friends & sponsors
The Field, New York, NY
www.thefield.org
The Field is a not-for-profit 501 (c) (3) organization serving the New York City performing arts community. Contributions made to The Field and ear-marked for NYATC are tax deductible to the extent allowed by law. For more information about The Field contact: The Field, 161 6th Avenue, New York, NY 10013, (212) 691-6969, fax (212) 255-2053, email [email protected]. A copy of The Field's latest annual report may be obtained, upon request, from The Field or from the Office of the Attorney General, Charities Bureau, 120 Broadway, New York, NY 10271.
Magnet Theatre Company, Trenton, NJ
www.magnettheatre.org
In the past, non-profit status has been provided to NYATC through a provisional arrangement with MAGNET THEATRE COMPANY. Magnet Theatre Company is the resident theatre company of Trenton, New Jersey and is dedicated to providing affordable quality theatre for New Jersey residents. Recently Magnet implemented a program at the Southern New Jersey School for Performing Arts, using student performances to teach a performing arts distance learning program, which is broadcast to schools throughout New Jersey and is currently seeking assistance to broadcast the program nationally. Magnet�s resources and advice have been invaluable to NYATC and our productions would not be possible without their support. Anyone interested in learning more about Magnet�s programs and productions may contact them at (609) 392-5589, e-mail at [email protected], or send a letter to Magnet Theatre Company, 314 Elmer Street, Trenton, NJ 08611
Matinecock Lodge #806, F. & A.M., Oyster Bay, NY
www.matinecock.org
The 2000 holiday production of Three for the Tree! was made possible by the local chapter of the Masons of New York. The Free and Accepted Masons is a fraternal organization dedicated the betterment of our community. Their activities include, among other things, providing aid and assistance to needy families, as well as other groups, and providing strong support for family-based cultural values within our community. It is in this spirit that they have donated the use of their lodge for these plays.
Our Friends
A Christmas Carol -- A solo stage adaptation of Dickens' classic Christmas story.
www.xmascarol.net
Global Photography
www.martirenealcantara.com
Manhattan Theatre Source, New York, NY
www.theatresource.org
East Village Experimental Theatre Company, Philadelphia, PA
www.eastvillageetc.org
Funny...Sheesh & Sharon Fogarty Performance Theatre
www.funnysheesh.com
The FUNNY SHEESH Sketch Comedy/Improvisation Troupe was founded by Karen Christie Ward, Penny Di Marco, Sharon Fogarty, Jason Grossman, John Hartmann, Timothy Joseph Ryan and Ren�e Torri�re in 1995. The performers have extensive backgrounds in music, dance and theatre and have written for and toured in productions throughout the country. Over the past six years, FUNNY SHEESH Sketch/Improv has unveiled its skewed perspective at: Carolines, Chicago City Limits, CB's Gallery, Public Theatre, Collective Unconscious, Archway Inn (Bronx), Dannys Skylight Room, Dont Tell Mama, HERE, Naked City Coffeehouse (Cambridge, MA), manhattantheatresource, Stand-Up New York, Surf Reality, The Duplex, Austins (Queens), The Knitting Factory, Plum Crazy (Clifton, NJ), The New York Comedy Club, The Sidewalk Caf�, Tracy Js, Syncronicity Space, Tribeca Lab, Upstairs at Roses Turn, The West End Gate. Sharon Fogarty, the founder of Sharon Fogarty Performance Theatre, has written and produced over twenty plays since the mid 1980's.
The Open Door Theatre, Chapel Hill, NC
www.theopendoor.net
The Open Door is seeks to create a union between audience and theatre artists; it aims to break down barriers and re-establish the connection of a living, breathing theatre that was known to the ancient Greeks. Theatre is not an inactive medium. It is not something to be watched but to be experienced. Every member of the audience, individually and collectively, as well as the actors, director, stage manager, numerous designers and even the theatre space itself are all inherent parts of the essence and "catharsis" of the true communal theatre experience.
