THUNDER, PERFECT MIND

A new translation and ritual setting
By Frater OOO
Frater O.B. (John Tindsley)
and Frater D.I.C.E.

A brief introduction

This ritual working of the famous cryptic Gnostic text was a major project of Sunwheel back in the days when it was a research camp consisting of three people meeting in someone's front room. Fratres OOO, O.B. and D.I.C.E. spent several months arguing about the precise interpretation of worm-eaten Coptic manuscripts. What follows is the end result of this process. Originally scheduled for publication in the second issue of the Sunwheel journal, when that publishing project fell through the working notes ended up being filed away for a few years. Barring a successful, though not entirely satisfactory, performance at a national O.T.O. event three years ago this ritual has languished in obscurity. Better known by reputation than first-hand knowledge, it is now unleashed upon the world following my repeated pestering of Frater O.B. for copies of his working notes and an explanation of the same. Anyway, enough of my waffle – here it is.

Setup

The requirements for this ritual are: a large space, lots of people (minimum 17, 23 for preference) and ten candles (some notes on how the ritual can be adapted for a smaller group, 5 at an absolute minimum, are given at the end).

The participants are:

Two principal officers – A and B. They speak the bulk of the words.
The Scribe, whose main task is circumambulating and being in the right place at the right time. S/he holds a lit taper and a candle-snuffer.
The Circle of ten people, each holding a candle. They are numbered, clockwise from the East / Direction of Boleskine / whatever the temple is aligned to: 1, 8, 7, 4, 3, 10, 9, 6, 3, 2. Initially those with odd numbers have their candles lit; the remainder are unlit.

(Initial positions of principal officers and people in circle)

Four people at the quarters, outside the circle. Their job is to lead the chorus on signs and the chant.
A chorus, consisting of anyone else present. They stand around the outside of the circle.

The Ceremony

Chorus, A, B and scribe give Sign of Silence. The chorus then assume due guard. Scribe enters the circle by 1, advances to the centre, then makes the Sign of Rending the Veil and holds the position.
A & B It is from the power that I, even I have been sent forth.
AAnd I have come unto those who reflect upon me.
BAnd I have been found within those that seek after me.
A & B Look upon me, O ye who reflect upon me
And ye who have ears to hear, hear me!
Ye who wait for me, take me unto yourselves.
And do not banish me from your sight.
And do not make your voice hate me,
Nor your hearing, deny me.
Do not refuse me at any place, or at any time.
ATTEND! Do not refuse me.

The Scribe advances to 1 and begins a widdershins circumambulation, returning to 1 and finishing on the line "And I am the utterence of my own name."

A For it is I who am the first and the last.
Chorus assume and hold sign Puella on "For"
BIt is I who am the revered and the despised.
AIt is I who am the whore and the holy one.
BIt is I who am the wife and the virgin.
AIt is I who am the mother and the daughter.
A & BI am the members of my mother.
 
B It is I who am the barren one and many are my brood. Chorus assume and hold sign Mulier on "It"
AIt is I whose wedding is great
BAnd yet I have not taken a husband.
AIt is I who am the midwife and she who does not bear.
BIt is I who am the solace of my labour pains.
AIt is I who am the bride and the bridegroom.
BI am the child of my husband,
AAnd the mother of my father,
BI am the sister of my husband.
A & BAnd it is he who is my offspring.
AIt is I who am the slave of my servant.
BIt is I who am the mistress of my offspring.
A & BYet it is he who begot me on the day of my birth
And in due time my power is from him.
BIt is I who am the staff of the power of his youth.
AIt is he who is the rod of my old age.
A & BAnd whatsoever he wills happens to me.
 
A It is I who am impenetrable silence,
And the idea whose return is ecstasy.
Chorus assume and hold sign Mater Trimphans on "It"
BIt is I who am the cacophany of voices,
And the logos whose image is manifold.
A & B I am the utterance of my own name. Scribe completes circumambulation.

The chorus make the sign of Silence and hold. A pause. At the start of the next utterence, the chorus shift to due guard and the chant starts.

The chant is as follows: The people in the circle chant IHOUEAW quickly (H is the Greek Eta, pronounced almost as in 'air'; W is the Greek Omega, pronounced almost as in 'rope'); the chorus and people at the quarters chant AEHIOUW slowly, vibrating each letter over the time it takes the people in the circle to do an entire cycle.

The scribe circumambulates widdershins, a total of two and a half times, finishing at 10. The pace of circumambulation obviously needs to be varied depending on the length of the speeches and distance between candles.

A Why, O ye who love those who hate me,
do ye hate those who love me?
Scribe extinguishes candle 1 on "Why"
BO ye who deny me, affirm me.
AAnd ye who affirm me, deny me.
BO ye who are true to me, lie to me.
AAnd ye who lie to me, be true to me.
BO ye who know me, ignore me.
A And ye who are ignorant, know me. Chorus assume and hold Puella
 
B For I am knowledge and ignorance. Scribe lights 2 on "For"
AI am shame and I am boldness.
BI am shameless and I am ashamed.
AI am strength and I am fear.
BI am war and I am peace.
 
A & B Hear me! Scribe extinguishes 3
A It is I who am the disgraced and the mighty.
Give heed to my poverty and my wealth.
Do not ignore me when I am cast out upon the earth,
And you will find me in your houses.
Do not leave me cast out upon the dungheap,
And you will find me in the kingdoms.
Do not mock my disgrace.
Do not cast me down among the needy
For it is I who am the compassionate and the cruel.
 
A & BHear me!
B Hate not my obedience, nor love my will.
In my weakness, do not forsake me.
And be not afraid of my power.
Why do you scorn my fear and curse my pride?
I am she who is present in all fear and boldness.
I am she who is present in all weakness and strength.
It is I who thrive in a pleasant place
I am foolish and I am wise.
Why have you hated me in your counsels?
For I shall be silent among those who are silent,
And I shall appear and speak.
Why then have you hated me O men?
For I am a barbarian among barbarians.
 
A It is I who am Sophia to the Greeks Scribe lights 4 on "It"
BAnd the gnosis of barbarians.
AIt is I who am judgement,
Of Greeks, and of barbarians.
BIt is I whose image is great in Khem.
AAnd who hath no image among barbarians.
BIt is I who hath been hated everywhere,
AAnd who hath been loved everywere.
BIt is I who am called Life.
AAnd whom ye have called Death.
BIt is I who am called Order,
AAnd whom ye have called Chaos.
BIt is I whom ye have chased.
AAnd it is I whom ye have seized.
BIt is I whom ye have scattered,
AAnd ye have gathered me together.
BIt is I who hath shamed ye,
AAnd with whom ye have been error.
BIt is I who keeps no festival,
AAnd whose festivals are many.
A & BI am Godless
And my Gods are many.
 
BIt is I upon whom ye have reflected,
AAnd ye have ignored me.
BIt is I who am unschooled,
AAnd ye learn from me.
BIt is I whom ye have ignored,
AAnd ye reflect upon me.
BIt is I from whom ye have hidden,
AAnd to whom ye are manifest.
BYet whenever ye hide yourselves,
AI, too, shall show myself forth.
BFor whenever ye show yourselves forth,
AI, too, shall hide from you.Chorus to Mulier
 
B Take me from their pain of understanding Scribe extinguishes 5 on "Take"
AAnd take me to yourselves in the understanding of pain.
BTake me to yourselves from destruction and oppression.
AAnd take me to yourselves in liberty and generation.
BOut of shame,
Take me to yourselves shamelessly.
AAnd out of shamelessness,
Put my members to shame within you.
BCome to me, ye who know me
And ye who know my members.
AAnd establish the great ones among the many.
BCome forward to childhood.
AAnd do not despise it because it is small and paltry.
BNor cause the scattered greatnesses to turn away from the smallnesses.
AFor it is from greatnesses that smallnesses are known.
BWhy do you curse me and honour me?
A Ye have wounded and ye have had mercy
Do not separate me from the first you have known.
B And cast no-one out
Nor turn anyone away
For He shall turn ye away,
And ye shall know Him not.
A & BIt is I who know the first
And those after them, know me.
 
A & B It is I who am the Perfect Mind. Scribe lights 6 on "It"
BIt is I who am the knowledge of my seeking,
AAnd the finding of them who seek after me,
BAnd the command of those who ask of me,
AAnd the power of the power by my knowledge
BOf the Angels who have been sent at my word,
AAnd of Gods among the Gods at my command,
BAnd of spirits of every man who exists with me,
AAnd of every woman who dwells within me.
 
BIt is I who am the honoured and the praised.
AIt is I who am the scorned and despised.
BIt is I who am peace.
AAnd war has come because of me.
BI am a foreigner, and a native.
 
AI am wealth of essence and she who has no essence.
BThose who come from my fusion of essences are ignorant of me,
AAnd it is those who dwell in my essences who know me.
BThose who are nigh unto me, know me not,
AAnd those who are far from me have known me.
BOn the day that I am nigh unto ye, ye are far from me.
AAnd on the day that I am far from ye, I am nigh unto ye.
 
BIt is I who am the heart.
AIt is I who am the natures.
B It is I who am the creation of the spirits, through intercourse with the souls.
AIt is I who am restraint and the unrestrained.
BIt is I who am joining and dissolution.
AIt is I who am persistence,
BAnd it is I who am weakening.
AIt is I who am descent,
BAnd it is to me that people ascend.
AIt is I who am condemnation, and pardon.
 
A & B I, I am sinless
And the root of sin derives from me.
Scribe extinguishes 7 on "I"
BIt is I who am lust in appearance,
AAnd interior self-control.
BIt is I who am the sound of fair speaking,
AAnd the Word that cannot be grasped.
BI am mute,
AAnd many are my Words.
BHear me softly,
AAnd learn from me harshly.
 
A I am she who cries out
And I am cast forth upon the face of the Earth.
It is I who prepare the bread and wine of my mind.
It is I who am the Gnosis of my name.
It is I who cry out, and it is I who hear.
I am the manifest and the unmanifest.
It is I who am the accuser and the apologist.
It is I who am called truth and iniquity.
I am the seal of my tomb.
Scribe lights 8 on "I"
 
B You honour me with praise,
And you whisper against me.
You who are defeated pass judgement
Before sentence is passed against you.
For it is in you that the judge and the judgement reside.
If you are condemned by it, who will forgive you?
And if you are acquitted by it, who can restrain you?
For what is inside of you is outside of you.
And that which moulded you has stampted an impression inside of you.
And what you see outside of you
You see inside of you.
It is manifest, and it is your body.
Scribe extinguishes 9 on "You"
 

At the start of the next speech, the Scribe lights candle 10, thus finishing the inversion of the Pentagram, and completing three and a half circles. Throughout the speech, A, B and the chorus shift position to Adoration of the Graal.

B Hear me O my people,
And learn my words, you who know me.
Scribe lights 10 then advances to centre, forming a triangle (point towards 10) with A and B
AIt is I who am the sound of fair speaking,
BAnd the word that cannot be grasped.
AIt is I who am the name of the sound,
BAnd the sound of the name.
AIt is I who am the sign of the letter,
BAnd it is I who am the numbering of the parts.
A & B And it is I who am the light and the darkness.
And it is I O listeners who speak the name unto you......

At the end of this speech, the chant stops. A, B and the chorus remain in the Sign of Adoration. A short pause.

A & B It is the name of the great power.
And the Gods, and the Angels, and the Spirits
Dare not speak the name of Him who created me.
But as for me, I shall speak its name.

On "name" A, B and chorus give the Sign of Dashing the Graal, then immediately assume and hold Mater Triumphans.
Scribe Behold then the words
And the writings that are now complete.
Give heed then O my people,
And ye also O Angels,
And ye who have been sent,
And ye spirits who have risen from the dead,
For it is ye alone who exist.
And ye have no-one to pass judgement upon you.
For many and pleasant are the forms found,
In manifold sins and graceless passions
And in worldly pleasures
Which my people embrace
Until they become sober
And ascend their place of rest
And they will find me there.
And live,
And not die again.

All give Sign of Silence (1-10 put down candles).

A note on the signs used.

The signs Puella, Mulier and Mater Triumphans are from the NOX signs, described in Liber V vel Reguli. The signs Adoration of the Graal and Dashing of the Graal were devised for this ritual and are roughly as follows: The Sign of Adoration of the Graal is given, starting in the Mulier position, raising the arms up and forward slightly until almost vertical, the hands forward and the edges of the palms together, open but slightly curved, palms up, as if supporting something about the size and shape of a football. The Sign of Dashing the Graal is given from this position by throwing both arms forward, down, and then back, finishing in something like the final position of Rending of the Veil, but below horizontal. The gesture may be used to spill energy over a focal point or material basis. For example, this ritual has been used to consecrate and charge a stack of copies of Liber AL, some of which have subsequently been given to new Sunwheel members.

It is possible to perform this ritual with a smaller group of people by simply putting the candles on the ground and having the chorus – an absolute minimum of two people – around the circle, with half doing the fast chant and half the slow chant.

It may be useful to have one or two music stands in the centre for copies of the script.


This rendition of Thunder, Perfect Mind is (c) the translators and redactors.  The translation was partly based on those by MacRae in Nag Hammadi Codices (from where the original Coptic text was taken) and Layton in The Gnostic Scriptures. Introduction, some editing, key entry and HTML coding by Frater T.S.

Notice: With effect from 27.11.2005 e.v., John Tindsley, as one of the holders of the copyrights, has cancelled any rights that may have existed for public performance of the above ritual, whether conducted for profit or not.  Anyone desiring to conduct such a performance should contact the redactors.  John Tindsley can be contacted at his Yahoo account.  Frater DICE can be contacted care of NIWG.  I have no idea how to get in touch with Frater OOO.

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