer specialist Ted Gielow to create the
scene.
"I've always enjoyed doing chase scenes, and
I like point-of-view shots," Nibbelink explains. "You
could never achieve them in standard animation because it's limited
to flat artwork — all you can do is truck in or out, or pan
left and right. When you create the entire environment in the
computer, as we did for that sequence, you can spin around and turn
corners and move in directions that are very dramatic.
Glen Keane designed most of the characters in the
film and did the key animation for Ratigan. The final battle
between Ratigan and Basil on the hands of Big Ben displays the same
strength as the bear fight in The Fox and the Hound [1981]:
Ratigan sheds his comic sophistication and becomes a towering embodiment
of menace.
Despite a last-minute change in title from Basil
of Baker Street to The Great Mouse Detective.
The film did good business ($25.3 million) and received excellent
reviews. The critics agreed that new artists had proved they
could do animation comparable to classic Disney features.
Jeffrey Katzenberg, chairman of Walt Disney Pictures,
announced he intended to keep the animation division busy. "From
the outset, both Michael [Eisner] and I felt that the one area of
the company that needed the most encouragement and had the greatest
potential was Disney animation. They'd been releasing a new
feature every three to four years. We discovered that if it's
properly managed and staffed and equipped, the operation is capable
of supporting twice that level of production — a new feature
every eighteen months to two years — without compromising the
quality of animation."