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Character | Actor |
Archibald Hall/Roy Fontaine | Malcolm McDowell |
Directed by ?
Written by Peter Bellwood
From the book by Norman Lucas
What the butler did
Jim Gilchrist | Scotsman 8/31/05
January 1978 was a bitterly cold one, made all the chillier
by the fact that bodies kept cropping up in lonely locations across Scotland. As
temperatures dropped below zero, grim-faced policemen attacked the iron-hard
ground with pick-axes and shovels, and deployed tracker dogs trained to detect
putrefying flesh.
As the sweat froze on their brows, the searchers uncovered
four bodies, in various states of decomposition - one at Kirtleton House Manor,
Dumfriesshire, another in nearby Middlebie, one in a bleak Inverness-shire wood,
and another near Braco, Perthshire. A fifth was discovered, quite accidentally,
by police, curled up in the boot of a car in North Berwick. The five murders,
which made national headlines, were the work of the stylish thief, con-man,
jail-breaker and, ultimately, serial murderer Archibald Hall, who became known
as "the killer butler".
A debonair, audacious and plausible villain who regarded
himself as "a top-class thief" and preferred to call himself Roy
Fontaine, Hall's psychopathic tendencies erupted in 1977 after his shooting of a
former cellmate and lover precipitated a cold-blooded killing spree. Now the
story of a working-class Glasgow boy, who reinvented himself through service
with the aristocracy and through a series of daring burglaries and confidence
tricks, could well be made into a film starring Malcolm McDowell, an actor with
quite a "criminal history" of his own.
McDowell, who has portrayed blue-eyed psychopaths as diverse
as Caligula and gang-leader Alex in A Clockwork Orange, has long nurtured an
interest in Hall's extraordinary story, and last year commissioned Hollywood
writer Peter Bellwood (who scripted Highlander) to come up with a screenplay.
McDowell, who would produce the film, is now looking for a director, as well as
the necessary £3-4 million funding.
The actor told The Scotsman earlier this month that he had
been interested in the story, which he will shoot largely in Scotland, ever
since the late director, Lindsay Anderson, told him about it a dozen years ago.
He described Hall as "a wonderful character in many ways. He's a great
conman, a fabulous part for an actor".
"We're on our way to getting funding," reports
Bellwood from his home in California. "At the moment we have a number of
director possibilities, but we want the right person - so much in this story
depends on the tone: it's about a serial killer but it's also about one of the
world's great conmen.
"Fontaine was the most extraordinary kind of psychopath. Nothing was ever
his fault, and, when you embark upon a biopic of someone like this, there are
certain dramatic imperatives which have to be accommodated. You're not writing a
book with all the interior stuff you can get into a book. There's a certain
Greek tragedy aspect to it, too: leaving aside his psychopathology, there is
something touching in a way about Hall's personality."
The working title for the project, The Monster Butler, may
conjure images of Lurch from The Addams Family but, although Bellwood's script
has more than its fair share of black humor, there was nothing very funny about
Archibald Hall, who died three years ago in Kingston Prison, Portsmouth, aged
78, while serving multiple life sentences for four murders (the fifth case
remains open).
"There's no doubt that I'm addicted to stealing. It's
something I show a rare a talent for," Hall wrote in 1999, in his now
out-of-print autobiography, A Perfect Gentlemen. If he had stuck to thieving and
high society conmanship, he might have remained in criminal folklore as the
archetypal amiable rogue, but, as he also admitted, there was "a side of
me, when aroused, that is cold and completely heartless". Not for nothing
did he and his co-author, Trevor Anthony Holt, subtitle the book, The True
Confessions of a Cold-Blooded Killer.
Born in 1924 in Glasgow, Hall started stealing at the age of
15 - the same age at which he was initiated into sex, and into a more
sophisticated world, by a divorced neighbor in her thirties. It wasn't long
before he discovered his bisexuality, although, as he recounts in the book, just
holding jewels was enough to arouse him. "I didn't really make a decision,
I just became a thief," he wrote, and among early victims of his often
fastidiously conducted burglaries were the Shorts, the Glasgow showbiz couple
and parents of Jimmy Logan.
Moving to London on the strength of his ill-gotten gains,
Hall's good looks, ambivalent and exploitative sexuality and aspirations to the
good life soon found him circulating on the city's celebrity gay scene,
conducting, or so he claimed, affairs with Lord Boothby and playwright Terence
Rattigan. He also served his first prison stretch, having been arrested in
London passing jewelery he'd burgled in Perth, establishing an alternating
pattern of porridge and Champagne as, between sojourns at Her Majesty's
pleasure, he brushed up on his aristocratic manners and connections by working
as a butler, or feigned upper-crust credentials himself - at one point attending
a garden party at Holyrood House on an invitation filched from his employer's
mail. At least twice he entered into serious relationships with women, one of
whom he married and later divorced, but claimed in his memoirs that the great
love of his life was David Barnard, a fellow con he met in Hull Prison, and
whose death in a car crash in 1974 was a blow from which Hall never recovered.
Three years later, Hall, while working as butler to Lady
Margaret Hudson at Kirtleton House, Dumfriesshire, killed for the first time.
The victim was David Wright, another prison lover, who joined Hall to work at
the manor, threatened to blackmail him about his past and, Hall claimed, tried
to shoot him while drunk. He shot Wright while rabbit-hunting, and buried him
under boulders in a stream on the estate. Killing Wright, he claimed, really let
the genie out of the bottle: "I had released all that was worst in
me." And worse was yet to come. Hall became butler to Walter Scott-Elliot,
an elderly and wealthy former Labor MP and his much younger wife, Dorothy. True
to form, he was planning to drain the couple's bank accounts before going into
retirement abroad. "It was a shame I had to kill them," he later
wrote, blithely.
But kill them he did, although he blamed his
partner-in-crime, a small-time villain by the name of Michael Kitto, for the
spiral of brutal violence which ensued. He was showing Kitto round the couple's
house in London's Richmond Court one night when they were confronted by Dorothy,
whom Hall thought was away. Before she could cry for help, Hall recounted, Kitto
gagged her with his hand and the ailing woman slumped to the floor, dead.
The pair then sedated the old man with whisky and sleeping
tablets, then, with the help of Mary Coggles, a waitress and prostitute they
knew, drove him up to Scotland, his wife's body riding in the boot. This bizarre
assembly - with Coggles wearing the late Mrs Scott-Elliot's clothes and wig -
made overnight stops before burying the dead woman near Braco, Perthshire, then
throttling and beating the old man to death with a spade in a lonely wood near
Tomich, Invernesshire. "The old man was a proper gentleman right up to the
time he died," Kitto would later assure the High Court.
Coggles's propensity for parading about in her newly acquired fur coat and
jewelery made her a liability, so Hall and Kitto decided to do away with her -
though not before they both had sex with her. Her body ended up, like Wright's,
in a Dumfriesshire burn, where a shepherd found her body on Christmas day.
What finished the pair, though, was their murder of Hall's
half-brother, Donald, who, not long out of prison himself, was becoming an
embarrassment. After subduing him with chloroform, Hall drowned him in the bath
at his holiday cottage in Newton Arlosh, Cumbria. Murder had become second
nature to him.
So, in January 1978, for the third time within a few weeks,
the pair found themselves driving north with a body in the boot of their car. As
snowy conditions worsened, not wanting to be involved in an accident, they
halted at a hotel in North Berwick, whose suspicious manager, worried about his
bill, phoned the police, who took them to the local station for a routine check,
whereupon a detective sergeant opened the car boot. Escaping out of a toilet
window, Hall got as far as Haddington before being caught at a police
road-block. Following a botched suicide attempt, on 18 January 1978, he ended up
conducting the police through those bitter Highland woods to the makeshift grave
of Walter Scott-Elliot. During the ensuing trial in Edinburgh in May 1978, Hall
was described as a psychopath - an oft-abused term, agrees Tom Wood, chairman of
Edinburgh City Council's action team on alcohol and drugs and a former deputy
chief constable of Lothian and Borders Police - "but Hall fitted the
bill".
In January 1978, Wood was a detective sergeant working on the
periphery of the case, and met Hall briefly. "He was very likeable and
affable to meet - he used to send Christmas cards to one or two of the
cops," recalls Wood. "And that's what made him even more dangerous,
frankly. Policemen found him an extremely charismatic and plausible character,
but utterly cold-blooded."
Reporting the trial, The Scotsman recorded the advocate-depute, Colin McEachran,
commenting that Hall had twice been certified as insane in 1944 (something the
murderer conveniently skips in his memoirs).
Hall remained incarcerated until his death in 2002. In
California, Peter Bellwood recounts a strange coincidence: "Three years
ago, on the morning I finished the script, the BBC were filming at my house for
a documentary on Peter Cook, who had been a great friend. The sound man saw this
script titled Monster Butler on the table and said, 'Is that about Roy Fontaine?
He died yesterday in Portsmouth jail.' The weird coincidence is that I must have
written 'fade out' on the script at approximately the same moment that Roy
Fontaine died." If McDowell and Bellwood find their backers, however, the
killer butler will live again, on our screens, yet another bogeyman for our
times, but one with impeccable manners.
This was a film to which Malcolm bought the rights for. David Sherwin adapted a screenplay from the book by Norman Lucas way back in 1991. The first draft of the script in done in 1993 with Lindsay Anderson. On June 11, 1993 Malcolm planned on buying the script for $200,000 - the salary from his next film and having Lindsay and Sherwin come out to his house in CA to finish it up, like on OLM! The deal fell through when Malcolm's movie got cancelled. The next year Malcolm asked Gary Oldman to star with him and he agreed. They tried to shop the film and even with them starring and Lindsay directing, no studio was interested. Because of Sherwin's battle with alcoholism, the script was never completed and with the death of Lindsay in 1994 this project has been put on the back burner with Malcolm looking for a director.
8/3/05
Let me entertain you with tale of a Scots killer
Tim Cornwell | The Scotsman
He's played a psychopath from Roman times and one from the
future. Now actor Malcolm McDowell has revealed his plans to play the Scottish
serial killer Archibald Hall in a new film.
McDowell, most famous for playing sinister leads in films from Caligula to A
Clockwork Orange, has told The Scotsman that the shocking story of the
"Monster Butler" could be the British answer to the bloody gangster
film Goodfellas.
Glasgow-born Hall brutally murdered five people in a string
of bizarre killings that ranged from Dumfriesshire to London and back to
Scotland. The conman plied his trade as a butler before he turned killer in his
50s, and counted a former Labour cabinet minister among his victims. He died in
Kingston Prison, Portsmouth, in 2002, after serving 23 years in jail.
McDowell, who would also act as the film's producer, hired
the award-winning scriptwriter of Highlander, Peter Bellwood, to write the
screenplay last year. He is now trying to find a director who is right for the
project and put together £3-4 million in funding.
"It's very important that we shoot it in Scotland, as a
lot of it takes place there. We would shoot it in Glasgow, and in the Lowlands.
All these country houses ... it's perfect, and that's where it took place,"
he said.
He learned of Hall's story at least 12 years ago when the
late director Lindsay Anderson suggested he play the killer. McDowell, 62, is a
veteran of more than 100 films. He is currently working on the hit US television
series Entourage.
He bought the rights to a book telling Hall's story but,
disappointed by an early script, he turned to Mr. Bellwood, an
Emmy-award-winning British writer. He said of the killer: "He is a
wonderful character in many ways. He's a great conman, he's a fabulous part for
an actor, and that's why I've stayed with it so long. "I want to play him,
as an older man, of course. We will get the money if the will is there, by
doggedness and belief. We will make it as modestly as we can."
A spokesman for Scottish Screen said: "Films about Jack
the Ripper have been popular for years, and this sounds like the home-grown
Scottish thing. We look forward to seeing the script."
The script for Monster Butler opens with the true-life
encounter of two North Berwick policemen called by a landlord worried that Hall
and his accomplice Michael Kitto won't pay a bill. They stumble on a body in the
boot of his car. Archibald Hall preferred to go by the name Roy Fontaine -
inspired by Joan Fontaine's performance in the classic film Rebecca.
The screenplay charts his youth in pre-war Glasgow as an
emerging conman and jewel thief with aristocratic airs, weaving a life of crime
with attempts to "go straight" as a butler to the gentry. In one
true-life episode, he impersonated an Arab sheikh, booking the presidential
suite in the Dorchester Hotel in London.
His killing spree began in 1975 when he murdered the former
lover from prison who threatened to expose him as butler to an aristocratic
dowager in Dumfries. He killed his next employer, the politician Walter
Scott-Elliott, and his wife. Other victims were a prostitute and his own
brother, Donald, whom he loathed as passionately as he loved his sister, Violet.
Mr. Bellwood said: "I tried to create a story where we
went from comedy to horror. Fontaine was a pathetic creature in many ways. He
loved entertaining people, but he could also explode."
McDowell said other British criminals such as the Krays had
made it to the screen. Even the comedy Kind Hearts and Coronets was about a
serial killer. "He was one of the world's great conmen who in his 50s
killed five people in as many months. It would be a very stylized film, in that
I want to entertain the audience, to make them laugh. It's sort of like Pulp
Fiction, where you laugh out loud after they've done a killing and are talking
about eating hamburgers in Paris. It's the mundaneness of it that appeals."
Was to be directed by Lindsay Anderson
Screenplay was originally written by David Sherwin
Gary Oldman was to play Hall's boyfriend.
Malcolm McDowell from my interview with him 8/11/07
Q: Is it ever going to happen?
A: I don't know.
Q: You have the rights to it now?
A: I have the rights, but I don't have a script. I don't know whether I'll ever
do it.
Q: Didn't David Sherwin write something for it?
A: No. He's a good guy, but he didn't write a script, he wrote a treatment early
on when Lindsay was alive.
"I'm sure it would make an absolutely horrible and quite successful movie." - Lindsay Anderson 1993
"Typecasting, you might say. I like the charm of confidence tricksters and acting is really a con trick anyway. I remember being with a heavyweight boxer in a film and he said, 'I like this acting stuff. All you do is stand up and lie.' ' No,' I replied. 'It's standing up there and telling the truth.' But, whatever it is, I always try to have fun." - Malcolm in Radio Times 2/96
This is the extraordinary true story of Roy Fontaine, a brilliant con-man, who becomes butler to the rich and even lunches with the Queen Mother. As well as charming all his employers, he murdered his boyfriend, his brother, and the last couple he worked for, an elderly member of Parliament and his wife. Finally arrested and tried, he was declared insane. He was locked up in Broadmoor and died in 2002.
This format © 2001-08 Alex D. Thrawn for www.MalcolmMcDowell.net