Originally a 14th-century morality poem. The poem was a dialogue between Death and representatives of all classes from the Pope down. By the 15th cent., pictorial representation with verses illustrating the pictures became common. The dance, in which Death as a skeleton or a corpse led his victims, was painted on walls of churchyards and cemeteries. The earliest known fully articulated example of the Dance of Death was a series of mural paintings (1424�25) in the cloisters of the Church of the Holy Innocents, Paris. The paintings were destroyed in 1669. In 1485, Guyot Marchand published a set of 17 woodcuts, with verses appended, based on the Paris murals; the set went through many editions and established its own genre.
The best-known representations of the Dance of Death are the drawings of Holbein, the younger. Goethe wrote a ballad on the theme, Der Todtentanz, and in music Camille Saint-Sa�ns used it in Danse macabre.
The modern artist whose work is imbued with the spirit and motifs of the danse macabre is undboutedly the Norwegian painter Edvard Munch (1863-1944).
In modern usage the danse macabre is pictured as a whirling, wild, uncontrollable urge to destruction, as in the nuclear arms race of the 20th century.