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In conversation with Solypsis

 

 

 

In Conversation with

 

Solypsis

 

 

August 2006

 

 

A little background:

 

 

Saluations to Keith and UK Dragon aka my

partners in DIH for their help with this.

 

Solypis is James from Chicago in the USA, who I

also met through the Digital Vomit forum for

experimental acts – http://digitalvomit.aimoo.com/

 

As you may or may not know – through this website I met

Mitch who runs Hallo Excentrico which can be found

At http://hallo-excentrico.com/ who has released a number

of projects / releases of mine – one recent release has

the M.A.N. remix album ‘Narnia remixes’

which features 17 remixes of the above listed track.

 

Through Keith and UK, I met James who kindly

submitted a remix for this under the name Pulverized

Fontanelle who submitted probably the most hard hitting

remix on there and certainly the shortest.

 

Interested more, I looked into things more and was

advised he had released a few albums on Hallo Excentrico

under the name of Solypsis so I went and downloaded

and found them probably among the most hard-hitting

material I had heard in ages which in some places made

Kid 606 seem sane!

 

Of course after listening to them, it became apparent

this was another act that Setting Sun should be interviewing

carrying on it’s portfolio of approaching sometimes the

more extreme side of music, so I e mailed James and the

enclosed interview followed shortly after.

 

I don’t have James’s e-mail address to hand but you can hear at

least three albums of James’s material on

http://hallo-excentrico.com/

 

Many thanks to James for his interview here….

His WLNT tracks are in particularly well worth listening

To in particular, although they are not for the faint hearted,

I must warn you..

 

Cheers again

 

Andy N

 

 

Setting Sun:

 

How are things and what's happening at the moment?

 

Solypsis:

 

I'm all right. it's been hotter than hell here in

the u.s. this summer. i think it's nature's way of

telling americans to fuck off for all the damage our

government and corporations are inflicting

worldwide. so yeah, other than the world being

fucked over by u.s. policy on a daily basis, i have

no real personal problems at the moment but the big

picture often gets me down. i'm not sure how anyone

can be truly happy when the planet is in such

disarray. how's that for an uncomfortable answer!

 

As far as what's happening....i should be doing a

one-off show in arizona with terminal 11 and the

assdroids in october. that's about it at the moment

- i'm backing off on the solypsis stuff for a while

and focusing on a little secret project i've been

working on. it's much different...and much

mellower.

 

 

Setting Sun:

 

Do you play gigs? How do they compare to

your studio work? Is their one thing you prefer

over the\line other?

 

Solypsis:

 

I've done a little gigging around. my live stuff is

typically just me mixing my own material into a 45

minute block of sludge while mixing in "live only"

noise tracks to pummel the existing songs around a

bit and make them sound different. i think my live

stuff works better, certainly. there's more energy

and time to sink into the drones and drift away on

the blankets of noise. that sounded fucking

pretentious, didn't it?

 

Setting Sun:

 

Next, a few slightly more light hearted

questions to wind down with, firstly where are

you from? What's\line the music scene like where you

live? Have you been to\line any good gigs recently?

 

 

Solypsis:

 

I live in the great city of Chicago, but am

originally from a suburban hell-hole in arizona

called mesa. if you've heard about the recent string

of arizona serial killings, well they were from

mesa. and i almost don't blame them for going

mental. the city is nothing but corporate

franchises, mini-malls, convenience stores, concrete

and severe, hellish heat. picture the makeshift town

in the road warrior and give it a wal-mart. but

terminal 11 lives there, so there's something good

to report.

 

I haven't been to many shows lately ----

I saw electric six a while back and they

rocked the shit. i love those guys. people either

"get it" or they don't. i feel sorry for people who

don't find them entertaining.

 

Jason Forrest put on a great show not too long

he is a "ROCK STAR" for better or worse.

He knows how to entertain.

 

 

Setting Sun:

 

Next can you tell us a little bit about the

history of Solypsis - Who fired the starting pistol

be it for a better word?

 

Solypsis:

 

Back in 1997 or 1998 a friend of mine showed me how

easy it was to download pirated copies of shit like

ReBirth and how painfully simple it was to make

music with those programs. i had been listening to

electronic music since i bought a depeche mode 7"

when i was 8 in 1981, so it kinda shocked me how

easy this crap was to make. i never actually

recorded much of anything using rebirth or reason or

any of those programs, though. i'm stubborn as hell

and was determined to do everything ass-backwards.

some programs just feel like a cheat, ya know? the

machine is doing all the work and everybody ends up

sounding the same. so i figured i'd use some

unpopular software and ignore the instruction manual

and turn the knobs til everything sounded like shit.

 

i started out with a mantra - "i'd rather sound like

shit than sound like you". so hopefully i don't

sound like everyone else, but i probably do indeed

sound like shit.

 

Setting Sun:

 

What are your influences music-wise and what

are you listening to at the moment?

 

Solypsis:

 

Ughhh....in a very narrow sense my influences boil

down to slow, plodding, beat-heavy stuff like scorn

or techno animal (although i love the hyper-fast bpm

shit, i feel much more comfortable doing slower

stuff. i do get fast sometimes but i've never really

done the breakcore thing. i'm in awe of those guys

but i've never felt driven to emulate that style.

why do a half-assed version of something so many

others have already perfected?) plus the fuzzy,

gauzy shoegazer shit like MBV or early Slowdive or

Flying Saucer Attack. sprinkle in the anarchist,

annoying repetitive noises created by early severed

heads just to keep things sorta light and silly. i'd

hate to come across as all serious --- i like dark

sounding music, but it needs to be balanced with a

healthy sense of humor....oh, and of course merzbow.

and v/vm.

 

Setting Sun:

 

As Solypsis you have quite a few releases under

your belt, but the one I have been listening to

quite a bit is your free double CD download 'The

Green\lime Album' which has a track on it called

'dance, you stupid drugged up fuck, dance!'

Which is an incredible title for a track

What is the story behind that track?

 

Solypsis:

 

Well, for starters many my long, quasi-dancey

knob-twisting tracks were created while drunk, so

the titles are automatically belligerent. but the

idea behind that song was something that has

motivated me on a lot of tracks (specifically

Charming Pervert), and that's that i love the notion

of creating something just awful and hideously loud

and sorta commanding ---- a real driving, stupid 4/4

beat that can hypnotize a bunch of drugged up idiots

into dancing around to what is basically

unlistenable crap.

 

Setting Sun:

 

What is the inspiration for your name

Solypsis? out of interest too..

 

Solypsis:

 

I loved the word "solipsism" and then shortened it

so it didn't sound like a philosophy i necessarily

adhered to (the belief that the self is the only

thing that exists). then, i changed the spelling for

the most arbitrary of reasons --- the domain name

was taken. so yeah, i'd had about 100 names before

solypsis stuck --- it was the only name i didn't

hate after 24 hours. high praise, huh?

 

Setting Sun:

 

What's next for yourself? Do you have any

more\line releases in mind etc, etc?\par

 

Solypsis:

 

No releases other than a few comps on the way --- i

kinda threw everything out there with the purge dvd

so i don't have an album worth of new material to

shop around right now. plus, I don't really see my

stuff as being marketable enough for a label to

bother releasing a full-length. I'm not being

self-deprecating so much as practical. there are

only a few labels that release shit like mine and

they usually have pretty full rosters. not to

mention the fact that labels are losing money hand

over fist. i dunno --- i'm a pretty niche musician

and i don't expect a sudden influx of popularity,

but that's ok. the people that like my shit are

pretty enthusiastic, so that's cool. at the moment

i'm satisfied with self-released shit.

 

Setting Sun:

 

What would be your dream job if you were not a

Rock n roll star????

 

Solypsis:

 

I'm searching for a really smart-ass response to

that question, but i can't find it.

 

I wish i was a an astro-vulcanologist. i wanna study

volcanoes, both terrestrial and in space. tell me

one thing that would be cooler than standing on the

rim of a volcano on a moon of jupiter? you said

"dream" job --- that's about as dreamy as it

gets.

 

Setting Sun:

 

Lastly, something light to finish off

(Borrowed from a pal's zine almost)

Imagine you were shipwrecked on a desert

Island and could have (Clearly have second

sight here - lol) the choice of having 5

records or Cd's with you with a stereo of course-

what would be your desert Island discs?

 

Solypsis:

 

Meat Beat Manifesto - Storm The Studio

 

Cranes - Forever

 

Skinny Puppy - Too Dark Park

 

Severed Heads - Since The Accident

 

Boards of Canada - Music Has The Right To Children

 

 

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