| MICHAEL KESHIGIAN | ||||||||||||||
| MICHAEL KESHIGIAN is a musician and writer in Boston. He began writing poetry in the mid-nineties and has been widely published in numerous national and international journals as well as online zines. He has authored 3 poetry collections (Translucent View, Dwindling Knight, and Silent Poems) and his 4th collection is currently a work in progress. Recently, his work has appeared in The Aurorean, Oyez Review, Fairfield Review, Sierra Nevada College Review, Sahara, Poetry Depth Quarterly and Ibbetson Street. He is a multiple Pushcart Prize nominee. | ||||||||||||||
| AFTERNOON BARBECUE
The women share a secret, chattering until we enter their circle, giggling when they think we can't see. We ask them for a hint but they lower their eyes, smile delicately from the corners of their mouths. It only increases our desire to know. Perhaps it was something they did long ago, consequences notwithstanding, the memory possesses a lingering sweetness. This might explain their camaraderie, the way they rest their chins on the curl of their fists, stare at each other with intense intrigue. Tell us one story or give us a clue. Whisper a sentence or even a word that might carry in the warm summer breeze when you close your eyes to remember. |
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CONCEPTION
Barefoot in white slacks and her husband's sweater, she plays the piano most seriously, bungling Mozart with a grimace then a grin, the lamplight flickered unnoticed upon her fingers. The field from where her progeny once thrived has withered, grown voices and opinions have fled the confines of the arena where music, like a tranquilized tiger, swerves again. Her foot presses pedals, fingernails carelessly flit keys, and in her womb a musician is conceived. The house is no longer empty, half full with sound, she nourishes herself. |
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| WATER
Dive into water, become the wetness, that's the way I'd like it. Others might choose to be a robin, fly like the pinto's hoof, or prey with a tiger's stealth. I would be water, an enigma to all, shallow and transparent, deep and unyielding, my darkest secrets well kept. Beneath the surface, it would be cool and quiet, though whales ripple stillness and great white sharks shred paths with razor teeth. Water embraces all, even a boulder, when cast from shore to shatter the tranquility, is happily accepted. Any intruder is offered a home. Yet, I have seen water rise, angered when the wind instigates its timidity. to perpetrate moments of retaliation. Perhaps at its core a heart beats between coral ribs, rippling a message at the surface of calm, a simple, transparent message, the pulse of a universal conscience. |
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| THIEF
Two days ago the sun caught me stealing light to illuminate a poem, demanded restitution, then reported me to Mother Nature who posted my likeness about the land. Soon, the ocean, forest, birds, flowers, et. al. filed suit for substantial abuse and complacent philandering without permission. I pleaded guilty; admitted taking breath from wind for deliverance, marshmallows from the sky to sweeten song, and rage from the ocean to instill a sense of urgency. Convicted and confined to a windowless room no writing, visitation or glimpses of stolen sights, I was sentenced to imagine beauty without embezzlement and the wholesale exploitation of words. |
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| MOONBEAM
Every night a different message. Tell me tonight about the translucent bones of icicles on the gutter. Their tale is a disclosure of your stalking. You enter as a burglar on the heels of darkness and leave no fingerprints, yet cleverly steal away secrets between the elusive shadows you create, some darker than others, convoluted figures rummaging in the most remote corners of the room. The sleepless await an explanation but your peering eyes slip away when the clouds make you blink. If you do take something, no one is the wiser. The sand in your light eventually blinds into submission the most suspicious who, in the morning, awake inspired yet unaware of your intrusion, until the icicles drip in the rising sunlight. |
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