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| Trailer
Character | Actor |
Boad | Malcolm McDowell |
Will Graham | Clive Owen |
Helen | Charlotte Rampling |
Davey Graham | Jonathan Rhys-Meyers |
Mickser | Jamie Foreman |
Frank Turner | Ken Stott |
Mrs. Bartz | Sylvia Syms |
Victor | Alexander Morton |
Pathologist | John Surman |
Coroner | Paul Mohan |
David Myers | Damian Dibben |
Sheridan | Amber Batty |
Stella, drugs seeker | Daisy Beaumont |
Philippa, model | Lidija Zovkic |
Arnie Ryan | Geoff Bell |
Cannibal | Desmond Bayliss |
Big John | Kirris Riviere |
Al Shaw | Brian Croucher |
Malone, chauffer | Ross Boatman |
Paulin, hired gun | Marc O'Shea |
Little Billy Swan | Dave Alexander |
Mrs. Turner | Lesley Clare O'Neill |
Mrs. Calgani | Emma Dewhurst |
Algar, foreman | Francis Magee |
Calgani | Mark Hardy |
Eddy | Bruce Byron |
Annie, waitress | Jacqueline Defferary |
Hair, taxi driver | Tim Plester |
Cyril | Noel Clarke |
Shopkeeper | Abi Gouhad |
Cyclist | Peter Sproule |
Barber | Eric Scruby |
Hotel Maid | Sophie Jones-Cooper |
Boads' Henchman | Ben Uttley |
Directed by Mike Hodges
Written by Trevor Preston
Toronto Globe and Mail 9/10/03
Zevon the storyteller
Mike Hodge's taut gangster film I'll Sleep When I'm Dead has taken on a new edge
with the death this week of songwriter Warren Zevon. Hodges borrowed his
film's title from Zevon's song I'll Sleep When I'm Dead, according to Web site
(this site!) of the film's star, Malcolm McDowell. According to The New York Times, one of Zevon's songs "could sketch an
entire screenplay in four minutes." I'll Sleep Till I'm Dead is one of
those, a quick sketch of a guy who starts off by raising hell on a Saturday
night, then drowns his sorrow in booze and prescription medicine. His final
solution is "a .38 Special up on the shelf."
Toronto Sun By Jim Slotek
Mike Hodges' new film I'll Sleep When I'm Dead is about a Brit gangster who
investigates the suicide of his brother and discovers he'd been raped by a
deranged car dealer (Malcolm McDowell). We tell the veteran director that we've
seen McDowell commit rapes in four films, and we've only seen a fraction of his
oeuvre. These include Hodges' film plus A Clockwork Orange, Caligula and 1979's
The Passage (in the latter, he's a Nazi who anally rapes a teenage girl). What's the deal here? "Really! I had no idea," Hodges says, amused.
"I suppose that's how he knew how to do the scene so well. I just left the
camera on and watched this character become more and more pathetic. "I did offer the role to other well-known actors and they were
absolutely shocked that I would offer it to them. They were quite insulted
actually. But Malcolm was quite comfortable with the idea. We've been friends
for a long time, so he probably did it more as a favor than anything."
Incomplete Clive Owen Story
Furious preparations for the Christmas rush
aside, the Freemans catalogue building standing firm on the Clapham Road has
been playing home to some intense drama. For it is here that the production of
psychological crime thriller I'll Sleep When I'm Dead is under way, with star
Clive Owen, his face smothered in a beard, his unblinking eyes locking in a
stare, discovered the truth about his brother's death.
"I basically play someone who was very violent in a
violent world," begins the actor.
Maybe not classic, but all of Malcolm's dialog.
"Hello. What are you doing here. What? What is he going to find out? What could he possibly find out? Yeah, he's scum, just like his brother. That night I was at home with my family."
"Get out there, go on, sick 'em off, sick 'em, yeah go on, yeah, Get 'em boy. Sick 'em off, Henry, good boy. Woo."
"Henry! Henry? I know who you are. You're just like he was. So sure of yourself, so certain of what he was. I was watching him for weeks you know? The parties, the restaurants, the clubs. Oh...he was everything I loathed. The clothes, the walk, the talk, the lies. The way he smoked, the way he laughed. Laughing, always laughing, mocking - everything, everyone. And the women, their eyes like hands on him all the time. What was he, huh? Thief? Drug Dealer? A degenerate? I wanted to show him what he was - nothing...nothing. He was less than nothing. I wanted him to know that."
Region 1
Widescreen Version Enhances for 16.9 TVs
Dolby Digital - English 5.1 Surround
English Dolby Surround
English Subtitles
Paramount Classics, Seven Arts, Reverse Pictures
"Two thumbs way up." Ebert & Roeper. "One of the best crime movies of the year." Roger Ebert.
7/4/04 Mercury News with Mike Hodges
4/24/04 The Guardian
Weekend with Malcolm McDowell
9/9/03 Toronto Sun Interview with Mike Hodges
8/31/03 The Guardian
with Mike Hodges
Malcolm and his wife Kelley attended the Paris Film Festival March 24 - April 1, 2003 where Malcolm was the Jury President. The reason for this is that someone who runs it saw "I'll Sleep When I am Dead" and said it is the best film they have seen in five years. Most of the people who made the film or are in it will attend the festival and see the film for the first time including Clive Owen, Mike Hodges and the producers. In the biggest scene Malcolm forcibly rapes Jonathan Rhys-Meyers....ouch!
The title is based on the old Warren Zevon song of the same name from the album 'Stand in the Fire'. Zevon died on 9/7/03. Bon Jovi also has song with this name.
Filming began September 23, 2002 and wrapped 11/4/02.
Filming finished in Wales with a small cast and crew. The vibe on the set was very good and the cast got along well. There was five weeks of locations primarily in South London, centering around Brixton and Clapham, and one week in Wales, based in Fishguard. 52 locations were used, including the Strumble Head lighthouse during the worst storm to hit the Welsh coast in 20 years.
When the offer for The Company came up the filming of Malcolm's scenes had to be pushed back from September to October.
Clive's character has the same name as the famous agent from Manhunter/Red Dragon.
An article about the film appeared in the 2/03 issue of Empire magazine.
In the book 'Get Carter and Beyond' Mike Hodges talks about the film.
Seven Arts tried to get the film entered in the Cannes Film Festival, but were rejected.
Played at the Moscow Film Festival 6/26/03.
UK premiere at the Edinburgh International Film Festival August 23 and then at the Toronto Film Festival (TIFF) on Sept 6.
The original release date was 11/17/03.
Rated R, 103 mins.
Played the Sundance Film Festival on 1/15/04.
Played the 27th Portland International Film Festival 2/18/04.
US Release date 8/20/04.
Order cut off date for home video 10/5/04.
DVD Release 11/16/04.
Contains a discreetly brief rape scene, fleeting rear nudity, some recreational drug abuse, a crass scene involving urination and some rough language.
Movie
Malcolm
Behind the Scenes
Boad in his car waiting for the call
Boad rapes Davey
Boad coming up the stairs at his dealership
Boad meets with the snitch at work
Boad at home checking a wine bottle
Boad going to let the dog out
Will's transformation composite
Boad turning of the alarm and yelling at Henry
Will pointing his gun at Boad
Will going to execute Boad
Memorabilia
DVD
DVD Cover - Front
DVD Cover - Back
VHS
Screener - Front
VHS
Screener - Back
VHS
Screener - Label
Charlotte Rampling 3/25/05: "Oh, directors want me to be really stern sometimes. They like that quality in a woman. They find it compelling. I tried to warm it up a bit, but Mike wanted us to be terribly stern."
Malcolm McDowell: "Mike is a great friend and we always wanted to work together but I had to think twice about taking this role for there is a major scene which is quite horrible, something I refused to do, even in Caligula. But I am so impressed with Mike, who did this horrific sequence all in one shot. When you see it, it is very powerful without being salacious. I'm so happy things have come round for him and people are now saying he's one of Britain's all-time bests. He's a master who never got his due, until now. I also loved working with Clive Owen. He's a minimalist actor and terrific at what he does."
Mike Hodges: "Malcolm is a very brave actor. In this film he delivers a very measured and underplayed sense of this character. He again brought honesty to the role and like the other actors brought something that was just not on the page, elements which one can't anticipate, wonderful things."
"The film is about a criminal boss, Will Graham (Owen), trying to escape from the milieu of violence and deprivation he was born into, just like Jack Carter. But unlike Carter, he's become a recluse. A bum constantly on the move. Our story reveals how he is relentlessly sucked back into his old life, a place his younger brother still inhabits. My opinion of the project changed drastically when I returned to it after all these years. Because I see the world as such a dangerous place right now, maybe more so than ever before, and because revenge is much on our minds, our film has an added urgency...In a way it's a samurai film. Once a samurai, always a samurai. As with Jack Carter, Will can't escape his past. None of us can, of course."
Clive Owen: "There tends to be a lot of fussiness in modern filming. Mike Hodges loves to strip that aspect away, to keep things simple. And that's the way I like to work too. His way of filmmaking makes the story far more moving and powerful."
Trevor Preston: "The basic story is about a man who knows that if he returns to the city, he will die. He doesn't die physically; he dies spiritually. He finds himself compelled by the mores of the criminal culture he was raised in to commit a violent act of retribution."
"Nine years ago a friend of mine called Trevor Preston wrote a script called "I'll Sleep When I'm Dead" and he asked me to read it and I liked it very much indeed. But we had great difficulty getting the right actor for it and when I did 'Croupier' I really enjoyed working with Clive Owen who I thought did really well. I asked Trevor if I could give it to Clive to read." - Mike Hodges on BBC Radio 3
Director Mike Hodges will re-team with his "Croupier" star Clive Owen on the noir thriller "I'll Sleep When I'm Dead," with Paramount Classics acquiring domestic distribution and certain international territories. Written by Trevor Preston, "I'll Sleep When I'm Dead" tells of a former gang boss who is drawn back into the game to avenge his brother's sordid and tragic death. Charlotte Rampling, Jonathan Rhys-Meyers and Malcolm McDowell also star. The picture begins production in September and is slated for a late 2003 release. In addition to North America, Paramount Classics acquired the picture for Australia, New Zealand, Japan, Latin America and the Middle East. Hodges also directed the original "Get Carter," starring Michael Caine. Owen is starring opposite Angelina Jolie in "Beyond Borders" and was most recently seen in Robert Altman's award-winning ensemble "Gosford Park."
Directed by Mike Hodges (Croupier), I'll Sleep When I'm
Dead is a psychological crime-drama that features and all-star cast including Clive Owen
(King Arthur), Charlotte Rampling (Swimming Pool), and Malcolm McDowell (A
Clockwork Orange) and asks the question: what is the price of vengeance?
Ex-gangster Will Graham (Owen) thought he had gained back his
soul by leaving the hard-boiled life of criminal underworld behind him and
taking on the life of a drifter. When he learns that his younger brother is
found dead of a gruesome suicide, Will comes back to town and discovers that his
death was motivated by a shocking event involving a local car dealer with a
violent habit.
To get vengeance against the man responsible, Will must deal
with the unfinished business of his old life which includes a fued with local
crime boss and lingering feeling for an old flame.
Will is seen hitting golf balls and getting
into his car, but these are really scenes from the end of the film. Davey is
being driven and he tells his buddy Eddie Dalton that Will is never coming
back. Davey Graham is in his 20s and seems to have
it all - looks, money and a place with the in crowd. He is also in love with
himself.
Davey is dropped off late to a party to hook
up with Stella for a drug deal in the upstairs bathroom. A couple are in the
adjoining bedroom about to have sex on the bed. Davey walks in and pretends he is going to
puke to get them to leave. They run out and the man leaves his wallet which
Davey picks up and pockets all of his cash. Stella arrives soon after and
wants a taste of the coke before she buys. Davey wants 1100 for it and she tries
to talk him down, but he refuses and she eventually gives in. He leaves the
apartment after
this and a man watches him go. The man makes a call on his cell phone downstairs
where Boad and his two thugs are waiting. Stella
comes up to him soon after. Sheridan, the woman running the party notices all of
this, but thinks nothing of it as Davey takes the elevator down.
Meanwhile a dirty hippy man is living in his van. One night
he spots three men beating up a man by the side of the road. When they are
finished they get in their car and leave him there to die. We learn later that
this man is Will Graham, older brother of Davey. Will goes over and scoops the
man up and after finding his address on his license, he takes him home. He is
greeted by the gun wielding wife, but he is only there to drop the husband off
and recommends getting him to a hospital. She wants him to stay, maybe to reward
him with sex, but he departs.
Davey is driven by Philippa back to her house. She is a model
and is drunk and tells him how lucrative her work is and he thinks he can be a
model and loves to travel. She is upset she lost her lighter at the party, so he
hooks her up with some pills that she can go up, down or sideways. They make
out, have sex and she falls asleep.
Soon after Davey walks
home with a swing in his step and we see Boad is in a black car following him. Davey gets in a psychedelic cab that breaks down close to home
and has to walk the rest of the way. The black car still follows him and soon
gets ahead and hides around a corner. Two men get out and wait for him. When Davey rounds the corner
the men jump him and bring him back into a storage garage. The older man, Boad,
looks menacing as the two men hold him down. He comes in, says nothing, takes
off his jacket, pulls down
Davey's pants and anally rapes him. They then leave him there.
When Davey emerges it is light outside. He heads home battered and bruised with his pants torn. A
man on a bike tries to help him, but Davey is too shaken up. Across the street from his
apartment he runs into a buddy and quickly blows him off. His landlord Mrs.
Bartz is going out to work at 5am as Davey is coming home. She
is surprised to see him getting in so late, but he blows her off too. He goes
into his apartment and stumbles around, visibly shaken. He then fills up
the tub and gets in, with his clothes still on.
That day Will is working as a lumberjack when the foreman comes over to talk to him. He asks if he saw anything last night because he
found a patch of blood on the ground. Will says he saw some kids in a car, but
that was all. The foreman says he has to let him go since he doesn't have all his
paperwork in order and under new rules that won't work. The foreman hates to do
it since he needs him, but
Will understands.
Davey is still laying in the tub at 5pm when his friend
Mickser calls looking for him. That night Mickser comes over since Davey hasn't
called or shown up. He doesn't answer so Mick goes to the landlord who says she saw him come home
at 5am. He thinks that is odd and goes up to see what is going on with Davey who
is known for being late. He finds Davey is still in the tub except now it is filled
with blood from Davey having cut his own throat. He screams for the landlord to
help and she is in shock. He wants her to get Frankie outside and says
everything is OK. She won't listen and has to yell at her to do what he asks.
We now understand Will is a man on the run. He looks at the
ocean from a cliff and then stops at a restaurant for a bit to eat. He tells the
waitress he doesn't know where he is going and she says that sounds right and
she'd like to go with him.
Mickser goes to the restaurant that Helen owns. She used to
be Will's lover. It isn't open yet and the busboy tries to give him crap, but he
is in no mood. He tells her he needs to find Will. She says it has been three
years and he hasn't written in 11 months. He tells her they can't bury Davey
without Will being there. She says he may have to. He can't understand why he
did it. She asks if he was selling drugs and he says he was just playing around,
nothing serious. Mick wants to know why Will left. She says he had a breakdown.
He can't believe it because Will was the hardest man he ever knew. He is going
to find him.
Will is staring into space during a rainstorm in his van,
trying to fix something to eat. Meanwhile Mick is in a convenience store buying
cigarettes when a man approaches him and he quickly leaves. The man takes the
cigarettes and doesn't pay for them. They get into a car and drive off.
Mick is in the back with Will's old crime boss nemesis Frank
Turner. Frank wants to know when the funeral is and when he'll see Will again.
He tells him things have changed a lot in three years and hopes Will
understands. He then gives him money for flowers and lets him out. The other man
throws the cigarettes at him.
Will drives off and
is waiting on line for a ferry to carry him off. He looks up in the
nearby waiting area and sees Davey shadow boxing. He runs up and finds he isn't
there and has a feeling he should call him, but only gets the machine. He starts
to head for home.
Along the way he calls twice and leaving messages every
time he stops. Meanwhile Mick and the Mrs. Bartz clean out Davey's apartment and Mick
finds a large box of cash which surprises him. They are just packing up
everything for Will to decide what to do. Suddenly Will calls and Mick runs, but
is too late. Mick then rewinds the tape and hears that Will has now called for
him three times. Helen is sitting home lost watching old tapes of Will and Davey.
Will drives all night and finally arrives at Davey's place.
He still has a key, but there is a chain. He rings for the landlady and she
doesn't recognize him. She can't tell him where Davey is yet. He goes upstairs,
finds the apartment empty and sees there is still blood and a knife in the tub.
That night he dumps his urine bucket, locks up his van and
goes to see Mick. Mick is a mess and shocked to see him there and doesn't know
what to say. Will tells him he's going to see the coroner and asks if he thinks
anything odd happened. Mick says no one knows what happened.
The next day Will goes to the coroner and isn't happy with
the report being ruled a suicide and wants to arrange his own autopsy. That
night he is walking toward his old club The Junction and Little Billy sees him
and calls Frank to tell him. Frank wants to be sure.
Inside Will meets with three of his old crew - Arnie, Big
John and Cannibal. There is still electricity and booze inside. They are
thrilled to see him, but can't believe how bad he looks. They knew he'd come
back one day and don't know what to say about Davey. Will wants to know why,
what was he into. They tell him he wasn't tied to anyone, no one was putting his
hand on him and he's dead, what does it matter. Will says it matters. He wants
to know why Davey sat in a tub for of cold water for 12 hours before he cut his
throat. They tell him he was dealing a little bit of coke now and then. Will
wants to know why he had $11,000 in the apartment, he couldn't get that from
petty dealing. They say he was dealing to the rich and ripping them off. They go
to give him a drink and Will says he doesn't drink. They are excited if Will is
really back, they could turn the down over. Will says Frank Turner would have
something to say about it. They say there is tons of soft money for the taking.
Will says he's not back for that. They tell him no one changes, not him. Will
says he has changed, he's wrong. They say Frank is coming for him, has to, he
knew people would die. They think that's what he wants, Will wants to die.
The man who pointed Davey out to Boad goes to see him at the
car dealership Boad owns. Boad takes him downstairs and the man tells him Will
is back in town asking questions and might find something out. Boad wants to
know what he could find out. He wants to know what Boad did to him. Boad says he
was at home that night.
Later Will waits for Helen to close her restaurant and
surprises her. She thought she'd never see him again and wants to know why he is
there. He says for Davey. She wants to know why she came to her since she
doesn't want to speak to him and wants him to leave. He stopped writing because
it wasn't fair. She is mad at him for that since she loved him and always knew
who he was. She can't forgive him for thinking she didn't love him. He wants her
to see who he's become. Sometimes he doesn't talk to people for days and is
always on the run because of grief for his wasted life. Davey's life was also
wasted and he's going to find out why. He thought she'd want to help, but she
doesn't know anything. He goes back to his van and looks at pictures.
Will goes to his coroner the next day. The doctor wants to
know if Davey was gay. Will says no, he wasn't even bisexual. The doctor
confirms Davey had anal sex the night he died and the only way this could happen
then was rape. He says there was no semen in the mouth like usual, but Davey did
ejaculate. This is common and can cause psychological damage to the victim. This
might be the cause of the suicide, but it still was suicide. Will can't believe
this. The doctor says he can put him in touch with someone who can explain it
better if he wants.
Mick unpacks Davey's answering machine and listens to the
tape again. Cathy calls looking for him and is pissed. Then Sheridan calls
telling him not to be late for the party. Then Mick calls looking for him and he
turns it off. He then goes though some papers and finds the number for Sheridan.
He goes to her place, she had the party the night Davey died.
She tells her Davey left soon after 11pm and left alone since he wasn't at the
party to score. She didn't notice anyone else leave at the same time because it
was early. She says the guy who was with Stella was waiting and on a cell phone
and was nervous, but maybe it was nothing. She didn't know who he was, but might
be able to find out.
Will goes to see the rape expert, an old man with arm braces.
He says each victim of rape acts a different way. There are patterns, disbelief,
it didn't happen to them, shock. Some feel strangely calm, others feel the need
to shout, express rage. Sometimes, not often, they are so disgusted, so angry
that they turn it against themselves. Will is stunned and wants a drink. One of
the myths about the rapists is they are highly sexed with insatiable sexual
appetites. The truth is they are inadequate, do it as a symbol of their virility
and are not interested in sex at all. It's about domination, humiliation for
power, not for sexual pleasure. Will wants to know what kind of man does it. He
says a heterosexual man, married with kids and any age, could be more than one.
The others would've held him down. The chances Davey would've know him are
small, more likely a stranger, but he isn't sure. He says to let the police
handle it as Will leaves.
Frank's driver confronts Will saying he never liked him and
insults him. He tells him the message from Frank is to bury his brother and then
go back to where he came from. If his friends do anything they are all dead.
Will ignores him and goes into his old club to meet with Mick. Mick says he's
got the name, address and phone number of the guy who called Boad. Will tells
Mick Davey was raped and that is why he killed himself. Mick can't understand it
and why didn't he tell him before. Mick knows Davey wasn't gay and screams at
Will for thinking against him.
The driver tells Frank Will said nothing and Frank
warns him not to underestimate him. Mick drives Will and tells Will he never
should've left him. Davey had no one, no family. Mick says he got involved with
the brain sick rich and it must've been one of them who did it. They go to the
informants house pretending they are Stella. They get in and he tries to run.
They pound him to get him to tell the name of the man who raped Davey. He is too
scared, saying he'll get killed. They tell him his is dead already. He says he
had nothing to do with it, he just made the phone call. They tell him Davey was
raped.
Mick and Will drive off now that they have the info. Mick
hands Will a gun from the glove compartment, but Will says he isn't coming with
him. Will goes to Boad's place and stalks around outside watching him and the
party going inside. A dog is barking like crazy at the door so Boad let's him
out. The dog runs right by Will not seeing him. Will does nothing and leaves.
Frank is at home watching the races and is alarmed to hear
the doorbell ringing constantly. He goes outside and find someone put gum on it
to stick it down. He hears screaming from the yard and finds a body bag. It is
the informant taped up and dressed in women's clothes. He leaves him out there
and calls his boys to remove him and find out who did it.
Frank goes out and his driver tells him they need a young guy
to pull the job off for taking Will out. He says he has a cousin Paulin from
Belfast who is very special and perfect for the job. Right before they are
supposed to meet the boys Frank tells him to go to his cousin right now, so they
leave.
Mick is driving Helen and tells her what Frank said to Will
and about Davey being raped. Mick didn't know what Will did at Boad's and he
wouldn't tell him. Mick says he doesn't know what Will would do him, he's
changed. Three years ago he would've killed him outright, but now he doesn't
know. Mick drops Helen off at Will's van. She goes in to talk to him. He won't
have sex with her, but she just wants him to go to the police. He says there is
nothing the police can do. Boad could say it was consensual. She tells him he
left that life behind. He wonders if he has. He says how it'll be at the
funeral, the speeches, the lies, but she doesn't want to hear it. She wants him
to leave the city tonight, if he doesn't it will destroy him.
Frank picks up Paulin but doesn't want him to smoke in his
car.
Will goes to his old Rolls Royce which is in storage and
pulls a suitcase out of the trunk which contains a black suit, lots of money and
a gun. He goes to a hotel to change and have the suit pressed.
Paulin is dropped off.
Will goes to take a bath and at first sees the tub full of
blood.
Paulin waits at a park bench for someone.
Will has a barber come to his room and cut his hair short and
shave his beard. He is unrecognizable from before.
We see Paulin was waiting for Helen to come home. She arrives
and he heads over to her place.
The maid comes back to Will with the suit. The change is
complete. He then takes the Rolls through a car wash.
Helen goes inside and upstairs. The phone rings and she goes
back down. It is Will. He tells her to pack a bag and he'll pick her up in three
hours. She says just like that? He agrees.
Will drives over to Boads. He goes in his garage and sets off
the alarm on the vette, so Boad will have to come out. He then hears the dog
scream as Will shoots him. Will appears and wants to know the reason why he did
it and how he wants to kill him pointing a gun to his head. Boad explains how he
was watching him and hated him and wanted to show Davey he was nothing. Will
then backs down. He says he is going to kill him, he just won't know when, the
next day, the next month, he'll never know. Then he leaves. Boad is distraught
over the dog. Will then turns around and 15 seconds later goes back inside and
shoots Boad in the head.
Meanwhile Paulin has Helen hostage in her house at gunpoint.
Will goes to the beach, hits some golf balls into the sea, stand in the reeds,
goes back to his car and drives to Helens. The End
This is what movie making used to be like all
the time. Right away without knowing anything you know that you are seeing the work of a great filmmaker. It
even looks like
it could've been filmed 30 years ago and that's a great thing. There is none of
the talentless garbage littering today's film landscape like jump cuts, shaky
camera work, bad editing or reality show type filming. It is just a beautiful
looking film and an absolute joy to watch. Everything is solid - the camerawork,
the lighting, the editing, the mood. Nothing disappointed in any regard to the
look. The acting was also very good all around.
The only problem was the story. When I first heard Malcolm
was in this film and was the plot was I thought, "And?? That's it?!"
Unfortunately, that was it. When the plot can be summed up in a single sentence,
that is a bad thing. Here it is: A gangster leaves the life behind and returns
for revenge after his brother is killed. There is really nothing more
to it. Hodges slowly builds mood and suspense, sometimes a bit too slowly and
intentionally leaves us wondering about Will's past and if he's ever going to
get to the bottom of the mystery. It all leads to the inevitable resolution, but
the final shot leaves
it all open with a Kubrick style ending. The only problem is Helen being held
hostage a ways back and unless you are really focused on that aspect
you totally forget about it. The movie ended and I was like OK, that's it? It
took 30 seconds before I remembered the hostage drama was unresolved. What
happens? Does Helen die? Does Will die? Does he rescue her? Hodges doesn't seem
to care, but I did. We saw so little of gangster Will that it would've
been cool to see him truly in action.
Malcolm's role is small, put powerful. He is the villain, but
in the end it is an unsatisfying role. We have no background on Boad, he just
shows up and looks sinister. But why? The whole time we are left to think he is
some big gang boss, but in the end he is really no one. He's just a car dealer who was trying to clean up the community in a big, bizarre way.
How does a car dealer become so powerful that he has thugs willing to help him
commit rapes and probably other crimes? The film is unique in that it resolves around the topic of male rape, but is this a
topic that needs to be explored? This doesn't happen enough to be something
anyone can relate too. Boad's entire explanation on why he did it was totally
weak. I kept expecting him to say that Davey ripped him off, or was stealing his
business, something that would warrant such a nasty attack. In the end we get nothing.
Basically he did it because he didn't like Davey. This makes no sense at all. It
was the Bill Clinton excuse - he did it because he could. First of all, how
would Boad have any access to Davey's lifestyle in the first place? Davey's just
walking down the street and Boad rapes him in the butt. We never see them
together before or that they even crossed paths, so why such a vicious hatred? A
montage of Boad at parties watching Davey dealing drugs, with no dialog would've
been great foreshadowing. This way they still wouldn't have to give away the
ending or the reason why, but it would've given us a bit of a connection between
the two characters. Instead it's like a man just rapes another guy for no
reason. He doesn't even say anything to Davey while he's doing it. At the end of
the film he says he wanted to teach Davey a lesson!? How did he do that? If you just walk
up to someone and punch them in the face and walk away, how does that teach them
a lesson? He needed to have some dialog like "Do you know what I'm doing
this to you?" "No!!!" "Because I don't like your kind."
Something, anything!
I wanted so bad for this film to be a masterpiece, I really
did. I knew going in there wasn't enough plot happening, but it was even more of
a mystery than action flick or drama. It was like the film didn't know what it wanted to be. Every plot
twist was dangling. Was it a romance? Helen and Will were an item at one point,
but that was unresolved. Was it film noir? There was no conclusion to the
hostage drama. Was it a mystery? It runs on for a long time like a who dunnit,
but we already know, so it isn't a surprise to us. All we don't know is
why. I didn't exactly care why until the reason given was completely weak. It
didn't make any sense and I didn't accept it. There was the whole long scene
with the doctor explaining why men raped men and Boad didn't even take a hint of
that path. He seemed to have everything going on OK in his life. Maybe a line
where Boad says it is the only way he could get aroused would've added some
weight to the scene and would've made it more acceptable.
Malcolm is great in this though. So many shots required him to just
give a look and he gives some powerful ones with almost no dialog from his
character until 55 minutes into the film. The only problem is he is just skin
deep, there is no depth to Boad. So much went on before we get to the story that
we almost need a prequel to fill us in on all the characters. It felt like I
came in on the film at the middle. Malcolm did an extremely in joke by calling
the dog Henry, which was his dog at the time, besides that there are no laughs
for his character. Thankfully the rape scene is brief and he also remains nearly
fully clothed. In fact, he is so covered up that most people wouldn't even know
what was going on. He's just behind him and technically anything could be going
on that it is violent. Later the autopsy confirms it for the first time. In the
end, he doesn't even have the coolest scene. The best scene is when the hairy
unkempt Will sits down for a shave and haircut and the barber puts a sheet over
him and the next second the sheet is removed and he is totally cleaned up and
unrecognizable. Absolutely brilliant filmmaking and one of the greatest shots of
all-time. I just wished I could say more for the plot. I still recommend the
film as a must see, but it's just not a classic.
Rating: 7/10
From the acclaimed director of Croupier and the classic Get
Carter
He's been gone for three years...but his brother's death...has brought him back.
"The best British film of the year."
"A superb thriller!" - John Patterson, Guardian
"Clive Owen is mesmerizing." Barry B, Sunday Herald
Clive Owen, Charlotte Rampling, Jonathan Rhys-Meyers and Malcolm McDowell
I'll Sleep When I'm Dead
This page except where noted © 2002-08 Alex D. Thrawn for www.MalcolmMcDowell.net