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INTERVISTE
Spin
With A Grin
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“Spin
with a grin” (www.spinwithagrin.co.uk) è una sorta di archivio di
risorse e informazioni sulla band, tra cui spicca uno spazio per domande
& risposte, aggiornato in continuazione dagli stessi membri del gruppo.
QuellA che segue è una selezione aggiornata al mese di giugno
2001.
THE FOLLOWING
QUESTIONS HAVE BEEN ANSWERED BY RADIOHEAD:
| SUBMITTED
BY: chris lloyd from England |
| QUESTION: |
| With
the current influx of bands that have come out in recent times (examples:
limp bizkit and n'sync), what direction do you predict the music market
will head into? (this question is meant to stand for "where do you think
music will head to next .. what is the next big fad, trend, etc?) |
| ANSWER: |
| im
not into speculating on this sort of thing, maybe its like the seventies
and we're in the shit cocaine disco bit. who knows. its sympotmatic of
whats going on elsewhere..... a climate of fear.. where is it heading.
into an asteroid with no-one driving. tchocky |
| SUBMITTED
BY: John Earls from UK |
| QUESTION: |
| Why
have you chosen Pyramid Song as the single from Amnesiac? How will you
feel if it gets to No1/how will you celebrate? And what are the chances
of there being further singles from the album (which song will it be if
there are?) PS: Can I get a fuller phone/face-to-face/e-mail interview
with any of the band? (Caffy seems happy with the idea in principle, but
says it's a question of time.) Puuuurrrrrllleeeeaaaaasseeeee? |
| ANSWER: |
| absolutley
no chance whatsoever. ask alex. yes there will be more singles. all aimed
at radio3. tchocky |
| SUBMITTED
BY: Jenny Jarvie from Britain |
| QUESTION: |
| I
read in the NME that your new album features a song which attacks Tony
Blair - and that it will be released three days before the election. I
am writing a piece on political parties' growing reliance on celebrity
backing and would very much appreciate your comments. I appreciate that
you are all busy, but wonder if I can throw the following questions out:
What is it New Labour that particularly frustrates you? How do you feel
about the other main political parties? Will you vote? Young people are
increasingly labelled as 'apathetic' and criticised for not voting. What
do you think about this idea? Do you think it is irresponsible to vote
for someone you don't believe in? Would you consider launching "You And
Whose Army" as an official anti-election tune? Of course, please feel free
to mention any aspect of contemporary politics you feel strongly about.
Thanks very much, Jenny |
| ANSWER: |
| never
believe anything you read in the NME. that is a formal denial in case your
wondering ,...dont waste your time reading etc.... much like never believe
anything reeled out by Alistair "unelected" Campbell... this song is not
a personal attack. but no i wont vote and havent votedfor a man willing
to go along with son of star wars. its not exactly surprising that a large
section of the population will not give a flying fuck about the election.
everybody blames evryobody else. and new labour is happy to let filingdales
be used in world war 3. they are not in touch and have blatantly betrayed
all who supported them except those friendly business interests. we were
involved in a campaign to encourage people to vote a few years ago in the
uK. this was hijacked by labour. labour are good at highjacking and betraying.
they attempted something rather similair with jubilee2000. frightening
levels of paranoid bullshit. err oh dear. world war 3. tchocky |
| SUBMITTED
BY: Tique De Koninck from Belgium |
| QUESTION: |
| I
was wondering why Morning Bell appears on Amnesiac. I heard the new version
and it sounds great, but why did you decide to include it on the album
? |
| ANSWER: |
| because
it came from such a different place from the other version. because we
only found it again by accident after having forgotten about it. because
it sounds like a recurring dream. it felt right. tchocky |
| SUBMITTED
BY: David Peschek from UK |
| QUESTION: |
| Thom
- I'm writing an introductory 'Mojo Risiing' piece on Mark Mulcahy. He seemed
very touched by your support in the past, and I was wondering if you could
offer a few words as to why he's so fantastic, why he was inportant to
you etc - there's a 'references' bit at the end of the piece for well-known
fans to rave about the subject of the piece. It only need be, literally,
a few words, but feel free to ramble on should the mood take you. Have
you heard the new album, BTW? It's lovely. Thanks a lot, David. |
| ANSWER: |
| When
i was 15 the best song in the entire world and the most beautiful voice
i had ever heard sang "all for the best" of Miracle Legions Surprise Surprise
Surprise. it was the voice of someone who was only truly happy when he
was singing. it affected me a great deal. the record never seemed to get
anywhere, i had to go to London especially to get it. no-one seemed to
know who they were but my brother & i played that record until it was
completely unplayable. it changed the way i thought about songs and singing.
thom |
| SUBMITTED
BY: marylouise harding from UK |
| QUESTION: |
| Your're
know for beong stong advocates of the web in terms of using it to communicate
and swap ideas and information with your fans (and the media!) and, with
Kid A, using it to give people free access to your music. Do you forsee
that you will eventually use the medium as your primary tool for distributing
your music, in addition to ideas and information? What changes need to
take place for that to happen both in terms of existing business relationships
and technological environments? |
| ANSWER: |
| its
all going to morph into one media again isnt it? i dont understand how
anyone will make a living necessarily, or maybe lots of people will make
a small living, we have no idea how we shall deal with these changes, it
still is a novelty for most of the people on this planet unless you live
in north america. there is still this element of goldrush bullshit that
seems to go with any discussion about the internet. the main thing is that
you can copy anything digitally without anyloss of sound. (it makes you
very paranoid about walking round town with maybe a Cd in your bag, or
leaving it on the kitchen table when you go out.) but hopefully people
trying to get somewhere wont have to expend so much time and energy dealing
with idiot A&R men and crazy corporate shakeups, perhaps it will encourage
the DIY thing again. tchocky |
| SUBMITTED
BY: Michael Christian from Canada |
| QUESTION: |
| Maybe
the artifice of copywriting recordings is like copywriting textual pieces,
but I find it difficult to understand. Public libraries are mostly free,
and so you don't need to buy a book to take it home and read it to your
kids. Some libraries even let you take out movies, records, tapes and CD's.
My university library is great in that respect. But with digital content,
there seems to be an intolerance in the commercial media industries for
online public libraries of music and texts. It seems improbable that an
Andrew Carnegie of this day and age would ever invest in making libraries
again. Carnegie Libraries of digital content are considered lazy dreams.
If mp3's had a public library, and we all had cards, would that change
how threatened some people feel? It seems unlikely now. But Napster had
an enormous effect on the popularity of Kid A, helping to build enthusiasm
and community from little seeds of curiousity last summer and fall. Do
you see mp3's still shaping Amnesiac's impact in any way? Can something
like that ever occur again in the current climate, with the RIAA against
Napster, or in the future? How does it make you feel with Amnesiac being
released into this atmosphere? |
| ANSWER: |
| The
record industry is reaping its bad karma for repackaging music in a crap
Cd format and destroyng vinyl, getting away with charging too much for
too long, as well as buying the sources of distribution and trying to sow
the whole thing up completely. the loosers for too long have been the listener,
there have been some benefits in reissues and etc but the money the majors
made out of it all merits the sprawling abuse of copyright that they will
never completely be able to control over then net. tchocky |
| SUBMITTED
BY: MARK CUNNINGHAM from AUSTRALIA |
| QUESTION: |
| Radiohead
fans tend to be extremely devoted to the band - they seem to connect with
your music and ideals. What do you see as the major aspects of your music
which people connect with so well? |
| ANSWER: |
| to
be really truthful i dont see it myself. when we play soemthing new we
dont how people will react. if i show an idea to the rest of the band im
terrified if they will respond or not. they are the same. it always amazes
me how complex this remains. there was a time when we could make the correct
moves and the required response. and that was the time when the shine started
to fade.\ do people connect with our ideals? i dont know, surely encouraging
people to make informed decisions is more useful? ignorance is the biggest
problem isnt it? we are no purer than anyone else, no smarter. equally
we are not little rag dolls you play with but say nothing and go back in
the box when your finished with us. tchocky |
| SUBMITTED
BY: MARK CUNNINGHAM from AUSTRALIA |
| QUESTION: |
| Kid
A was a total change of direction for the band. Was everyone committed
to this new direction? How did Jonny feel about focussing more on keyboards
than guitar? |
| ANSWER: |
| I
don't remember much time playing keyboards. It was more an obsession with
sound, speakers, the whole artifice of recording. I see it like this: a
voice into a microphone onto a tape, onto your CD, through your speakers
is all as illusory and fake as any synthesizer - it doesn't put Thom in
your front room - but one is perceived as 'real' the other, somehow 'unreal'.
I'm straying from the point. What was the point ? Well, it's the same with
guitars versus samplers. It was just freeing to discard the notion of accoustic
sounds being truer. The inverted snobbery amongst some people even extends
to keyboards. Mellotrons are 'truer' than Synths, apparently. But remember
that hearing a band rehearse will never be the same coming from two speakers.
That's fine. Of course, you want your music still to sound beatiful, or
to somehow make you react. It's not about just spuring tradition, or rationalizing
rubbish because it's 'different'. SO we'll still fill tapes with violins
and guitars as much as anything else. Whatever sounds cool. Whatever isn't
boring. Whatever is addictive.And ANYWAY There's nothing like a guitar
for physically making music - like a drumkit for making rhythms - so I
don't get bored playing the thing. I've been telling people, glibly, that
there's so little guitar on the new stuff because there are only five Pixies
albums, and there are other sounds out there. They hit at their instruments
in striving to not be boring - whilst avoiding muso drudgery. Remember
the advert The Pixies placed to get Kim Deal (the only applicant):"Band
into Husker Du and Peter, Paul and Mary seeks bass player. No Chops." |
| SUBMITTED
BY: MARK CUNNINGHAM from AUSTRALIA |
| QUESTION: |
| You
seem to be making a concerted effort to move away from the commercialisation
of music - do you think this is possible, given that there is a tension
between getting your music heard and becoming pawns in the music industry,
especially since the industry is very much consumer driven? |
| ANSWER: |
| i
dont agree that we are making any concerted effort to move away from commercialisation.
perhaps we are just choosing not to play the usual stupid games because
at least for the time being we are in a position to do so because people
still buy our records. the main corporate music industry is very conservative
at the moment, sandbagging against the floods, but it is maintaining a
complete stranglehold on good shit because it is totally uninterested in
taking risks and has a cartel over formats and distribution. that ultimately
will be its own funeral. i dont think the industry is consumer driven either.
unless you are 10 yrs old that is. small labels are right to stay away
from the large companies, their methods historically are those of any large
corporate structure, we ended up inside the perimeter fence when the music
business decided to stop having faith in new music and fatten itself off
for the big merge. lucky us. tchocky |
| SUBMITTED
BY: MARK CUNNINGHAM from AUSTRALIA |
| QUESTION: |
| Alternative
media seems to be a better way to access a wider range of info on sensitive
global issues rather than through the media monopolies. Do you feel that
alternative media outlets have a significant impact on the way we view
the world today? |
| ANSWER: |
| yes.
it never ceases to amaze me how shit mainstream news has become. dismissing
WTO and the iMF protesters as ignorant trouble makers or anarchists or
some such bullshit will some day in the future look very daft. tchock |
| SUBMITTED
BY: MARK CUNNINGHAM from AUSTRALIA |
| QUESTION: |
| how
effective do you think the current anti-globalisation protests - including
anti-WTO and -WEF protests, are in in altering the way the large corporations
and governments operate? Do you think community-based activism has a significant
impact? |
| ANSWER: |
| i
dont think it is any way altering the way that large corporations operate
because i think they are mostly stupid enough to still believe they can
fob people off with expensive public relations. governments? i dont know
in this country there are laws that may soon be passed making legitimate
legal protest into terrorist activity, i wonder what 'the thief' will come
up with in the US................ but this is all encouraging from the
point of view that obviously they feel there to be a genuine threat out
there. tchocky |
| SUBMITTED
BY: MARK CUNNINGHAM from AUSTRALIA |
| QUESTION: |
| Third
World debt relief is a huge issue these days, with calls from Bono, Michael
Stipe and yourselves to cancel all unpayable third world debt. Do you actually
envisage this ever being achieved? Do you think the G8 will ever bow to
the pressure to act on this? |
| ANSWER: |
| yes.
i think so. what it demands now is for the G8 to admit the reason they
are holding on to indirect debts through the IMF/WOrld Bank et all is because
they are still rather fond of the political and economic influence the
has afforded them. consiquently the indebted countries should use their
political weight to resist such influence, they should form their own union
against such blatant bully tactics. it is bullshit to say the west cannot
afford debt cancellation and they know it. tchocky |
| SUBMITTED
BY: Brooke McIntosh from Kansas City |
| QUESTION: |
| i
just wanted to say that your music is like a 7th grader who plays with
science. no forumulas, just a mess. and that's a good thing. it's like
those drawings that 5th grade boys make of spaceships or cars from the
future. there's so many parts and labels and detail it's interesting to
look at, but it's so unreal. it's fucking wonderful you it's like listening
to a kid sing to himself when he thinks no one is listening. okay do you
feel grown up, like adults? i don't want to sound like an ass, i don't
think your music sounds juvenile at all, but definately not um adult i
guess. i dont' know. nevermind, just wanted you to know your music makes
me feel happy. makes me want to grab some crayons. |
| ANSWER: |
| ha
ha you should see our studio. or our new drawings and paintings. or jonny
infront of his huge patchbay. or colin staring at the screen for hours
on end. tchocky |
| SUBMITTED
BY: Sean Wong from Hong Kong |
| QUESTION: |
| Tell
us something about your forthcoming album. |
| ANSWER: |
| i
read that the gnostics believe when we are born we are forced to forget
where we have come from in order to deal with the trauma of arriving in
this life. i thought this was really fascinating. its like the river of
forgetfulness. it may have been recorded at same time as `Kid a but it
comes from a different place i think. i used to listen to it on my laptop
on tour supposedly trying to find a running order but really becuase i
was so happy to have soemhting we had done that nobody else had heard and
was our secret. it sounds like finding an old chest in someones attic with
all these notes and maps and drawings and descriptions of going to a place
you cannot remember. thats what i think anyway tchocky |
| SUBMITTED
BY: Stephen Kwok from Hong Kong |
| QUESTION: |
| Which
of your songs are you least satisfied with? |
| ANSWER: |
| the
unfinished ones without words. tchocky |
| SUBMITTED
BY: Koen Kwan from Hing Kong |
| QUESTION: |
| If
you could only bring 1 and only 1 CD to the moon (with your discman, of
course!), what would it be? |
| ANSWER: |
| if
you listen to any piece of music long enough it will drive you insane.
therefor it would have to be a programmed DVD that would create randomnly. |
| SUBMITTED
BY: HSNNHAL HSNNHAL from Hong Kong |
| QUESTION: |
| Many
artists have been involved in making music for movies, like Bono for "Million
Dollar Hotel", Bjork "Dancer in the Dark"....... Have you ever thought
of producing a movie and the music to it? Any other parts of the movie
production process you're interested in? |
| ANSWER: |
| I've
just got back from Park City, Utah, where the Sundance Film Festival was
held. I saw Jamie Thrave's " the low down ", and also Jonathan Glazer's
" Sexy Beast ", ( en route, not at the festival ). I went to see " Scratch
", about turntablism, but they gave our tickets away! So it was frustrating
to see film because of the demand and small seating numbers. So I spent
most of the days learning how to snowboard, which involved falling on my
arse alot...The good stuff that came out was meeting film makers and music
supervisors ( they put film makers and musicians together in a matchmaking
kind of way), and letting people know we were interested in cool projects.
It's such a time consuming and completely different field that I don't
think we'd ever do anything in the ' production ' thing...but it's true
that a screenwriter often has the soundtrack in their head when they write
a cool movie, like Anderson's ( i think ) " Magnolia ", and if we were
in their head and we liked the idea, then that would be great. What we
hated was being tacked on to some soundtrack to an ' action ' movie that
would include, say, the Cardigans (no disrepect ), or whoever would appeal
to a middle america demographic to sell cds and bums on seats. I know Jonny
is interested in doing some scoring, but again the time commitment is a
big deal, so maybe a strong short would be a good first experience. Ed
thought that it would be interesting having to work to someone else's vision
- the director - since we've never done that, and that could be an interesting
discipline. Or maybe a nightmare! |
| SUBMITTED
BY: Old Wife from Rocklands |
| QUESTION: |
| The
arts have always expressed the salt-of-the-earth's version of life, the
universe, everything and nothing... do you feel radiohead's simplicity
is over-scrutinsed as being some kind of sinister, political marketing
plan and any plans to do a u turn (musically, in the media) in the future
to make life easier for yourselves in the public eye? (p.s. personally
hope not, i like you evolving and like being continually surprised but
musicians have been worn down in the past...) ARTS NOT ARMS! |
| ANSWER: |
| if
it was so well thought out and planned it would be shite and none of us
would have bothered. i would love to make my life easier in the public
eye, maybe then i would nt get these pains in my stomach and be short of
breath and wake in the middle of the night with these fucked up thoughts
going through my head. and maybe evrybody gets worn down in the end. amd
there is nothing the british like better than sticking the knife in. its
infectious. we all have it. proffesional lifestyle opinion demographic
tail chasing bullshit. tchocky:) |
| SUBMITTED
BY: Trevor Cochrane from ? |
| QUESTION: |
| Included
in the DVD for the Movie "Fight Club, there is a comentary made by Edward
Nortan that is played along with the movie and he mentions how Brad Pitt
and himself are big fans Radiohead and how they were hoping that they would
do the soundtrack for the movie. I was wondering why Radiohead turned down
the opportunity (although I am quite sure you were probably really buisy).
I was also wondering if scoring film soundtracks is something Radiohead
wants to do in the future. Is it not an eciting idea? Or are you guys just
waiting for the right movie to come along. What are your thoughts? Thanks
Trevor Cochrane |
| ANSWER: |
| Jonnys
big into the idea. I didnt understand how yuo did it till i i went to a
flashy studio in london and realised that you just there watching Tv playing
along. which is sort of interesting, i tend to do that anyway.it would
be nice to co-ordinate something that wasnt necessarily a set of songs,
for me however i worry that this will be like trying to hold water. everytime
i think abou it i see a large neon sign that says "lost it". however i
am getting used to seeing that sign nowadays so maybe thats okay. personall
yi d like to learn to read music first. yes i suppoise we are waiting for
the right idea, which is why colin and ed have gone to the sundance festival
to join the hollywood jetset haw haw any excuse. tchocky(son of star wars)
one of these days id like to make the film after doing the sound track,
would that mean its a video... err oh. |
| SUBMITTED
BY: Martin Aston from United Kingdom |
| QUESTION: |
| This
is to follow up Mojo man Andrew Male's query about prog-rock favourites;
would any Radiohead member like to provide comments for a feature I'm writing
for the same Mojo issue; do 'prog-rock' values still hold their ground
in the contemporary era? What is it about prog-rock that still appeals,
despite it being widely treated as a genre for losers, geeks, whathaveyou?
I'd really appreciate some feedback from a band with their feet so firmly
rooted in 2001, yet with some connectivity to the prog spirit. Thanks |
| ANSWER: |
| prog
rock is sad. and krautrock is not prog rock is more punk. queen were not
prog rock. the were camp and not serious or shite enough. pink floyd moved
to slow to be prog rock. certain areas of electronica smell of prog occasionally,
i try not to notice. those who thought prog rock was like jazz are deluded.
i dont know what prog rock is. never did. just because you change time
signature a couple of times doesnt mean you is singing abou the fairies
in the woods does it? were genesis prog rock? when peter gabriel put a
flower round his head and kicked a bass drum was that prog? i have no connectivity
with anything prog whatsoever except maybethat last bit about the flower
and the kick drum and peter gabriel. tchocky |
| SUBMITTED
BY: Laurence Boisnard from France |
| QUESTION: |
| Though
on some songs of Kid A, you "hided" the voice among the instruments like
on Kid A (the song) for instance, on other songs, like "How to disapear
completely", the voice is the spin of the song. Do you find a pleasure,
even a physical one, to sing ? |
| ANSWER: |
| i
go through phases of hating my voice. i was interested in not having to
rely on it to convey what was needed. its my instrument, and i got bored
with singing softly or high or all the usual tricks, i didnt get off on
that anymore. after being on tour yes i actually started to physically
enjoy making my noise again, to understand where i used to come from you
know? i suppose its all wrapped up in other issues.. but.. tchocky |
| SUBMITTED
BY: max k from ukay |
| QUESTION: |
| since
the dawn of time, you've always had the "5 blokes in a room, bash out a
song live, put it on tape and leave" approach available to you. but (i
hope?) most people have realised kid a's successfully taken you somewhere
more interesting than that. you're notorious for having loads of versions
of tracks and now you're not forced to capture just the live version on
record - however for your live shows, youve still got to find that translation
that blasts out powerfully enough to get across to 10,000 people in a big
tent. while that's all valid and good fun - have there been any thoughts
on *other* ways of presenting your latest tracks live (obviously you can
release alternate versions on record). what about DAT or powerbook gigs
- maybe remix/dj sets... i suppose the cclosest 'rock analogy' is an 'acoustic'
set. could be a waste of time, could end up like a hideously wanky sonic
youthy sideproject, but with enough care it might just work... |
| ANSWER: |
| we
talk about this a lot but still enjoy hitting stuff more than moving a
mouse. but its a bastard trying to justice to kid a obviously. not sure.
it aint much fun trying to keep up with a machine, especially when it always
seem slow and dull. son of star wars |
| SUBMITTED
BY: Barnes Anthony from UK |
| QUESTION: |
| I'd
like to find out a bit more about your collaboration with Humphrey Lyttelton.
On the face of it, it seems like an unlikely link-up. How did you get together,
how did the session go? Many thanks. |
| ANSWER: |
| jonny
should answer this one... |
| SUBMITTED
BY: Andrew Male from Britain |
| QUESTION: |
| My
question is for Jonny. At the moment MOJO are compiling a prog issue with
features on King Crimson, Genesis, ELP, etc. Given that you're supposed
to be something of a prog fan I was wondering whether you'd be up for speaking
to us about your fave act. If, on the other hand, this is yet another example
of twisted disinformation, my apologies. However, if any of the band have
something close to their heart that they would like to speak to us about,
drop us a line. Cheers, Andrew Male Features Editor MOJO |
| ANSWER: |
| alright
andrew? I'll tell jonny when he gets back from holiday this week....lovely
to see you last week-end. drop us a line if there's any cool music on in
the city... cheers colin. |
| SUBMITTED
BY: Hidekazu Hori from Japan |
| QUESTION: |
| The
sounds of album "Kid A" differs alot from the sounds of album "OK Computer".
Was there any specific event or clue which led you to go different direction? |
| ANSWER: |
| Ok
Computer was mostly recorded live, after a lot of rehearsals and touring.
Kid A was our first attempt at working on sounds and songs from sounds
in the studio. We wanted to understand more about some of the modern ways
of making music, such as samplers and sound modules. Also we were interested
in recreating fresh sounds using old analogue synths and drum machines
which had in turn been sampled and put into boxes. We still love to play
live; it's just that we needed to find some more colours to play with.
Also, we're not ' players', so the machines are beguiling because they're
constructed for duffers such as us. |
| SUBMITTED
BY: Chris Salmon from UK |
| QUESTION: |
| What's
your favourite London music venue? And why? Thanks very much. ps - I sent
you the sleeve of my copy of 'Anyone Can Play Guitar' way back in '93,
hoping that you'd autograph it. Any chance I could have it back now?! |
| ANSWER: |
| I'm
sorry about your Anyone sleeve....I'll see if we have one in the office....oooops.
Maybe we thought you were just sending it back. I like the old Town and
Country in Kentish Town, I think. |
| SUBMITTED
BY: bethan cole from UK |
| QUESTION: |
| what
are the advantages/disadvantages of having almost zero prescence as celebrity
'personalities' Does reclusiveness ultimately serve to augment fame and
myth? Do you really have to ever fight to stop yourselves being turned
into celebrity/brand/object rock stars? Do you think the whole culture
of empty celebrity in Britain will continue to dominate the media or will
it implode? (Sorry this is more than one question - I'm writing a celebrating
people with that curious combination of immense fame and utterly minimal
public prescence) |
| ANSWER: |
| Its
all very interesting isnt it? |
| SUBMITTED
BY: Gregg LaGambina from USA |
| QUESTION: |
| My
father is a conservative Republican. He often criticized the idealism of
bands I listened to growing up, saying things like, "Since when does a
rock band feel it’s necessary to change the world and tell my son what
to think?" Can a rock band change the world? Are you a rock band and are
you trying to change the world? |
| ANSWER: |
| "Since
when does the Bush family feel fully qualified to run the world?" |
| SUBMITTED
BY: Gregg LaGambina from USA |
| QUESTION: |
| You’ve
cited Talking Heads’ Remain In Light as having a major influence on the
making of Kid A. If you believe what you read, it sounds like the reaction
to OK Computer had a bigger influence. What was it about Remain In Light
that inspired the band? |
| ANSWER: |
| its
a record i can dance to. no-one is humbly strumming a guitar and where.
the words speak to me about my life. its about rhythm. the words are amazing.
its all improvised. it was composed using the mixing desk bringing things
in and out. there are no loops but its all loops. tchocky |
Spin
With A Grin
06/2001
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