Pastiches and Opera Fragments

• A1
  L'Epidia, ovvero Li rivali generosi, dramma per musica in tre atti (Pasticcio)

• A2
  Genserico/Olibrio, opera fragment- only part of Act I drafted. Music mostly used in Siroe (HWV 24) and Tolomeo (HWV 25)

• A3
  Ormisda, dramma per musica in tre atti (Pasticcio), {CB ?21/12}

• A4
  Venceslao, dramma per musica in tre atti (pasticcio), {CB ?21/14}

• A5
  Titus l'Emereur (Tito), opera fragment

• A6
  Lucio Papirio, dramma per musica in tre atti by Geminiano Giacomelli, {CB ?21/8}

• A7
  Catone, dramma per musica in tre atti (pasticcio) - mostly by Leo, {CB ?21/4}

• A8
  Semiramide riconsciuta, dramma per musica in tre atti (pasticcio) - mostly by Vinci, {CB ?21/13}

• A9
  Cajo Fabricio, dramma per musica in tre atti (pasticcio) - mostly by Hasse, {CB ?21/3}

• A10
  Arbace, dramma per musica in tre atti (pasticcio) - mostly by Vinci, {CB ?21/2}

• A11
  Oreste (pasticio, music by Handel incl. new recits and ballet music), {HG 48, (S 102 (ov.)), CB ?21/11}

• A12
  Didone abbandonata, dramma per musica in tre atti (pasticcio) - mostly by Vinci, {CB ?21/5}

• A13
  Alessandro Severo, dramma per musica in tre atti (pasticcio, music by Handel, including new ov. and recits) {HG 48, (S 104 (ov.)), CB ?21/1}

• A14
  Jupiter in Argos, dramatic composition in three acts, (pasticcio, old and new music by Handel), {CB 121}

• A15
  A General Collection of Minuets made for the Balls at Court ... for the German Flute or Violin, 1729, {CB ?24/3}

Works in Craig Bell's Catalogue but not in the H�ndel-Handbuch

• CB 2
  3 German Lieder, date of composition unknown
  1. In deinem sch�nen Mund
  2. Endlich muss man doch entdecken
  3. Ein hoher Geist muss immer h�her denken

• CB 4
  Trio in F Major for Oboe, Bassoon, Bass & Cembalo, c. 1703-1706

• CB 6
  Trio in g Minor for Violin, Viola da Gamba & Cembalo, date of composition unknown

• CB 7
  Sonata in C Major for Viola da Gamba and Cembalo, date of composition unknown

• CB 46
  Concerto in D Major, for horns, strings and 2 claviers, {c. 1713, HHA IV/12}

• CB 51
  Concerto in E-flat Major, for solo oboe, strings and continuo - Is this a spurious concerto by Woodcock on p130, New Grove?

• CB 158
  Sonata in D Major, for flute, violoncello and cembalo

• CB 161
  Pastorale et Theme avec variations pour harpe ou piano

• CB 175
  81 Miscellaneous harpsichord pieces
  • 2. Fuge
  • 3. Gavotte
  • 4. Menuett
  • 16. Minuet
  • 26. Minuet
  • 29. Aria
  • 31. Fuga
  • 50. Sonata
  • 66. Saraband

Works in Craig Bell attributed to Handel but of doubtful authenticity

• CB ?1
  Church Cantata: Ach Herr, mich armen S�nder

• CB ?2
  Church Cantata for 4 Voices and Instruments, Lobe den Herrn, meine Seele

• CB ?3
  6 Fughettas (Fugues faciles) for Harpsichord

• CB ?4
  Gloria in C Major, for 5 voices

• CB ?6
  Magificat in a Minor

• CB ?7
  St. John Passion

• CB ?8
  Te Deum in D Major

• CB ?9
  Concerto a Quattro in D Minor, for flute, violin, violoncello obbligato and continuo

• CB ?10
  Concerto a Quattro in D Major, for 2 violins, violoncello obbligato and continuo

• CB ?11
  Trio in g Minor, for oboe, violino e cembalo

• CB ?12
  3 sonate a tre (2 violins and continuo)

• CB ?13
  Sonata in D Major, for violoncello and continuo

• CB ?14
  Sonata in G Major, for violin (and continuo?)

• CB ?15
  3 Sonatas for violoncello and piano

• CB ?16
  Viola concerto, spurious

• CB ?18
  Sonata in g Minor, for 2 violins, bass and organ

• CB ?19
  7 Italian chamber cantatas
  1. Amante molesto
  2. Amico, il fato
  3. Dica il falso
  4. Gioie venite
  5. Passaggier ch'in selva oscura
  6. Pastorella, vagha bella (Telemann?)

• CB ?20
  Sonata in D Major, for flute and continuo

• CB ?21
  Operas containing small or negligible contributions by Handel
  • 6. Ernelinda
  • 7. Herrmann von Balcke
  • 9. Lucio Vero

• CB ?22
  A Collection of Choice English Songs. Set to Musick by Mr Handel
  • 1. Address to Silvia. From Il Trionfo del Tempo
  • 2. All the world's in strife and hurry. From Rinaldo
  • 7. Beauteous Nymph far hence be gone. From Il Pastor Fido
  • 8. Beneath a shady willow (The Dream). From Acis and Galatea
  • 9. Bird of May leave the spray. From Alcina
  • 12. Chloe when I view thee smiling - to Water Music
  • 13. Chloe you're witty - from Ottone
  • 14. Come sweet muse - from Scipione
  • 15. Come to my arms my treasure - from Ottone
  • 16. Dearest creature don't deceive me - from Ezio
  • 18. Flatt'ring tongue no more I hear thee - from Esther
  • 20. Gazing on my Idol Treasure - from Giulio Cesare
  • 21. Go, Cupid, flatt'ring Chit - from Admeto
  • 22. God of Musick - from Rodelinda
  • 24. Hark how the trumpet sounds - from Water Music
  • 25. Hopes beguiling, Pleasures smiling - from Giulio Cesare
  • 26. How is it possible - from Arianna
  • 27. I come, my fairest treasure - from Giulio Cesare
  • 29. If Love, my dearest treasure - from Atalanta
  • 30. The Impatient Lover - from Floridante
  • 31. Lamenting, complaining of Celia's disdaining - from Giulio Cesare
  • 32. Let me wander not unseen - from L'Allegro ...
  • 33. Let the waiter bring clean glasses - from Rinaldo
  • 34. Let's be merry and banish thinking - from Poro
  • 35. Love ever vanquishing - from Acis and Galatea
  • 36. Love, O Love, inspire my soul - from Atalanta
  • 37. Love, thou great ruler - from Siroe
  • 39. Lovely Belinda, wonder of nature - from Il Parnasso
  • 40. Men are all Traytors - from Il Pastor Fido
  • 41. Mortals wizely learn to measure - from Ezio
  • 42. Myra, Myra, no more beguile - from Scipione
  • 43. No, no, no more complain - from Tamerlano
  • 45. O beauteous Queen unclose those eyes - from Esther
  • 47. O Cupid, gentle Cupid - from Teseo
  • 48. O lovely charmer - from Floridante
  • 50. O my pretty Punchinello - from Rodelinda
  • 51. O what a fool - from Giulio Cesare
  • 52. Oh, my treasure - from Floridante
  • 56. Return, fair maid - from Poro
  • 58. See, see my charmer slays [flees?] me unkindly - from Flavio
  • 59. Since thou thus slight my pain - from Tamerlano
  • 60. Spring renewing all things gay - from Ezio
  • 62. Stay, shepherd, stay - from Il Pastor Fido
  • 63. Strephon, in vain thou courtest Occasion - from Rodelinda
  • 65. Sweet Contentment have I found
  • 66. Tell me [Talk?] no more of glory - from Floridante
  • 67. Thetis bids me hither fly
  • 68. Thou nor courts among
  • 69. Thyrsis, afflicted with Love and Despair - from Water Music
  • 70. 'Tis not your wealth, my Dear - from Resurrezione
  • 71. Trust not a man - doubtful or spurious
  • 72. Turn, O turn thee - from Teseo
  • 74. We follow brave Hannibal - from Scipione
  • 75. When fearful Pastorella - from Poro
  • 78. Where shall I find ye lovely Fair - from Acis and Galatea
  • 79. When Celia is flying - from Giulio Cesare
  • 80. While I press my idle Goddess - from Teseo
  • 81. Why this talking still of dying? - from Alcina
  • 82. Why will Florella when I gaze (Florella) - ?authentic
  • 83. Wine's a mistress gay and easy - from Ottone
  • 84. Would you gain the tender creature
  • 87. Bacchus, God of mortal pleasure - two part song from Ottone
  • 88. See the yielding fair

• CB ?23
  3 English Cantatas, for soprano, violin, violoncello and basso continuo
  1. To lonely shades
  2. With roving and with ranging
  3. So pleasing the pains

• CB ?24
  Minuets and marches
  • 1. A Collection of Minuets, Rigadoons or French Dances for the Year 1720 by Mr Hendell, Mr Lature and Mr Hill ... for the Violin or Hautboy, Walsh, 1720
  • 2. Minuets for His Majesty King George IId's Birthday 1727 ... Composed by Mr Handell ... for violin or hautboy, Walsh 1727
  • 4. A Choice Collection of 72 Marches, Minuets & Trumpet Tunes for the German Flute, Violin and Hautboy, with Bass, Hare & Young, 1730
  • 5. Select Minuets Collected from the Operas, the Balls at Court, the Masquerades ... For the Harpsichord, Violin or German Flute Compos'd by Mr Handel, Walsh 1739
  • 6. A Second Book of Select Minuets ... by Mr Handel, Walsh 1745
  • 7. Select Minuets by Mr Handel, Walsh, 3 vols., 1759
  • 8. Handel's Favourite Minuets ... for the Harpsichord, German Flute, Violin or Guitar, Walsh, 4 books, 1762

• CB ?25
  Some Golden Rules for the attaining to play Through Bass

• CB ?26
  Forest Music?

• CB ?27
  St�cke f�r Clavicembalo.

• CB ?28
  Zwolf Fantasien und Vier St�cke f�r Cembalo

• CB ?29
  Zwey Fugen f�r Zwey Personen an Einem Clavier

Additional works mentioned in the New Grove Dictionary of Music and Musicians

Opera

• Elpidia, pasticcio - mainly from L. Vinci

Anthem

• Behold, now is the acceptable time - spurious. Arrangement of solo, The Righteous Lord, from Chandos Anthem 2. In the Lord put I my trust, HWV 247

Doubtful and spurious cantatas

• Dalle tenebre orrende (Hasse?)
• Lilla, vedi quel colle
• Selve cavene e monti (D. Scarlatti?)
• Usignuol che tra le fronde

Spurious Duet with continuo

• Cara sposa, io ti lascio (Steffani?)

English Songs

• Love's a dear deceitful jewel - to a water music minuet
• The birds no more shall sing - from Acis and Galatea

Italian Songs - probably authentic

• Son d'Egitto
• Aure, piu non bacciate
• Porta la braccia al seno
• Gran guerrier di tua virt�
• Quanto dolce, quanto cari
• Non posso dir di pi�

French Songs

• Quand on suit l'amoureuse loix, chanson
• Lorsque deux coeurs d'un tendre feu - probably spurious
• Par les charmes d'un doux mensonge - spurious

German Song

• Dank sei dir, Herr - spurious

Harpsichord Concerto

• In G Major, c1739; final rit. and orch bass added to keyboard chaconne

Suites and Overtures

• Sinfonia, B-flat for 2 violins and basso continuo
• Overture, D in 3 movements. 2nd and 3rd to follow sinfonia in Ottone?
• Overture, F {HG 48, 84} - mvts used in Il Parnasso and Il Pastor Fido
• Sonata [Concerto] in g Minor for oboe, 2 violins and basso continuo - last mvt. version of keybd. fugue

Other Orchestral

• Minuet in D Major, for His Majesty's Birth Day (from ?24 No. 6) Minuet in D Major, for the Prince of Wales's Birth Day (from ?24 No. 6)
• Coro and [Bour�e] in B-flat Major, Allemande and Rigadon in g Minor, Allemande in G Major, Bour�e and [Minuet] in g Minor and Allemande in G Major - dances from Daphne (see 12)
• Minuet and Coro in B-flat Major, Sarabande in F Major and Gavotte in g Minor - dances from Florindo (see 12)
• Aria [Hornpipe] in c Minor, Strings and Basso continuo
• Hornpipe in G Major, 'Hendal's hornpipe', authenticity uncertain

Spurious Orchestral

• Concerto in F Major for violin, in 1st edn. of Op. 3, No. 4, replaced later{ HHA iv/11, 105}
• Concerto in D Major, for 2 violins. With 2 horns, 2 violins and basso continuo {HHA iv/12, 131}
• Concerto g Minor, for recorder, 2 oboes, bassoon, strings and basso continuo
• Concerto in D Major, for flute, strings and basso continuo - arrangement of 4 arias from Flavio
• Suite in D Major, for trumpet, 2 oboes, 2 bassoons, strings and basso continuo

Music for Wind Ensemble

• March in F Major, for 2 oboes, 2 horns and bassoon - 'March from Ptolemy' In ?24/3, No. 3 {HG xlviii, 143}
• Marches in G Major (2), F Major and C Major - In ?24/3, Nos. 5, 6, 9 and 11
• March in D Major - Movements 6 and 7 of Op. 5 No. 2 (see 119)
• Minuet in G Major, 2 oboes, 2 horns, bassoon - version in fireworks
• Minuet in G Major, 2 oboes, 2 horns, bassoon
• March in G Major, 2 oboes, 2 horns, bassoon - version in Judas Maccabaeus
• March in D Major, trumpet, 2 oboes, bassoon 'Dragoon's March'
• March in D Major, 2 ? oboes, 2 ?horns, bassoon - related to chorus in Alexander Balus
• Marches for the Fife in D and C Major - versions of chorus and introduction to Joshua
• Rigadon and Bour�e in g Minor
• March in G Major
• March in C Major - 'Handel's March'
• March in D Major - 'Grenadier's March'
• Duo in F Major, for 2 recorders

Trio Sonatas

• Sonata in F Major for 2 violins and basso continuo
• Sonata in C Major for 2 violins and basso continuo - version of overture to Saul {HHA critical commentary i/13 pp107-13, pp161-3}

Solo Sonatas (with basso continuo)

• Sonata in G Major for violin
• Sonata in g Minor for viola da gamba (adaption of Op. 1/6, see 67)
• Sonata in A Major for violin - ? sketch for orch. mvmt.