Review – Thumlock “Emerald Liquid Odyssey”

album through Highbeam Music

 

Thumlock are back with the third of the Thumlock Chronicles, the second of which, their Lunar Mountain Sunrise mini-album, came to our attention late in May this year. This release, “Emerald Liquid Odyssey” through Highbeam Music, follows much in the same path as the last outing but includes more influences from the era from which they draw most of their muse – heavy music of the early 1970s.

 

While retaining the sounds that made up the last outing, namely Black Sabbath, Hawkwind and Blue Cheer, I found myself listening to other bands of the era, including Pink Floyd, Queen and Status Quo. The album also has more of an up-beat throughout – while Lunar had a more methodical, plodding pace, Emerald picks up the pace a notch.

 

But quite basically, “Emerald Liquid Odyssey” rocks like no other. The pace is maintained steadily until Railroad Sunset sets the lower-tempo scene for the aforementioned closer but the band’s established genre continues without question: “Chunky bottom-end guitars, intricate drum fills (and) short vocal bursts… in favour of guitar virtuosity….” as one reviewer said of the last outing. The crystal-clean production is the only non-1970s aspect of this otherwise period recording: the wide separation and buzzing lead-noises at strategic points couple with constant guitar- and vocal-effects to create the crowning moment in the Thumlock Chronicles trilogy.

 

Thumlock are recreating the sound that they so obviously grew up with and want to live on in today’s music market; but their approach is totally now and is paying huge dividends with accolades from all corners of the heavy-music world. Roots metal lives on in a big way on “Emerald Liquid Odyssey” through Highbeam Music. «««««

PG (Jacky) Gleeson

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