In the last works of Iskra Dimitrova we can feel an intention
for a change of relations between the author and her work; to be
precise, from a role of the subject who is initiated by the main
dynamic relationship which gives forms a meaning (starting of a
fire, dough making) to an active inclusion of herself into the form
and meaning of the main designed component. This moves takes
one to two, diametrically opposite directions: from one side to
a perfect material absence of the creator of the work ("Lapis", "Labyrinth") to the other one where one is taken to a more potential
or perfect self-inclusion in it ("Thalamos").

 

 

 

This dichotomy reunites through relations which are actualized
by the author: body=remains of the existence of a creator;
material absence=spiritual presence; absence of a
creator=liberation (self-existence) of work! In these intentions one can see a reflection of one of the basic paradigms of a creation: spiritual
and corporal self-investment and self-sacrifice in order for the work
to be actually created and brought to life.

 

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Text by Nikos Causisdis, professor of History of Art
at the University "Saint Cyril and Methodius" - Skopje