This is the 2001 collection with a lot of tracks being updated and finalized. These were the first actual guitar recordings using the software ACID I bought in the year 2000. Most of these tracks were rehashed from my high school band days. I came up with the guitar parts myself and didn't copyright them then to our band noose, so why let them go to waste? Oh well. This was originally for practicing on the software anyways, but they ended up pretty damn good I think. Some others agree. Favorites seem to be "Angel With Horns," "Golden," and "Porcupine."

This is a 2002 continuation and follow-up to the first installment. This was actually originally the second half of the first CD I made called "Connect the Dots." It ends with that original title track. Both halves have of course been expanded to full discs themselves, as I've added stuff "after the fact" to all of the half albums and EPs. This features two tracks I did in early 2003 with my friend Will. Everything is instrumental. It also features 3 versions of "Black Melody" and a bunch of recent interludes between the songs. The last track is from 2001, "Connect the Dots."

Smashing Through is a 2002-2003 redux set originally called "Anamorphosis." It also once had only seven tracks and a rat on the cover walking across a record. The title track was actually at the time for a mod project and not even included. I didn't realize until later that there was already a cartoon called "The Animorphs." I then changed the title of this album, and the title of the original track "Anamorphosis" to "Red 40," named after a dye that was thought to cause hyperactivity, since it's a fast "punk" sort of song. There are also new tracks towards the end, and "Hack It Up" was from 2018 for a soundtrack to a game that was never made.

This is the fourth and final "redux of reduxes" album for the old stuff remade and then remade another time in 2021. The original six tracks, accompanied by a few outtakes, are unchanged. I rushed when I realized it was fine as-is and the melodies were more important this time and I released it alongside "Smashing Through." It's mostly from 2004, with one exception, "Gun In Hand."

A Taste of Euphoria features all of the 2005 tracks I made in college for a game called "No Limits Blackjack," my first game with the teams that were set up, which were slightly different each time. It also features one new track, sort of, which is just a simple extended mix of "Mudslide" done in 2019. The order of release was meant as it was, planned months in advanced, and everything relied on me to remix every track on this album to release the next three simultaneously. I then decided I didn't feel the need and just made it an EP so I could finally work on other things soon. The game was pretty sweet I thought, and my favorite of our college games, even though it was honestly just a card game that already existed. We rocked the "extra credit" on this one though and had some voiceovers that probably wouldn't sit to well these days with society going more sensative, and honestly I agree with society on this one.. LOL

This is my outtakes album so far. It ranges from 2000 to 2004 and includes another instrumental done with my friend Will, the very first 2000 version of Black Melody I found recently, outtakes from all four albums still, but honestly a TON of stuff from the doom mod soundtrack to a game I never made that went through various titles including "Lokust Sun," "Visions of Loki," "Nightmares of Loki 2," and "Otherworldly."

This collection goes further back to 2000. I didn't want it "first" like other giant sets of albums I've release or compiled this time, but it doesn't chronologically fit somewhere in the middle. So to fix this issue I doubled its size in 2020 with prenamed tracks I came up with at work. The original artist name I used was "The Dybbuk" which I also used in communities for the classic game DOOM from 1993. The original six-track with outtakes was called "Defined Static" and had a cheap blue filtered cover with the letter D obscured onto it. I torched a computer for linear pictures and made up some artwork to the best of my abilities. The cover to MAKINA is just an old factory photo rendered through various filters, recolored, and placed over a purple grunge background as the border.

This is the first "NEW" thing I had done in a very long time. Almost twenty years! This won't be the last too, as I have a "computer rock" trilogy already titled and lined up, I just need the art, and of course the finished music. This cover was a recolor of art sent to me by my cousin's wife Angie Triesch. It is an odd rendition of, well, a plug. This isn't even what landed the title "Plugged." It's computer rock, so it's ran through various technological layers. Also, it's the opposite of MTV's "Unplugged" concert cds as its very loud in places ;) Favorites are "Evolve," "Boiling Point," and "I/O."