A Conference held by M. L‚o TAXIL
at the Hall of the Geographic Society in Paris
Part 4 or 6
THE SEARCH FOR COLLABORATORS
The time had come now for me to step aside, otherwise
the most fantastic hoax of modern times would have failed
sadly.
I started looking for the first collaborator I needed.
It had to be someone who had traveled a lot and who might be
able to describe a mysterious investigation in the
luciferian Triangles, in the dens of this Palladism
described as secretly directing all the Lodges and
Back-Lodges of the entire world.
I happened then to meet again in Paris with an old
college friend of mine, who had been a doctor aboard ships.
At first, I did not put him on to the secret of the
hoax at all.
I let him read various books of authors enthralled at
my wonderful revelations. The most extraordinary one was
authored by a Jesuit bishop, Msgr. Meurin, bishop of
Port-Louis (Mauritius), who came to Paris in order to
consult me. One can imagine how well informed he became!...
(Laughter)
This excellent Msgr. Meurin, an erudite Orientalist,
came out equal with the Polish archeologist who had
recognized a fragment of an equestrian statue in the middle
of a place in my underwater city. (New laughter)
Starting from the determined idea that Freemasons
worship the devil, and convinced of the existence of
Palladism, he discovered the most extraordinary things
behind the Hebrew words used as passwords, etc., in the
innumerable degrees of masonic rites.
Sashes, aprons, ritualistic tools, he scrutinized
everything. He examined the smallest embroidered figures on
the most insignificant pieces of material having belonged to
a Freemason and, in the best faith in the world, he found my
Palladism everywhere.
Among the most joyous times of my life, I will always
recall the hours during which he read his manuscript to me.
His thick volume, Freemasonry, Synagogue of Satan, was a
wonderful help in convincing my doctor friend that there
truly was a secret luciferian meaning in all of the masonic
symbolism.
In fact, the doctor did not care a rap. But he had
really studied spiritualism out of curiosity as an amateur.
He knew that believers in supernatural manifestations,
phantoms, ghosts, werewolves, etc. existed throughout the
world. He knew that within small groups of occultists,
likable pranksters let specters appear to good people who
forgot all of Robert-Houdin's technique. But he did not know
that such operations ever occurred in freemasonry. He did
not know that there was a specific rite of luciferian and
masonic occultism. He knew nothing of Palladism and of its
triangles, of the Elected Wizards and of Templar Mistresses,
and of all the astounding supreme organization imagined by
me, the existence of which became scientifically established
through the productions of Msgr. Meurin and others.
SOPHIA WALDER, GRAND MISTRESS OF PALLADISM
In my book, Are There any Women in Freemasonry?, I
created the part of a Grand Mistress of Palladism, a
Sophia-Sapho, disclosing only the initial letter of her
alleged true name: a W. I confided the whole name to my
doctor friend. He believed in the existence of Sophie
Walder.
Let us understand each other right. Because of books
such as Msgr. Meurin's, the doctor believed in Palladism and
in the various individuals, heroes of my hoax, who began to
appear therein. But I did not try in the least to make him
believe in the reality of the supernatural manifestations
which had to be told.
(Renewed tumult. A monk bursts out laughing and begins
to applaud. There is deep amazement by priests who sit next
to him.)
This is how I asked my friend the doctor to work
together with me.
"-Do you want to collaborate on a work on Palladism?...
As for me, I am thoroughly familiar with the subject, but
the issue of rituals is far less interesting than recounting
adventures as a witness, especially unbelievable ones....
Besides, to move good souls best, the narrator must himself
be a hero. Not a convinced Palladist, but a zealous Catholic
having put on the luciferian mask in order to make this
mysterious inquiry at the peril of his life.... I will give
you a pseudonym, because we shall say that for all sorts of
reasons, the author cannot surrender his name to publicity:
for example, he still has to write an inquiry about the
nihilists.... (Laughter) You will be known only to a small
group of ecclesiastics, that will be enough.... You will
hand over to me the route of your voyages whereupon I shall
design an outline which you will only have to embellish.
Then I shall recopy your manuscript, correct it, cut out
some parts and above all add a few ones.... Yours will be
the medical part, the description of towns and some
narratives. Mine will be the technical aspects of Palladism,
information on all the individuals who are going to appear,
and most of the added episodes.... I need your collaboration
for some thirty or forty installments altogether.... Now
don't worry about denials.... As you noticed in the works I
gave you to read, there are two kinds of Palladists: nuts
who really believe that Lucifer is the Good-God whose cult
must be kept secret for a few more years still, and the
wire-pullers who use the nutty ones as excellent subjects
for their occultist experiments.... Neither sort will be
able to protest publicly, since the first condition of
belonging to Palladism is the most rigorous secrecy.
Besides, should some of them protest, their denials would be
without effect, since they would appear to have been made in
self-defense."
My doctor friend agreed and in order to strengthen his
own belief in the existence of Palladism in spite of the
hoax of marvelous facts attributed by us to its Triangles, I
let him receive several letters from Sophie Walder. Sophie
was indignant that he pretended to have met her.
The doctor faithfully related these letters to me.
After receiving three or four of them, he told me:
"-I am afraid that this woman is going to make a
scandal and demonstrate that the load of crap we spout about
her is sheer nonsense." (Laughter.)
I answered:
"Calm down. She protests for form's sake; in reality,
she is thrilled to read that she has the talent of walking
through walls and owns a snake who writes prophecies on her
back with the tip of its tail. (Laughter) I got in touch
with her and was introduced to her. She is a good girl. She
is a Palladist hoaxster. She laughs her head off about all
that. Do you want me to introduce you to her?"
He wanted to indeed! Boy! Was he happy to strike up an
acquaintance with Sophie Walder! Several days later, I
forwarded to my friend a letter from the Palladist
grand-mistress. She agreed with the introduction. We were to
meet at my house, and go from there to Sophia-Sapho who even
invited us for dinner.... My friend came to my house in
ceremonial full dress as if he was invited at the
Elys‚e.[13] I showed him the table in my house and then told
him everything ... or, at least, almost everything.
Sophie Walder, a myth! Palladism, my most beautiful
creation, only existed on paper and in a few thousand
brains! He could not believe it. I had to show him some
proof. Once convinced, he found the hoax even funnier and
kept on working with me.
THE CREATION OF DR. BATAILLE
Among the things I forgot to tell him, there is one
which he will learn at this conference, namely the reason
why I picked Dr. Bataille as his pseudonym. --Allegedly, it
was to stress the offensive character of war against
Palladism. But my own true reason, my intimate reason as a
dilettante hoaxster, was this: one of my oldest friends,
deceased by now, a hoaxster of the supreme category, was the
illustrious Sapeck, prince of hoaxterism in the Latin
Quarter.[14] In a way I was bringing him to life again
without anybody's notice. Then Sapeck's true name was
Bataille. (Long laughter.)
However my doctor friend was not enough to work my plan
out. In The Devil in the 19th Century, my plan was to set
the stage for the conversion of a luciferian Grand-Mistress.
The book I had authored introduced Sophia-Sapho under
the blackest colors. I had taken pains to make her as
distasteful as possible for the Catholics: the accomplished
type of an incarnate she-devil, wallowing in sacrilege, a
true Satanist, such as one meets in Huysmans' books.
THE BIRTH OF DIANA VAUGHAN
Sophia-Sapho, or Miss Sophie Walder, was there only to
serve as a contrast to another luciferian, a sympathetic
one, an angelic creature living in Palladist hell through
the chance of birth. Her existence was to be revealed to the
Catholic public through a work signed by Bataille. (A voice:
Oh! The rogue!... Oh! The base villain!)
Now, since this exceptional luciferian woman was to
convert at a given moment, I had to have someone in flesh
and blood on hand, should it become necessary to produce
her.
A little while before meeting again with my childhood
friend, the doctor, the necessities of my profession let me
meet a typist who was a European representative of one of
the large typewriter manufacturers in the United States. At
that time, I gave her lots of manuscripts to type. I met
with a woman who was intelligent, active, sometimes
traveling for business. Further gifted with a playful humor
and an elegant simplicity, as in most of our Protestant
families. One knows that Lutheran and Calvinist women,
although proscribing luxury in the way they dress,
nevertheless make concessions to fashion. Her family was
French, father and mother French but deceased, the American
origin went back to her great-grandfather only. In spite of
the similarity in names, she had no family ties with Ernest
Vaughan, former administrator of L'Intransigeant.[15] There
are several Vaughans in France. In England and in the United
States, Vaughans are innumerable. I have to say that,
because one might believe that Mr. Ernest Vaughan, with whom
I was acquainted in the past and whose brother-in-law always
remained one of my best friends, one might believe, as I
say, that Mr. Ernest Vaughan was more or less indirectly an
accomplice in my hoax. Such a misunderstanding should be
avoided at all cost. Miss Diana Vaughan is in no way related
to him, the homonymy is no more than sheer coincidence.
My luck could not have been better. Nobody was better
qualified than Miss Vaughan to assist me. The question was:
would she accept?
DIANA VAUGHAN
I could not ask her point-blank. I studied her first.
Little by little, I interested her in devilry, which greatly
amused her. She is, as I said, rather a free-thinker than a
Protestant. Consequently, she was amazed to find out that in
this century of progress, there are still people who believe
seriously in all the nonsense of the Middle Ages.
A voice: But we didn't come to listen to these things!
Other voices: Keep on! Keep on!
M. L‚o Taxil --It is surprising that those who get mad
at what I am saying now are precisely the same persons who,
in their newspapers, urged me to speak.... I proceed....
My first approach to Miss Vaughan was on the subject of
the letters of Sophie Walder. She agreed to let them be
written by one of her friends. I had the proof, thusly, that
women are much less talkative than one says and that if
their weak point is curiosity, on the other hand one can
count on their discretion. Miss Vaughan's friend never
boasted to anybody to have written Sophie Walder's letters.
Besides, there weren't many.
Finally, I convinced Miss Vaughan to become my
accomplice for the final success of my hoax. I drew a fixed
agreement with her: 150 francs per month for typing
manuscripts as well as for letters which should be copied by
hand. It goes without saying that should trips be necessary,
all her expenses would be defrayed; but she never accepted
any money as a gift. In fact, she enjoyed the prank quite a
lot and took a liking to it. Corresponding with Bishops,
Cardinals, receiving letters from the private secretary of
the Sovereign Pontiff, telling them fairy tales, informing
the Vatican about the dark plots of luciferians, all this
set her in an inexpressible gaiety, she thanked me for
associating her with this huge prank. Had she possessed the
great wealth we attributed to her to make her prestige
greater, she would have never accepted the price agreed for
her collaboration, and further she would have paid for all
the costs wholeheartedly.
She was the one who let us discover the existence of
private postal agencies in order to reduce expenses. She had
had the opportunity to have recourse to one of them in
London, and told us about it. She also told me about the
Alibi-Office in New York.
The Devil in the 19th Century was mainly written to
introduce the existence of Miss Vaughan who was to play the
main part in the hoax. Had her name been Campbell or
Thompson, we would have given our sympathetic luciferian the
name of Miss Campbell or Miss Thompson. We merely turned her
into an American, born by chance in Paris. We let her family
originate in Kentucky. This allowed us to make her part as
interesting as possible by multiplying extraordinary wonders
concerning her, which nobody was able to check. (Laughter)
Another reason was that we located the center of Palladism
at Charleston in the United States, with the late General
Albert Pike, Grand Master of the Scottish Rite in South
Carolina, as Founder. This celebrated Freemason, endowed
with vast erudition, had been one of the highlights of the
order. Through us, he became the first luciferian Pope,
supreme chief of all freemasons of the globe, conferring
regularly each Friday, at 3 p.m., with Master Lucifer in
person. (Explosion of laughter)
A most curious point in the story is that some
freemasons joined in the prank without in the least being
asked to. Compared with the tugboat I had dispatched hunting
for sharks in the coves of Marseille in my early years, the
boat of Palladism was a true battleship.
With the help of Dr. Bataille, the battleship turned
into a squadron. And when Miss Diana Vaughan became my
auxiliary, the squadron grew into a full navy.[16] (New
laughter)
We saw indeed some Masonic journals, such as La
Renaissance Symbolique, swallow a dogmatic circular about
luciferian occultism, a circular dated July14, 1889, written
by myself in Paris, and which I disclosed as having been
brought from Charleston to Europe by Miss Diana Vaughan on
behalf of Albert Pike, its author.
When I named Adriano Lemmi second successor to Albert
Pike as luciferian Sovereign Pontiff-then Lemmi was not
elected pope of the Freemasons in the Borghese palace, but
in my office-, when this imaginary election became known,
some Italian Masons, among which a Deputy at the Parliament,
took it seriously. They were annoyed to learn through
indiscretions of the profane press that Lemmi was secretive
toward them, that he kept them aloof from the famous
Palladism which the whole world spoke about. They met in
Congress in Palermo, constituted in Sicily, Naples and
Florence, three independent Supreme Councils, and named Miss
Vaughan an honorary member and protectress of their
federation.
A voice. --That was a successful prank!
Another listener. --These freemasons were your
accomplices!
M. L‚o Taxil --You bet!... May I say again that I had
only two auxiliaries who were in the secret of the prank: my
doctor friend and Miss Diana Vaughan.
An unexpected auxiliary-though by no means an
accomplice, in spite of what he said-is Mr. Margiotta, a
Freemason from Palmi, in Calabria. He began as one of the
hoaxed, became more hoaxed than all the others and, what is
most amusing, he told us he had met the Palladist
grand-mistress during one of her trips to Italy. (Laughter)
It is true that I had gently induced him to entrust me with
this confidence. I had put in his head that the trip had
really taken place; I had created around it an atmosphere of
Palladism; I let him meet a chamberlain of L‚o XIII in Rome
who had dined with Miss Diana some times before. (Loud
laughter and protests) Then I mentioned that during Miss
Vaughan's imagined trip of 1889, when she was supposed to
have brought the alleged dogmatic Albert Pike's circular
letter to Europe, she had entertained many Freemasons in
groups, in the course of two evenings in Naples, at Hotel
Victoria. I knew that Mr. Margiotta, who is a poet, had
dedicated a volume of verse to Bovio, and I had taken the
trouble to tell him that the Freemasons were introduced to
Miss Vaughan in 1889 by Bovio and by Cosma Panunzi. I added
that these brothers had taken tea with her but were so many
that she couldn't remember their names or faces. Timidly at
first, Mr. Margiotta risked some allusions about this former
meeting. Then, seeing that it seemed to work and that Miss
Diana did not contradict him, he went all the way. He went
indeed much too far. --Later, when I decided to prevent the
mystification from collapsing under the silence of a
Commission, our prank having been unmasked in the mean time
in Germany, when I agreed with the doctor to tally-ho the
panic of the mystified Cardinals, when Bataille and I,
always in agreement, faked shooting at each other, Mr.
Margiotta, having at last opened his eyes, feared ridicule
and chose to declare himself an accomplice rather than a
blind volunteer in our navy.
But we shouldn't appear more numerous than we actually
were. We were three and that was enough. The editors
themselves were mystified all the way. Anyway, they have
nothing to complain about. First of all because our
marvelous revelations brought them the most encouraging
Episcopal congratulations, not counting those of the grave
theologians who didn't bat an eyelid when our crocodile
played the piano and Miss Vaughan traveled to various
planets. Then, because our triple collaboration let them
give two works to the public, which can compete with A
Thousand and One Nights, works which have been devoured with
delight and will still be read for a long time, not with
conviction any more, possibly, but out of curiosity.
THE CONFESSION OF LEO TAXIL
Translated from Le Frondeur, April 25, 1897
by
Alain Bernheim, A. William Samii, and Eric Serejski
Reprinted from Heredom
The Transacations of the
Scottish Rite Research Society
vol. 5, 1996, pp. 137-168
(c) 1997 Scottish Rite Research Society
All Rights Reserved
1733 16 St., N.W., Washington, DC 20009-3103