Scene 1:
This scene takes place just before Tom first meets Mink in Leo's Club

INT. LEO'S CLUB
Tracking toward the front door as Tom enters. He puts his coat and hat on the check counter.

An arm sweeps across frame to slap Tom hard.

Tom stares dumbly.

BERYL - She is a small woman in a French maid's uniform and a pillbox hat. She rocks her weight back onto one leg with her hands propped defiantly on her hips.

She throws a check number at him.

Scene 2:
This next scene, I believe - from the corresponding photos, was actually filmed but cut from the final reel of the film.
It takes place just before The Dane breaks into Verna's apartment.

INT. SPEAKEASY
A hand swings through frame to smash a gun butt into a surprised face.
With a loud crash the surprised man stumbles back into a table and flogs to the floor. He is round, aproned, middle-aged. Coat-skirted legs approach and start kicking at him.
The prostrate man rolls across the floor, trying to shield himself from the blows.

ROOSTER - the man standing over him, has a long scar across his neck and a rasping voice:

BERT - another enforcer, is down at the end of the bar with Tom.

Rooster kicks at the little round man:

Bert and Tom talk in the foreground as, in the background, Rooster continues to hector and kick at the round man.

He is handing Tom a briefcase. Tom leans over the bar to drop it behind.

Bert pours himself a drink.

Rooster, drawing his guns, calls from the back of the bar:

Bert shrugs into his overcoat.

Bert shrugs clemency.

The round man scrambles to his feet and runs out the back door. Rooster puts away his gun and saunters over to Tom and Bert.
The three men head for the front door:

The three men emerge in to the afternoon sun.

Bert gives a noncommittal shrug.

BOOM! - behind the three men the front of the speakeasy blows - glass flying, flames licking out.
Though there is commotion among the passers-by, Tom, Bert, and Rooster don't even turn to look.

Rooster trots out into the street.

There is a faint but distinct popping sound.
Tom looks into the street.
Rooster is staggering around as if drunk. He turns to face Tom and Bert. He lurches toward them. A red stain is blossoming on his chest.
The ambient hubbub fades to silence; we hear only the crisp staggering scuffle of Rooster's shoes as he stumbles into the foreground, looking stunned.
He drops.
A woman screams.
Noise wells up.
Bert is unholstering his gun, looking up.
Tom looks where Bert is looking.

FACING ROOFTOP
A man with a distinctive shock of white hair - Dead Terry McGill - puts up his gun and starts running along the roof.
BERT
Starts running along the street to keep pace, firing up at the facing roof.
A POLICE CAR
Siren wailing, up on two wheels as it takes a speeding turn onto the street.
It is hurtling toward Bert.
PULLING BERT
Running, pointing up, and bellowing at the oncoming car:

THE POLICE CAR
Cops with guns hang out every window. They start firing.
TRACKING TOWARD BERT
Running, pointing.

Police bullets cut him to pieces. He hits the road, a limp rag.
The police car squeals to a halt in front of his corpse. A sergeant and his men tumble out.
Tom is sauntering over, smoking a cigarette.

Tom's attention is drawn by something down the street.
HIS POV
About a block away, a man with white hair is crossing the street.

BACK TO TOM
As he leaves.

The sergeant bellows at another cop:

INT. DINER
Dead Terry McGill sits at a stool looking angrily down at a cup of coffee. Tom enters to sit next to him.
Through the windows behind them we see people running back and forth on the street, fire engine racing past - furious activity, its noise muted inside the diner.

Without looking up.

He tosses some coins onto the counter and gets up. We hold on Tom as Terry talks to Tom's back:

He puts a hand on Tom's shoulder and swivels him around. Terry clenches a fist and draws it back to throw a punch.
Tom and Terry look at each other, Tom making no more to defend himself.
After a long beat, Terry unclenches his fist and sneers:

Scene 3:
This last deleted scene takes place at Leo's club, right before Bernie's funeral.

DOWNSTAIRS
Pulling Tom as he walks across the gambling floor, drink still in hand. Behind him we can see workmen busily repairing the damage done to the club in the police raid.
Halfway across the floor Tom stiffens and slows, seeing something.
Verna is entering the club.
The two meet.

Tom: 'Lo, Verna.
Verna: 'Lo, Tom. See Leo?

They both lean against a countertop and look out at the floor.

There is a silent beat. Verna scowls.

Tom lets this drift.
Verna tries to compose herself.

Verna looks at him.

Tom looks at her evenly.

Verna studies him.

She looks at him a beat longer, then out at the floor.

WHAP! Verna slaps him hard. His head rocks under the blow.

Tom watches her go.
He raises the drink and rolls it across his slapped cheek.
The ice cubes clink.