| "A Shaking Spear" By Louie Crew My lover's buns are nothing like a God's. Plate glass is far more rippled than his chest. His six-inch fuse becomes his only rod. With no cologne but rankest funk he's blessed. I have seen glistening men, hirsute or smooth, but no alluring luster's in his face. And I've known even yokels less uncouth clutching their men in graceless long embrace. I like to hear my lover's tuneful shower, but any glories there are merely myths, for though his songs indeed my spunk empower, the truth is that he all too often lithps. And yet I swear my man's to me more real than hunky clones who, unrehearsed, can't feel. *** "Quantification" By Louie Crew "These physiologically recordable levels of orgasmic intensity never must be presumed arbitrarily to be a full or consistent measure of the subjective pleasure derived from individual orgasmic attainment." -Masters and Johnson, Human Sexual Response I'm here above you, waiting, calculat- ing your slow undulations til I lose the pleasure of my own, and making mat- ing measure my manhood in terms of those climaxes you receive, my cold sperm mechanically spent to bring you joy. How can you really wonder why I squirm to get away to pis as soon as coy game is done? why I hate you and this sad, dead, intellectual fuck? Can you not touch me too? Have I no ego to be fed? J'accuse! You surely don't love me very much! Mommy, mommy, give back the pretty toy some mean girl's stolen from your little boy. *** "Misdirections" By Louie Crew I still want to say about us the bit that can't be said. Surely domestic quarrels can't quite define us yet? I dream our world brimmed with wonder, see only catshit in our bed. The words I used--wondrous, spirit, ineffable, mysterious--now, like pearls discovered false, around my bone cage hurl accusations. Lover's doom I call it. Weary, walking one comes at end of day to see the destination's back some way along the road; yet one returning there discovers that arrival was the air she'd walked inside, the meadows, brooks and fields he'd hurried through in great expectation. *** "Four Friends Overheard at the Hairdresser's" By Louie Crew Jane: Willie's was the best. Alison: No, Harry's, and he knew how to juice it, girl, let me tell you. Why one summer night, way back even before air-conditioning, when people could hear your groaning the full length of the block.... Mary: But Harry knew only one thing to do with his big member, and then you had to spend a week telling him what a tough guy he was and "Yes, honey, you're right; you do have a fine little ass." Now I'd take John any night of the week. That tiny fuse of his was well connected. Jane: You're right about that, but what I liked about John was his smile. I mean that big grin after he'd washed the dishes was the same smile he'd hypnotize you with till you hardly knew you both were done, just watching that smile, and his only 4 or 5 inches. Mary: I liked Milton's too--pretty _mocha chocolate, with an edge of cheese. He's the first man ever showed me other places to put it. Funny now to think that I ever had to learn. Alison: But his jissum was too salty. Jane: Not at all, not at all. I'll be Milton's Dead Sea anytime, listen. Mary: And Milton knew how to treat you right afterwards, would lie there talking and laughing, planning where we'd take our next trip, hinting about some surprise he was buying for me. He always said he liked best the part afterwards, and he could lie still for half an hour not saying a word, just an occasional sigh or giggle. Alison: But I still hold out for Fred's.... |
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| I have edited special issues of College English and Margins. I have written four poetry volumes Sunspots (Lotus Press, Detroit, 1976) Midnight Lessons (Samisdat, 1987), Lutibelle's Pew (Dragon Disks, 1990), and Queers! for Christ's Sake! (Dragon Disks, 2004). The University of Michigan collects all my papers. As of today, editors have published 1,657 of my works. Visit my website |
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