The Economist (5/14/05) asked: Which best captures the spirit of Europe: the “Mona Lisa”, the “Moonlight Sonata”, “Hamlet!, or “Diggi-Loo, Diggi Ley”? No contest; the last one won. Other winning songs were “Boom-Bang.a Bang” and “Ding-Dinge Dong”. For years I have been watching news on Italian television. I have never once heard mention of Dante, Michelangelo or of any of the great figures of Italian culture, Be careful of the word “culture”. It used to mean high culture, but anthropologists have changed the meaning to the way people live. So the often sordid scenes in the news are part of Italian culture. On the days when the Humanities dominated our academic curriculum, we taught high culture, which often meant that courses on Italy often became Italian cultural propaganda, ditto for France, Spain and Germany. This has been a source of sharp rivalries in language departments. The French faculty viewed with anger and scorn the rise of Spanish; I myself have been caught in that rivalry. Now the study of foreign countries has moved to the social sciences. This is reasonable, since high culture means little to the masses fighting to keep their head above water. The `problem is that countries want to be admired, not studied like laboratory specimens. Getting back to Europe, it seems that high culture has been swamped by low culture. The European anthem proclaims that “all men shall be brothers”. Change that to buddies.
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