Transposition
and Modulation
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Transposition is
playing or writing a music in a different key than in which it was originally
written.
Modulation is
similar but different. Modulation means the process of getting from the old key
to the new key. In other words, if one is playing in the key of C, and then
wants to play in the key of Eb, one has to learn to modulate - move smoothly
from one key to another.
There are basicly
3 ways to transpose:
- by intervals
- by scale degrees
- by solfege - the moveable
"do" system.
Solfege applies
mostly to singers.
- Intervals: If the new key is an
interval of a minor 3rd above the old key, then all notes in the music
will also be an interval of a minor 3rd higher. In other words, if you are
transposing from the key of C to the key of Eb, which is a minor 3rd
higher (or major 6th lower - whichever way you want to look at it), then
all melody notes will also be a minor 3rd higher.
"G" in the key of C would become "Bb" in the key of
Eb. "E" in the key of C would become ":G" in the new
key of Eb. "A" would become "C", "B" would
become "D", and so on. All chords would also move a minor 3rd
higher. The "C chord" would become the "Eb chord", the
"F chord" would become the "Ab chord", and so on.
- Scale degrees: Each key you play in
has it's own scale degrees. In the key of C the scale degrees are: C=1,
D=2, E=3, F=4, G=5, A=6, B=7, C=8. In the key of Eb, however, Eb=1, F=2,
G=3, Ab=4, Bb=5, C=6, D=7, Eb=8. So if I want to transpose Silent Night,
for example, from the key of C to the key of Eb, I need to notice what
scale degrees I am using in the key of C, and then use those same scale
degrees in the key of Eb. For example, Silent Night starts on the 5th
degree of the scale, goes up to the 6th, back to the 5th, then down to the
3rd. In the key of C that is: G-A-G-E. But in the key of Eb it is
Bb-C-Bb-G. Why? Because the scale degrees 5-6-5-3 are constant - we just
need to apply them in each key. What about chords? Same idea. If the chord
progression on Silent Night is the I chord followed by the V chord,
followed by the I chord, followed by the IV chord, etc. - then in the key
of C that means C-G-C-F-etc., but in the key of Eb it means
Eb-Bb-Eb-Ab-etc.
Modulation means
getting between keys, so let's say you are playing in the key of C, but you
want to get to the key of Eb smoothly. There are lots of ways to do it, but the
main point is that you have to get to the V7 chord of the new key. So from the
key of C to the key of Eb, that means getting to Bb7. We look for chords with
common notes. Since the V of the V of the new key would be Fm7, we have C as a
common note. So we hold the C in the C chord, and move the rest of the C chord
to Fm7, then Bb7, then Eb, and we are there.