ASSOCIATE PROFESSOR OF ART, HEAD OF TEXTILES
SCHOOL OF ART AND DESIGN AT GEORGIA STATE UNIVERSITY
Junco Sato Pollack is an artist/designer, researcher, and educator.
She is Associate Professor of Textiles at the School of Art and Design of Georgia State University in Atlanta, Gorgia. Prior to coming to Georgia State University in the fall of 1992 she taught textile art at Parsons School of Design in New York, at Kutztown University of the Pennsylvania State University system, and at Nazareth College of Rochester, NY. Pollack is a sought after lecturer and workshops leader at numerous national and international conferences. Participation and presentation includes International Surface Design Conference 2000, International Shibori Symposium in Nagoya, Japan 1993, Ahmedabad, India 1996, Santiago, Chile 1999, and International Makers Symposium at Harbourfront, Toronto, Canada 1999.
Pollack received a MFA in Textile Design from the School of American Craft, Rochester Institute of Technology (RIT) in 1991 and a BA from Aoyama Gakuin University, Tokyo, Japan, 1972. Her education philosophy matches RIT's in its integral approach to the education of fine art, design, and craft embracing a Bauhaus tradition while maintaining the importance of handcraft in an industrial and post-industrial era.
Pollack brings the strength of her training and experience as an artist to her role as educator. Pollack's training includes a professional apprenticeship with a master silk weaver and dyer in Kyoto, Japan, and the study of European decorative arts and textile design at the Mus�e des Arts D�coratifs in Paris. Pollack researches material technology and design history and creates textile artwork reflecting a historical approach with contemporary solution. Her experience includes working with textile mills in Italy and France, as well as the U.S., on design commissions for home furnishings and hospitality market based on silk weaving and new heat transfer with digital printing technology.
Pollack has exhibited internationally at such museums as Museo Nacional Bellas Artes in Santiago, Chile, the Historical Textile Museum and Guimet Museum of Lyons, France and the Textile Museum at Terrassa, Spain.
Nationally she has exhibited at American Craft Museum, New York, Museum of fine Art, Houston, the Milwaukee Museum, the Dawny Museum of Los Angeles and six others in the U.S. Her work is in permanent collections around the world including American Craft Museum, Pittsburgh Airport, Hotel Mandarin Miami, King and Spalding in Atlanta, RIT Wallace Memorial Library in Rochester, Shibori Kaikan Museum Archives in Arimatsu, Japan, and numerous private collections in the U.S., Holland, and Japan.
Gallery exhibitions have been held in many cities such as Manza, Italy, Tokyo, Nagoya, and Kyoto, Japan, New York, Chicago, San Francisco, Los Angeles, Santa Monica, Seattle, Washington, D.C., Taos, and other cities around the globe.
Pollack is invited to exhibit among the leading artists in fiber in the exhibition entitled, Catalyst: Cutting Edge in Fiber Arts, February 15 - May 20, 2002 at the Textile Museum in Washington D.C. with speaking engagement for the related symposium and discussion sessions scheduled around the exhibition. Pollack's work is included among the selected works from American Craft Museum's permanent collection, now on view in the exhibition entitled, Redefining Craft: Collecting for the 21st Century at Museum of Fine Art in Houston, Tx. scheduled to tour in European Museums in 2003. Pollack collaborated with Japanese textile designer/artist Junichi Arai on a large scale installation of metallic textile sculpture, entitled, Reflections to be installed in the atrium of the RiverCenter for the Performing Arts, a multi million dollar project to be completed in the spring of 2002.
Honors include Influential Artist/Designer of the Year 2000, and Who's who in the Art of the 21st Century both nominated by the Biographical Society of Cambridge, England. Pollack competed in and was chosen to be among the five finalists representing the United States (with 60 from the whole world) in the SPACE Gallery November '94 International Textile Contest in Tokyo, Japan. The sixty finalists were chosen from six industrial countries, England, France, Germany, Italy, Japan, and the U.S. The exhibition proposed new standards in textile art and design education that encourages new, innovative, and experimental approaches to this medium. By being among the five U.S. finalists. Pollack demonstrates in her professional activity what she professes as an educator.
EDUCATION
1991 M.F.A., Textile Design, School for American Craftsmen,
College of Fine and Applied Arts, Rochester Institute of Technology, Rochester, NY
1989 Mus�e des Arts D�coratifs, studied with Marie Ann Quette,
French Decorative Arts, Paris, France
1979-80 Kyoto Fiber Polytechnic University, studied sericulture,
reeling process, spinning and weaving of silk, Kyoto, Japan
1979-80 & 1974-75
Professional Apprenticeship, Tsuguo Odani, folk artist,
master silk weaver and Professor of Textiles Seian Women's University, Kyoto, Japan
1972 B. A. English Linguistics and Literature, Aoyama Gakuin University, Tokyo, Japan
TEACHING POSITIONS
1999-present Associate Professor of Art, Head of Textiles, School of Art and Design,
College of Arts and Science, Georgia State University, Atlanta, GA
1992-99 Assistant Professor of Art, Head of Textiles, School of Art and Design,
College of Arts and Science, Georgia State University, Atlanta, GA
1992 Assistant Professor, Art Education and Craft Department, College of Fine and
Performing Art, Kutztown University, Kutztown, PA
1988-89 Instructor, Fiber Program, Art Department, Nazareth College of Rochester,
Rochester, NY
1984-87 Director, Parsons in Japan Program, Parsons School of Design, New York, NY
Instructor, Metal Clay Fiber and Glass Program, Parsons School of Design, New York, NY
GRANTS, FELLOWSHIPS, AWARDS, AND HONORS
2001 21st Century Award for Achievement and International Man of the Year nomination
selected from the 27 Who's Who titles, International Biographical Center Publications,
International Biographical Center, Cambridge, England
2000 Outstanding Artists and Designers of the 20th Century Honors List, -Gold Star Award-,
International Biographical Center, Cambridge, England
International Who's Who of Professional and Business Woman, -Gold Record of Achievement
for the Year 2000-, American Biographical Institute, Raleigh, NC
Fulton County Hambidge Center Artist Fellowship
Atlanta Bureau of Cultural Affairs Artist Project Grant
Georgia State University Research Initiative Grant
Georgia State University Summer Faculty Grant
Atlanta Bureau of Cultural Affairs Artist Project Grant
1997 Georgia Women for the Arts Award
The Hambidge Center Artist Fellowship
Georgia State University School of Art and Design Faculty Summer Research Grant
1996 Furthermore Fellowship, Artist Publication Grant
Atlanta Bureau of Cultural Affairs Artist Project Grant
Fulton County Artist Fellowship
The Hambidge Center Artist Fellowship
Georgia State University School of Art and Design Faculty Summer Research Grant
1995 Georgia State University School of Art and Design Faculty Summer Research Grant
Georgia State University Faculty Authors Recognition
The Hambidge Center Artist Fellowship
1994 Georgia State University College of Art and Science Faculty Research Initiation
Grant
City of Atlanta Bureau of Cultural Affairs, Artist Project Grant
Outstanding Achievement and Recognition as Semi-finalist, The International Textile
Design Contest 1994, Tokyo, Japan
1993 School of Art and Design Summer Research Awards
1992 City of Mesa, 14th Annual Vahki Exhibition Juror's Award for
"Scrol Series -kinran & ginran-"
1991 Wallace Memorial Library Purchase Award for"A Study of Shape and Woven Textures",
"Lotus Pond -Reality, Dream, and the Truth Above-", College of Fine and Applied Arts,
Rochester Institute of Technology
1990-1991 Graduate Scholarship Award, College of Fine and Applied Arts,
Rochester Institute of Technology
MUSEUM AND PUBLIC COLLECTIONS
2001 Art work, "CASCADE #2 -triptych-" placed in the permanent collection of
American Craft Museum, New York, NY
2000 Art work, "ORIGAMI #3" placed in the permanent collection of American Craft
Museum, New York, NY
Artwork, "Cascade -triptych-" placed in the Atrium of Pitsburgh Airport, PA
1992 Art work, "Vessel Series -Nautilus-" placed in the permanent archives of
Arimatsu Shibori Kaikan Museum, Arimatsu, Japan
1991 Art work, "Scroll Study -diptych-" placed in the permanent collection of
Wallace Memorial Library, Rochester Institute of Technology, Rochester, NY
CORPORATE and PRIVATE COLLECTIONS
UPS, Atlanta, GA
Southerland, Asbill, and Brennan, Atlanta, GA
Houstons Restaurant, Santa Monica, CA
Pitsburgh Airport, Pitsburgh, PA
Hotel Mandarin Oriental Miami, Miami, FL
King and Spaulding, Atlanta, GA
Arimatsu Shibori Museum Archive, Arimatsu, Japan
Taneda Shoten Co., Kyoto, Japan
Rochester Institute of Technology, Wallace Memorial Library, Rochester, NY
University of Rochester Faculty Club, River Campus, Rochester, NY
Beverly Heftner and Associates, Rochester, NY
Headquarter of M.H. Fertilizer, Inc., Milwaukee, WS
Mr. Jack Lenor Larsen, New York, and South Humpton, NY
Dr. Mika Ball, Amsterdam, Holland
Dr. and Mrs. Stanley Gartler, Seattle, WA
Mr. and Mrs. Richard Shapiro, Berkeley, CA
Mr. and Mrs. John Steed, Atlanta, GA
Mr. and Mrs. Dennis Chorba, Atlanta, GA
Mr. James Landon, Atlanta, GA
Dr. Phyllis Abramson, Atlanta, GA
Dr. and Dr. George and Alice Benston, Atlanta, GA
Mr. and Mrs. Ron and Marchant Martin, Atlanta, GA
Mr. Nox Clayton and Mr. Ron Williams, Atlanta, GA
COMMISSION AWARDS OF ART WORKS AND DESIGNS
2000-1 RiverCenter for Performing Arts, Columbus, GA. Fiber Sculpture installation,
"REFLECTION" a collaborative project with Junichi Arai of Kiryu, Japan
2000 Pitsburgh Airport, Pitsburgh, PA. Fiber Sculpture, "CASCADE", agent EDL
Associates, Atlanta, GA
1999 Hotel Mandarin Oriental, International, Maiami, FL. Fiber Sculpture,
"ORIGAMI", "ZEN Cubes", and "LOCUS Improvisation", agent Leonard Parker Co. for
Hersch Bedner and Associates, Atlanta, GA
1998 Frenches Restaurant Group, New York, NY. Fiber Sculpture, "KANZAN", agent
Carole Kraus, Important American Craft, New York, NY
1997 Silk Promotional Association of Kiryu, Gumma Prefecture, Japan.
Textile Design,"Kesa"
1995 Abrahamson Group, Atlanta, GA. Fiber Sculpture,"Zen Cubes"
1992 International Shibori Symposium, Nagoya, Japan. Invitational Exhibition,
"Exotic Kimono: Works by International Artists", Textile Design,"Shibori Kimono"
1989 Bausch And Lomb, Rochester, NY. Fiber Sculpture,"Optic Arc"
1987 Fadini Borgi, Torino, Italy. Textile Design,"Hoseki Series"
1987 Prelle Fabric, Paris, France. Textile Design,"Okinawan Ikat"
1987 Maya Romanoff Co. Chicago, IL. Textile Design,"Shibori"
SOLO AND TWO-PERSON EXHIBITIONS
2002 KESA Series: Contemplative Textiles by Junco Sato Pollack Gallery Mitsuhashi,
Kyoto, Japan (scheDuled for November / Decempber)
2000 A New Aesthetic: Reflective Fabric Sculpture by Junco Sato Pollack and Junichi
Arai, Swan Coach House Gallery, Atlanta, GA
Junco Sato Pollack and Barbara Lee, Source Fine Art Gallery, Kansas City, MO
1998 Folds, Kiang Gallery, Atlanta, GA
1997 Reflections / Visions: Glen Kaufman and Junco Sato Pollack, GSU Art Gallery,
Atlanta, GA
1996 Junco Sato Pollack, New Works, Kiang Gallery, Atlanta, GA
1995 Junco Sato Pollack, ART Vivant, Charlotte, NC
1994 Junco Sato Pollack, Recent Work, Kiang Gallery, Atlanta, GA
1990 Recent Work, Arts for Greater Rochester Exhibition, Rochester, NY
1987 Fabric Sculpture: Sea Creatures, Bivalves and Vessel Series,
Little Gallery, Nazareth College of Rochester, Rochester, NY
1985 Bivalves Series, Galerie Obussier, Nantucket, MA
1984 Sea Creatures Series, Galerie Obussier, Nantucket, MA
GROUP EXHIBITIONS
2002 Technology as Catalyst, curator Rebecca Stevens, The Textile Museum,
Washington, D. C.
2001 Defining Craft, Collecting for the Millennium, curator David MacFadden,
Houston Center for the Contemporary Craft, Houston, TX
Summer Faculty Exhibition, Sandra J. Blain Gallery, Arrowmont School of Arts and Crafts,
Gatlinberg, TN
2000 Defining Craft, Collecting for the New Millennium, curator David MacFadden,
American Craft Museum, New York, NY
Miniature Textile Exhibition, Helen Drutt Gallery, Philadelphia, PA,
and Taideteollisuusmuseo Museum of Art and Design, Helsinki, Finland
Meditations: Japanese Fiber Traditions Today, curator K Johnson Bowles,
Longwood Center for the Visual Arts, Farmville, VA
1999 Art et Soie, Intex Art, sponsor, Mus�e Chateau de la Poup�e, Lyon, France
Contemporary Shibori, International Shibori Symposium, Museo Bellas Artes,
Santiago, Chile
1998 The Ten in Textiles, Craft Alliance, Center for the Visual Arts, St. Louis, MO
Contemporary Georgia Fiber: Five Perspectives, Georgia Museum of Art,
University of Georgia, Athens, GA
Transcending the Surface by Eleven Contemporary Fiber Artists, curator Hildreth York,
a Traveling Exhibition from the Hunterdon Museum of Art, Clinton, NJ,
Paley Design Center, Philadelphia College of Textiles and Science, Philadelphia, PA
1997 Joy of the Journey: Ten Georgia Women Artists, Spelman College Museum of Fine Art,
Atlanta, GA
GALA National Invitational Art Exhibition, Brenau University Galleries,
Brenau University, Gainsville, GA
The Palette of Women: A Celebration of Women's History and Diversity of Expression,
Hugh F MacMillan Law Library, Emory University, Atlanta, GA
Shibori and Beyond: Miniature Art, International Shibori Symposium'97,
National Institute of Design, Ahmedabad, India
Transcending the Surface, Hunterdon Museum of Art, Clinton, NJ;
Contemporary Gallery, Marywood College, Scranton, PA;
Ben Shahn Galleries, The William Paterson College of New Jersey, Wayne, NJ;
Paley Design Center, Philadelphia College of Textiles & Science, Philadelphia, PA
20th Anniversary Surface Design Conference Workshop Instructors Exhibition,
Art and Design Building, University of Kansas, Lawrence, KS
Vessels: Southern Expressions of An Art Form, Art Walks at Lenox Square,
Art Walk at Lenox Square Gallery, Atlanta, GA
Six Gallery Artists, Kiang Gallery, Atlanta, GA
1996 Surface to Structure:
An Exhibition of Fiber Art, Greenville Museum of Art, Greenville, NC;
Art Space, Raleigh, NC;
The Art Gallery, Central Piedmont Community College, Charlotte, NC
Summer Faculty Exhibition, Sandra J. Blain Gallery,
Arrowmont School of Arts and Crafts, Gatlinberg, TN
East Meets South II: Contemplation, Kiang Gallery, Atlanta, GA
Transcending the Surface, Hunterdon Museum of Art, Clinton, NJ
1995 Summer Group Show, Kiang Gallery Atlanta, GA
1994 International Textile Design Contest, Space Gallery, Tokyo, Japan
On Display: Uncommon Threads, Curated by Davis-Moye Associates,
Southern Bell Center, Atlanta, GA
East Meets South, Kiang Gallery, Atlanta, GA
1993 American Fiber Arts '93: An Invitational Exhibition of Leading Fiber Artists,
Mendocino Art Center, Mendocino, CA
Fabulous Works in Fiber, Lightside Gallery, Santa Fe, NM
1992 Art Contemprain, Soie Et Fil Fin, Textile Museum of Terrassa, Spain;
Mus�e Historique Des Tissus, Lyon, France
Contemporary Shibori Invitational, World Shibori Conference,
Nagoya Citizens Gallery, Nagoya, Japan
In Celebration of Craft, Memorial Art Gallery, University of Rochester, Rochester, NY
14th Annual VAHKI Exhibition, Galeria Mesa, Mesa, AZ
Beneath the Surface, Milton Rhodes Gallery, Sawtooth Center for Visual Art,
Winston-Salem, NC
1991 American Basket, Banaker Gallery, Walnut Creek, CA
Multi-Media Basketry Invitational, College of Design Gallery 181, Iowa State University,
Ames, IA
1990 An Exhibition of Works by Junco Sato Pollack and Jan Hewitt,
Arts for Greater Rochester, Rochester, NY
New Art Forms, Chicago's Navy Pier, Katie Gingrass Gallery, Chicago, IL
Insight, Clay and Fiber Gallery, Taos, NM
Contemporary Silk As Art, Soie et Fil Fin, Downey Museum of Art, Downey, CA
1989 Beyond Craft, Visual Arts Museum, New York, NY
New Vessels, Salem Art Association Gallery, Salem, OR
Shibori City Nagoya, Shibori Archives Museum, Nagoya, Japan
New Art Forms, Chicago Navy Pier, Katie Gingrass Gallery, Chicago, IL
1988 Inner Space, Liberty Gallery, Louisville, KY
Art Contemporain, Soie et Fil Fin, Salon International de L'Ambulement, Manza, Italy
1987 International Textile Competition, Kyoto International Conference Center,
Kyoto, Japan
Art Contemporain, Soie et Fil Fin: Vers la Soie,Vers a Soie, Mus�e Guimet,
Lyon, France
Fiber R/Evolution, Milwaukee Art Museum and
University Art Museum of the University of Wisconsin-Milwaukee
1986 Color: Spectrum of Expression, University Center Gallery,
North Carolina State University, Raleigh, NC
1983 Contemporary Shibori, Fiberworks Gallery, Berkeley, CA
PUBLICATIONS: SCHOLARLY WRITINGS
1999 "European Tour: A Report from Junco Sato Pollack, SDA Director of Education",
Surface News Letter; Vol. 12, No. 2, Spring1999, p. 17
1997 "From the Studio of Junco Sato Pollack", Surface News Letter, Spring1997, p. 10
1994 "Out of Blue: Living Tradition of Japanese Indigo Craft", Piecework, Interweave
Press, September / October 1994, pp. 38-43
1993 "Junco Sato Pollack", The Surface Designer's Art: Contemporary Fabric Printers and,
Dyers, Nancy Orban, ed., Larks Books 1993, pp. 90-95
1991 "Thesis-Excerpt From MFA Thesis: A Master's Thesis", Surface Design Journal,
winter 1992, pp. 22-23. Excerpt from Art Fabric: Imagery, Structure and Form.
Master of Fine Arts Thesis, Rochester Institute of Technology, Rochester, NY 1991
1989 "Looms and Tools" and"Sashiko", Encyclopedia of Japan, Kodansha International,
Tokyo, Japan 1989 Scond Edition and 1983 First Edition
1985 "Portfolio: Junco Sato Pollack", American Craft, December 1984 / January 1995,
p. 36
1983 Kimono Masterpieces from Nomura Collection: 16th-18th Century Kosode,
Amanda Stinchecome, Naomi Richard and Margot Paul, ed., Translation of manuscripts
and preparation of glossary, Kodansha International, Tokyo, Japan 1983, pp. 220-222
1981 "Special Dyes and Special Techniques: Vat Dyes by Junco Sato Pollack,"
A Handbook of Dyes From Natural Materials, Ann Bliss, ed.,
Charles Scribner's & Sons, NY 1981, pp. 133-140
PUBLICATIONS: EXHIBITION CATALOGS AND BOOKS
2002 Technology as Catalyst: Textile Artists on the Cutting Edge, exhibition catalog,
The Textile Museum, Washington D. C., February 2002, Rebecca Stevens, consulting curator.
2000 Defining Craft: Collecting for the Milennium, New Works from the Permanent
Collection of American Craft Museum, exhibition catalog, American Craft Museum,
New York, NY, p. 89. David McFadden, curator.
Miniatures 2000, exhibition catalog, Helen Drutt:
Philadelphia and Museum of Art and Design, Helsinki, Finland.
April 2000, p. 128-9.
The Guild: The Designer's Source Book 14, Milwaukee, WI, January 2000, p.58
1999 Shibori: El Arte De Tenir Con Amarras, The Art of Tying and Dyeing,
Ill Simposis Internacional De Shibori, symposium exhibition catalog,
Museo Nacional de Bellas Artes, Santiago, Chile, November 1999, p.67
Intex Art, Art et Soie, exhibition catalog, Mus�e de la Poup�e Chateau de Lacroix-Laval,
Marcy L'Etoile, France, December 1999
1997 Reflections / Visions: Precious Metals in Textiles, An Exhibition of the Works of
Glen Kaufman and Junco Sato Pollack, exhibition catalog,
Georgia State University School of Art and Design Gallery, Atlanta, GA 1997, pp. 16-23
Jane LaFerla, ed., Gilding: Easy Techniques & Elegant Projects with Metal Leaf,
Sterling Publishing Co., Inc., New York 1997, p. 27
Amalia Amaki, curator, Joy of the Journey: Ten Georgia Women Artists,
exhibition catalog, Spellman College Museum of Fine Art, Atlanta, GA 1997
1996 Surface to Structure: An Exhibition of Fiber Art, exhibition catalog,
Greenville Museum of Art, Greenville, NC, 1996, pp. 4-5
1994 International Textile Design Contest, exhibition catalog,
Tokyo Fashion Foundation, Tokyo, Japan 1994, p. 36
1993 "Juror's Statement", In Praise of Fields, exhibition catalog and video tape,
Arts Experiment Station, Abraham Baldwin Agricultural College, Tifton, GA 1993, p. 16
1992 Contemporary Shibori Exhibition, exhibition catalog,
International Shibori Symposium, Nagoya, Japan 1992, p. 24
Art Contemporain: Soie et Fil Fin, exhibition catalog, Museu Textil de Terrassa,
Spain and Mus�e Des Tissus de Lyon, France 1992, n. p.
1990 Michel Thomas, ed., Contemporary Silk As Art, Soie Et Fil Fin, exhibition catalog,
Downey Museum of Art, Downey, CA 1990, n. p.
1988 Jacque Parsley, curator, Inner Space, exhibition catalog, Liberty Gallery,
Louisville, KY 1988, p. 5
Intex-Art, Art Contemporain:
Per l'alto livello artico raggiunto con spirito di innovazione e lunga ricerca
sperimentale, exhibition catalog, Mostra Internazionale Dell'arredamento Monza, Monza,
Italy, September 1988
1987 Sophie Desrosiers, Art Contemporain, Soie et Fil Fin: Vers A Soie,Vers La Soie,
exhibition catalog, Mus�e Guimet D'histoire Naturelle, Lyon, France, October 1987
Mildred Constantine, Mary Jane Jacob, Neda Al-Hilali, curators, Fiber R/Evolution,
exhibition catalog, Milwaukee Art Museum and University Art Museum of the University
of Wisconsin-Milwaukee 1987, pp. 118-119
ITF '87, International Textile Competition '87 Kyoto, exhibition catalog,
Kyoto International Textile Fair '87, Kyoto, Japan n.p.
Thomas Gregersen, curator, Japanese-Amerian Craft Invitational, exhibition catalog,
the Morikami Museum and the Boca Raton Museum of Art, Delray Beach, FL 1987 n.p.
WORK ILLUSTRATED: REVIEWS, ARTICLES AND CITATIONS BY OTHERS
2002 "Technology as Catalyst: Textile Artists on the Cutting Edge,"Shuttle, Spindle,
& Dyepot Spring 2002, pp. 33-38
"Gallery", AMERICAN CRAFT, April / May 2002, p 94
Michael O'Sullivan, "High-Tech Textiles", The Washington Post Weekend,
March 1, 2002, pp. 38-9
Linda Hales, "Digital Dazzlers. High-Tech Meets High Art In a Stunning New Show
At the Textile Museum", Washington Post, February 15, 2002, p. 18
Joanna Shaw-Eagle, "Weaving Gets High-Tech Edge", The Washington Times, February 23, 2002
2001 Rebecca Stevens, Consulting Curator, Contemporary Textiles,
"Technology as Catalyst: Textile Artists on the Cutting Edge,"
The Bulletin, The Textile Museum Winter 2002, pp4-6
Loan Oei, "Hoe Junichi Arai Garen Spint Van Metaal", Textiel Plus 177,
September 2001, pp. 14-5
Editors of Interior Design, HOTEL DESIGN: a Joint Hospitality Supplement,
INTERIOR DESIGN, June 2001 cover
"New Mood for Miami", INTERIOR DESIGN, June 2001, pp. 222-3
Sandra Okamoto, "RiverCenter Wall Hanging A Good Mix of Arts, Science,"
Ledger-Enquirer, February 23, 2001, n.p.
2000 Catherine Fox, "Textile innovator goes with the flow",
The Atlanta Journal-Constitution, September 24, 2000, L5-6
Pamela Blume Lonard, "Fabulous Fibers: Two Masters Weave an Airy, Ethereal spell",
Weekend Review, The Atlanta Journal-Constitution, September 8, 2000, Q8
Sandra Okamoto, "Fabric Artist is Common Thread Linking Columbus and Sister City",
Ledger-Enquirer, March 17, 2000, n.p.
1999 Cathy Byrd, "Junco Sato Pollack: Irregular Beauty", Surface Design Journal,
winter 1999, pp. 26-27
1998 Marie Naples Maber,"Fiber Creations Transcend the Surface at Paley", Art Mattes February 1998, p. 21
1997 Dorothy Joiner,"Reflections / Visions: Glen Kaufman and Junco Sato Pollack,
Georgia State University, Atlanta", Surface Design Journal, Fall 1997, pp. 35-36
Dan Bishof, "Dash of Intrigue and Subtle Colors Embellish Fiber",
Transcending the Surface: Contemporary Fiber Art, ART Review, The Star-Ledger,
Friday, July 18, 1997, p. 35
Ralph Belantoni,"Hunterdon Art Center Enters Holiday Mode", About Art,
Lifestyle & Arts, The Courier-News, December 1, 1997, p. F-4
Corine Van Houten,"Surface to Structure", Artspace, Reileigh, North Carilina,
June 22 - July 15, Art Paper, March / April 1997, p. 67
Rosalie Neilson,"From Virtual Threads to Virtuosso!", Shuttle Spindle & Dyepot,
Fall 1997, pp. 22-24
Jo Ann Stabb,"From East to West: Tracing the Shibori Movement", Surface Design Journal,
fall 1997, pp. 9-12
Carol Rosen,"Transcending the Surface", Fiberarts, Sept / Oct 1997, p. 57
1996 Corinne VanHouten,"Junco Sato Pollack: Suspended Light", Fiberarts, fall 1996, p. 60
The Hembidge Center, catalog, The Hambidge Center, Rabun Gap. GA 1996
"Arrowmont Hosting Free Lecture Series" , The Mountain Press, Section A,
June 19, 1996, p. 8
"Gallery", American Craft, April / May Issue 1996, pp. 4-5
David I. Sloane,"Faculty Authors Honored", Rampway 1996 vol. 69, pp. 209-210
1995 Glen Kaufman, "The Gleam of Gold: Metal Leaf and Foil in Contemporary Art",
Surface Design Journal, fall 1995, pp. 7-11
1994 Catherine Fox,"Fiber Art by Junco Sato Pollack: A Palette of East-West Influences",
The Atlanta Journal Constitution, December 16, 1994 Atlanta, GA
Janice Eaton,"Art Collections within Law Firms", Real Estate Annual, October 1994, pp. 2-4 & 14
1993 "Leithema Shibori", Textile Forum, Hannover, Netherlands, August 1993, p. 30
Gabe Loggins,"In Praise of Fields: Fiber Exhibition Honors George Scott."
Entertainment, The Tifton Gazette, February 1, 1993
1992 Julia Cassim,"Symposium to Highlight Traditional Tie-Dying",
Japan Times, November 8, 1992 Tokyo, Japan
"Gallery", American Craft, August / September 1992, p. 91
"Gallery", Shuttle Spindle & Dyepot, summer 1992, p. 19
"New Baskets: A Portfolio", Fiberarts, summer 1992, pp. 16-20
"Cultural Foundations", Surface Design Journal, spring 1992, p. 21
Sawtooth Center for Visual Art, "Junco Sato Pollack", Panel Discussion;
"Beneath the Surface", Cultural Foundations, conference proceedings, March 1992, pp. 19-21, 30-39; 43
1991 "Gallery", American Craft, February / March 1991
1990 Ron Netsky,"Art Review", Democrat and Chronicles, December 9, 1990
1988 Glen Kaufman,"International Textile Fair ' 87", Surface Design Journal,
spring 1988, pp. 10-11
"International Textile Competition '87 Kyoto: Ito no Boken", Bijutsu Techo,
Tokyo, Japan, vol. 40, no. 591 February 1988, pp. 72-76
Francoise Galichon-Kayse,"L'Art Sort De Son Cocon", JourEt Nuit, Lyons, France,
November 8, 1988
Evelyne Merigot,"L'Art & le Textile: Art Contemporain, Soie Et Fil Fin", Filiere Maille,
Paris, France, November 1988
Annamaria Colombo,"Da Lione Sette Artisti Con La Seta", Il Cittadino (Servizi Speciali),
September 15, 1988
1986 Elizabeth A. Bard,"Sericulture in Upstate New York:
To guarantee a high quality of silk for her art work, Junco Sato Pollack raised silk
worms in her home." Fiberarts, January / February 1986, pp. 36-39
1985 Deborah Norton, "Junco Sato Pollack's Balancing Act", Craft International,
January 1995
Deborah Norton, "Junco Sato Pollack; Seashells of Silk", Fiberarts,
May / June 1985, p. 18
1984 Cathy Howe, "Contemporary Shibori", Fiberarts, January/February 1984, p. 82
LECTURES, WORKSHOPS, AND PRESENTATIONS AT PROFESSIONAL MEETINGS
2002 Technology as Catalyst Surface Design Lecture and Workshop Series,
The Textile Museum, Washington, D. C., Lecture: Thermal Plastic:
3-d Patterning and coloring on synthetic and metallic textiles, May 2002
2001 Heat Transfer Printing Workshop, Arrowmont School of Arts and Crafts,
Gatlinberg, TN, summer 2001
2000 4th Annual Digital Printing of Textiles Conference, Crown Plaza Hotel,
Atlanta, GA, Lecture: Application of Digital Printing for Art Fabric for
Hospitality Market, November 2000
Peters Valley, Craft Education Center, Layton, NJ, summer workshop:
Heat Transfer and Metallic Embellishment, July 2000
Kansas City Art Institute, Kansas, MO, workshop:
Three Dimensional Patterning by Heat Transfer on Polyester,
presentation at 11th International Surface Design Conference 2000, June 2000
1999 Duog University, Sanchiago, Chile, Workshop:
Three Dimensional Patterning by Heat Transfer on Polyester,
presentation at International Shibori Symposium '99, November 1999
National Museum of Fine Arts, Santiago, Chile, Artists Panel Lecture:
Contemporary Shibori Textile Art,
lecture and panel presentation for the International Shibori Symposium '99,
Santiago, Chile, November 1999
University of Hawaii at Manoa, Oahu, Visiting Artist Lecture:
Junco Sato Pollack Recent Work; workshop sponsored by Hawaii Craftsmen:
Three-dimensional Surface Patter |
