| American Psycho (2000) |
| CAST: Christian Bale, Willem Dafoe, Jared Leto, Reese Witherspoon, Chloe Sevigny
DIRECTOR: Mary Harron MPAA RATING: R RUNNING TIME: 100 Minutes STUDIO: Lions Gate |
|
Patrick Bateman (Christian Bale) is a clean-cut Wall Street businessman with a hidden agenda, he's a complete psychopath. He doesn't seem to have any real plans when he murders someone. He just seems to do it when he becomes upset. Most of your serial killers have some meaning when they knock off their victims, but Bateman's is unclear. And you're not going to find out why he does it, even after the credits roll. And thank goodness Leo turned this movie down. Bale is completely believable in this role. It's going to lead him to stardom.
It took a long time before this film could be adapted by the controversial novel. Though I haven't read the book, I'm told it is much more violent than the film. I do know of one scene from the book that wasn't included in the film. It is so graphic that I can understand why they left it out. The film was directed by Mary Harron. Most of you going in will think, "gee, this is directed by a woman, how violent and disgusting could it be?" Well, to answer your question, it's about as violent and disgusting as they come. The dark humor somewhat lessens the gore effect, making it a little easier to digest, knowing our lead character has a sense of humor. A sick one, but still humor. After watching the film, I felt it is best described as a cross between David Fincher and Stanley Kubrick. Kubrick for it's somewhat muted colors and scenery, and Fincher for it's twisty ending. There is really only one star in the film and that is Bale. The rest, which includes Reese Witherspoon and Oscar Nominee Chloe Sevigny, are in very minor supporting roles. Though Witherspoon's role is limited, she is still good as Bale's girlfriend who only seems to care about where they dine and how she looks. If you did have one serial killer to root for, it would be Bale. The guy is so nice that you have to hope he gets away with his slayings. He' s a likable guy, something of a cross between Norman Bates and any Michael Douglas character. It's good to see directors take that extra risk and make a film such as this. There's too many movies out there with happy, mushy endings. This is certainly a Gen-X film that really has no identity. It's basically a documentary about a guy with a bad habit. |