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Go (1999)
-R-
Directed by: Doug Liman
Written by: John August
Starring: Sarah Polley, Katie Holmes, Desmond Askew, Taye
Diggs, Scott Wolf, Jay Mohr
January 2, 2000
Tarantino-esque Rave Fest
By Judd Taylor
In Doug Liman’s second
film Swingers, there’s a great scene where the characters are talking
about how Quentin Tarantino rips off of Martin Scorsese. Then in
the next scene, the characters walk to their cars in slow motion, humorously
mimicking the opening scene of Tarantino’s Reservoir Dogs.
With this scene, Liman is saying that it’s okay to use other people’s techniques,
as long as one uses them well, and Liman does just that.
Go, Liman’s
third feature, is an adrenaline pumping, rush of a film from beginning
to end, reminiscent of Pulp Fiction. There’s drugs, sex and
violence; the elements of a great film. The structure is more like
the department store scene in Jackie Brown, where we see the same events
from different characters’ points of view. Instead of just one scene,
the whole film is built on this idea. It’s not confusing at all because
the grocery store is used as the starting point of all three stories.
Liman is definitely
trying to be the next Tarantino, but the thing that sets Tarantino apart
is that he works with older actors who can act, whereas Liman, in all three
of his films, has mostly worked with young actors in their twenties.
For Go, he jumped on the Dawson’s Creek and Party of Five
bandwagon and got Katie Holmes and Scott Wolf. They’re fine for their
roles on the shows, but seem amateurish on the big screen. And J.
E. Freeman plays Victor Sr., the strip club owner, like the cliché
action bad guy.
The film doesn’t suffer
though because the script is so funny. Since part of the film is
about drugs and the rave scene, it keeps a fast pace throughout.
Liman is finding his style in directing, especially shown in the rave scenes.
Liman is no Tarantino yet, but he is finding his niche.
Alternative Recommendations: Swingers (d: Liman), Pulp Fiction,
Jackie Brown, Trainspotting
-Reviewed in Theater-
Nominated for
3 Fidelio
Film Awards
| Best Comedic Feature |
Best Editing
Stephen Mirrione |
Best Song
"New"--No Doubt |
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