Guitalife's Banjovie Diminished
by Sandy Freeze a.k/a:guitalife
Dim and Diminished
____Tenor Banjo Diminished 7th__
The diminished 7th chord is one reason to learn the name of every note on the strings.
The four voices of the stock grip make up all the Root_b3_b5_bb7 from any pitch in
the paricular grip positioned. Some resolutions to the next chord played in a
tune will be more appropriate than others.
Its quite flexible and talks to any major or minor chord,and doubles as a b9th chord
(root half step below that voice).
Since the wide tuning of the Tenor Banjo leaves the half-step/whole step scale in the dust ,
closest string interval ,#4/b5 to a bb7(6th)on each pair of strings .
The stock voicing of the diminished 7th chord.
D G#F B Eb AF# C C# G E C#
~ ~ C_G_D_A~ ~C_G_D_A~ ~C_G_D_A~
1Fret|-|1|-|-|._____ |-|-|-|-| |2| |-|3|
2fret|2| |-|3|DG#FB |-|1|-|-| |_|_|4|_|__C#GEBb
3fret|_|_|4|_|__.... |2| |-|3| EbAF#C |-|1|-|-|
4fret|-|1|-|-| |_|_|4|_|_ |2| |-|3| EBbGC#
5Fret|2| |-|3|FBG#D |-|1|-|-| |_|_|4|_|__
6fret|_|_|4|_|__.... |2| |-|3|F#CAEb |-|1|-|-|
7Fret|-|1|-|-| |_|_|4|_| |2| |-|3| GC#BbE
8fret|2| |-|3|G#DBF |-|1|-|-| |_|_|4|_|__
9Fret|_|_|4|_|__.... |2| |-|3|AEbCF# |-|1|-|-|
10frt|-|1|-|-| |_|_|4|_|__ |2| |-|3|BbEC#G
11Frt|2| |-|3|BFDG# |-|1|-|-| |_|_|4|_|__
12Frt|_|_|4|_| |2| |-|3|CF#EbA |-|1|-|-|
13fret|_|_|4|_| |2| |-|3|C#GEBb
______________________________________________14fret|_|_|4|_|________
On the other hand...here's another diminished chord with wider stops,
intervallically 6th_-5_-3!
F D G# B* Eb C F# A% E C# G Bb$
~ _C)G)D)A_ ~C)G)D)A)~ ~C)G)D)A)~
1Fret|-|-|-|-| |-|-|-| |Eb C F# A(open) |-|-|-|1|
2fret|-|-|-|1|F D G# B* |-|-|-|/| |-|-|-| |
3Fret|-|-|-| |/6 /b5 /-3 |2|-|-|%|Slide1 (C) |-|-|-|/|
4fret|-|-|-|/| / | |-|3| | |2|-|-|$|slide1(C#$)
5Fret|2|-|-|*|slide1 (D*) | |4|/| | | |-|3| |
6fret| |-|3| | | |/| |%|slide1(Eb) | |4|/| |
7Fret| |4|/| |
8fret| |/| |*|slide1(F*)
9Fret|/| | | |
10frt| | | | |
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