Forrest Gump
(1994)

Reviewer: Joel
Version: Special Collector's Edition
Number of discs: 2

The film
Since the dawn of cinema, films, by their very nature, have contained hidden meanings. If a particular auteur has purposefully included a critique or celebration of a set of circumstances that occur in reality, it's simply treated as commonplace - the audience pays attention during its theatrical run and moves on to the next social commentary when hype has died down. The 1994 Best Picture winner about a bumbling gentleman with an I.Q. of 75 though will last forever in a filmgoer's psyche with its exploration of every major American occurrence from the 1950s to 1980s. Robert Zemeckis' film may differ from the original source material (Winston Groom's 1986 novel) but he, along with his star Tom Hanks, have instilled large giggles and quiet truths, basic structure and intriguing complexity, and a fine comedy and drama equilibrium into events. Forrest Gump is so much more than an enchanting film however as the covert connotations mean more than a simple stab at artificial pop melodrama. Zemeckis' magnum opus is a little less innocent than a box of chocolates.

Concisely, Hanks' Gump somehow manages to involve himself in very significant incidents without realising he's the guy in the right place at the right time on such momentous occasions. The sweet-natured native of Greenbow, Alabama appears to be a descendant of the Ku Klux Klan's founder Nathan Bedford Forrest; he gyrates his hips in a meeting with Elvis, is an All American Football Player, drinks some Dr. Pepper in an assembly with JFK, shows LBJ his wounded buttocks, has a gathering with Richard Nixon and then catches the Watergate burglars whilst staying in the hotel, convenes with John Lennon on a chat show, participates in 'Nam, becomes an expert at Ping-Pong, owned shares "in some fruit company" (Apple Mac), and owned a shrimp business. Furthermore, it's interesting to note that Zemeckis uses start-of-the-art (for 1994) computer imagery to generate the noteworthy characters Gump seemingly meets in his providential life. Meanwhile, the pursuit of love interest Jenny (Robin Wright Penn) also keeps our hero active. Wright Penn appears to appreciate the vast canvas Zemeckis and screenwriter Eric Roth have manufactured and, whilst Gump works his way through his amazingly fortunate existence by involving himself involuntarily in modern culture episodes, Jenny takes the counterculture route. Like Gary Sinise's Lieutenant Dan (Gump's comrade and mentor), Jenny embodies the repulsive underbelly of a civilization undergoing revolutionary change - drugs, Black Panther marches, and suicide attempts are in stark contrast to the conduct of her dense devotee. Gump's most cherished friends (apart from Mykelti Williamson's ingenious Bubba) seem to have an inherent resistance to societal conformity and those who do adhere to the rules of society (characters such as Bubba's maid mother) get rewarded in the end.

Tom Hanks once called the film "non-judgmental and therefore, non-political". Indeed, to those who care about/are educated in the history of America in the 21st century it is impossible to view the film without reading into blatant overtones of certain beliefs. Furthermore though, beyond the endless reading one could undertake into the brief municipal 'text', and the odd death Gump encounters on his voyage, Forrest Gump is one of the best feel-good movies of all time. Like Hanks' Gump, Al Pacino's Tony Montana from Brian De Palma's Scarface is a mesmerising lead performance, inspiring dozens of catchphrases and countless imitators. Unlike the Cuban, however, Gump epitomises the bright side of the American Dream and Zemeckis just illustrates the rise and further rise of a genuinely nice fellow - Forrest simply grows stronger and stronger after every challenge he is presented with, defying all odds. For this reason, Hanks' second consecutive Oscar winning role exemplifies arguably the greatest hero in the history of cinema. It's no wonder the film was so critically and commercially successful as people still believe and are encapsulated by magic.

The extras
Two commentaries are contained on the double disc set. The first featuring the trio of Zemeckis, producer Steve Starkey and production designer Rick Carter contains long pauses however and one can tell that Zemeckis' voice is compiled separately. The director's contribution is also from interview footage rather than a play-by-play screen specific track and therefore the long pauses grow frustrating. Producer Wendy Finerman's effort about the book to movie transition though contains even longer pauses but both tracks are not exactly poor, they are just in need of obvious improvement. Onto Disc Two, and the thirty minutes "Through the Eyes of Forrest Gump" is basically promotional material. The documentary produced in 1994 does a good job at providing insight but it isn't ultimately rewatchable. "Seeing is Believing" looks at eleven visual effects scenes which add up to over an hour in total. "Through the Ears of Forrest Gump" isn't really required but it's a decent inclusion nonetheless. "The Magic of Makeup" is eight minutes on the hairstyles and costumes, and the "Screen Tests" are very interesting. The Robin Wright Penn tests where Hanks says Forrest's dialogue in his normal Californian twang are extremely surreal. Haley Joel Osment's tests are the sort of material awards academies would use to give a retrospective on a successful career if the famous child actor ever made it into the big-time. "Building the World of Gump" is hosted by Rick Carter and is just over seven minutes of sets and design exploration. Trailers and a photo gallery are also included but it seems as if the package could have been better but in ways that aren't exactly noticeable aside from more involvement from Hanks and Zemeckis. It hardly justifies the "Special Collector's Edition" tag.

The summary
From the scrapheap of humanity because of his dim-witted nature, to a prospect of normality when he enters education, and then somehow, to an unheard of string of successes, Robert Zemeckis' Forrest Gump is truly miraculous. The warts-and-all illustration of America, Tom Hanks' exquisite turn, and the killer soundtrack are just a select few highlights of a splendid film.





Agree? Disagree? Say so in the Guestbook!




Text copyright (c) Filmverdict 2006-present. Any film titles and artwork used are copyright of their respective owners.

Hosted by www.Geocities.ws

1