Hi,
I wanted to hear from users of the Henrich Smallbore stabilizer. My
specific question is how sensitive is the stabilizer to barrel position,
do you have to move it up/down the barrel to find the "sweet
spot" for each ammo/lot?
[Editor - from what I've heard it has a suggested position, but I would
think it's just like any other tuner where if you want the absolute max
performance, you'd have to try other positions as well to find the
"sweet spot". Also, don't tighten it down too much.]
Whilst I am sure that all 3P shooters would expect some discomfort when
kneeling I feel that having to limp for a week after a match or training
session is not what it is all about. I am finding that because of the
angle of my foot the Achilles tendon is being damaged by the heel cup of
the boot. I have tried different boots, but the answer seems to lie in
keeping my foot as vertical as possible. I have achieved this by making
the boot sole as short as possible and using a fat kneeling roll. This
has reduced the weight on the knee to such an extent that it barely
touches the ground, but this does not seem too much of a problem, though
it does look a bit odd.
I would be interested to hear if any other shooters have had Achilles
problems and what they have done to work around it. It is a major factor
in holding back my scores because at present I am unable to put in the
hours of training necessary.
Many thanks.
Tony Credland
Target Shooting......Sport for All
Hi folks
We are about to paint our indoor range. Does anyone on the list serve
have information on colors conducive to the shooting sports? I would
expect things such as blaze orange and black are out of the question.
However, when it comes to neutral colors such as duck shell or beige are
there any particular preferences and why?
Cheers Dave Woolridge
MUN Sea~Hawks Shooting Team
[Editor - it somewhat depends upon your lighting. In most cases I would
say white or off white since most ranges do not have enough light.
However, if you've got an overabundance of light, you may go for a light
grey perhaps. It also depends on how you want your range to feel. FL
lights are cooler so you may want a warmer color on your walls. Likewise,
if all you have are normal lights, you may want a sterile white to
balance it out.]
In reference to the paint, I suggest light green paint. Good reflective
of
light and the green is relaxing to the psych which is better for the
shooting athlete. A white is to harsh and reflects to much glare during
the
shooting competitions. Gray absorbs to much light and therefore would
cause
additional light in the range area.
The paint should be flat and light green absorbing...non-glossy.
I'd suggest using the same background paint as at Wolf Creek or at OTC, a
soft, light tan or buff color, not unlike the tan paper of the standard
paper
target. You're gonna shoot your big matches at one of those venues... So
shouldn't your training range conditions be as close to the anticipated
competition conditions as possible?
[Editor - The side walls of Tom Lowe Shooting Grounds (Wolf Creek) are
much lighter than normal target paper. A creamy off white. The rear walls
have a very light green/aqua tint to them, just as Chet suggests. The
Sius targets are mounted on about a 2 foot wide strip a lightly stained
wood.]
Can't quite remember if this topic has come up before
but here goes......
Range Lighting has been an interest of mine for the
last 10 to 15 years or so. After putting up for years
of visiting some ranges with candle power for range
lighting and being submitted to skin burning (I
exaggerate) in others I decided that Something Had To
Be Done!
The ISSF book specifies a paint job of "neutral
colour" - whatever that means, but I suspect anything
in the pastel shades. A lighting level for 10m Air
Ranges of greater than 300Lux over the range and around
the shooter, and greater than 1000 Lux on the target.
The rules show how this is measured. I was dismayed to
note that in the last rule change that the "at least
1000 Lux" had been changed from "800 -1000 Lux". See
later.
The reason for such "high" light levels is to ensure
that practically all people can distinguish "true
colour". By that I mean that the cones in the retina of
the eye are "turned on". We are very good as seeing in
the dark. The problem is that we can't see colours in
the dark. The best detail the eye can see is when it is
using the cones of the eye. These are massed in the
Fovea, the central "All Seeing" part of the eye. So to
ensure we can see the best detail and the true colour,
we need to be bathed in light that is a least 300 lux.
This is a generally accepted lower limit for
gymnasiums, sports complexes etc.
To put these indoor light levels in perspective. Sunlit
daytime is around 100,000 lux. We are trying to see in
less than 1% of daylight. Not bad when you think about
it.
There was a reason that the old ISSF rules stipulated
800 - 1000 lux and 300 lux everywhere else. The eye
finds it very difficult to accommodate high contrast
scenes. For example, it is difficult to see into shaded
areas in bright sunlight. To compensate for this we put
our hand up to shade the bright light and bingo, we can
see a lot easier into the shade. Baseball caps have a
use afterall!!! The eye can accommodate a contrast
ratio of about 3 to 1 quite easily. 1 to 1 is best of
course. Thus the reason the ISSF ratio was 900 to 300
lux - or 3 to 1. With the change, there is now a danger
than the contrast ratio may get greater than 3 to 1.
The effect of looking down a range with ratios greater
than 3 to 1 means that you seem to be looking from a
dark tunnel into a bright light. By dropping the ratio
in the range the scene appears more evenly lighted. My
recommendation is that if the target lighting is
raised higher than 1000 Lux then raise the range
lighting to at least a third of it! So if the target
goes to 1500 lux get the rest of the range up to
500lux!
If there is anyone with contacts to the ISSF Technical
Committee please feel free to pass this comment on!
To colours. A few years ago some ranges tried colouring
the target background green. People thought it was a
great idea. What was obvious was that it immediately
made the range more evenly lighted. That is, because
the large expanse of white around the target had gone,
the perceived contrast was lowered. As more and more
ranges put more lighting down the rest of the range and
around the mound, the "necessity" for painting the
target area green has receded. What became obvious was
that as the "rest of the range" lighting went up, the
scores went up.
I would suggest that pastel shades are the preferred
option for range colour. By all means match the target
backgrounds to the target paper but feel free to put in
some colour on the rest of the range. I find grey
(gray?) a little too prison like. White and off white
may be a little bright if the "correct" lighting levels
are available. Just be careful about the perceived
contrast.
If you want to test if your range light levels are
adequate, grab a paint colour brochure and check that
you can make out the colours throughout the range. Note
that fluros and incandescent lighting will render the
colours in the brochure differently!!! But if the
levels are high enough then you will have no trouble
discerning them. If you find difficulty, then seriously
consider raising the light levels in the range.
Hi Michael,
I was just looking through some of the back issues of the list and
re-read some of the discussions regarding the rumored removal of 25m and
50m shooting events from future Olympics beginning in 2008 or 2012. I was
just wondering if anyone knows the procedures by which a shooting event
gets removed from the Olympics. Is the decision made solely by the IOC,
or does the ISSF get some input on the events? Incidentally, the IOC
technical evaluation commission were here in Toronto last week for the
purpose of evaluating the city's potential for hosting the 2008 games.
The plans still include 25 m and 50 m ranges, with the overall layout
pretty similar to the Wolf Creek facility.
Regards,
Steve Desrocher
[Editor - beats me how they would decide that, but I'm sure the ISSF
would have a say. I'd venture a guess it would be largely dependent upon
participation or lack thereof. The new one in Athens sounds like it will
be pretty cool so they should look at it as well. I guess there were
complaints about the shotgun ranges in Sydney because of the brown
foilage but I don't suppose there was much they could do about
that.]
I too have heard the rumors, but I don't put too much stock in them. I'd
guess the new RF Air and Std Air pistol events are for those countries
that
don't get to play with real guns more than anything else. Lot's of
shooting
sports are sliding down the caliber hill, as in 300m to 50m rifle, and
biathlon from centerfire to rimfire at 50m, but there are still plenty of
events in their full caliber/full range variants. The downsizing of the
last
quarter century is more an economy move for local Oly organizers, not
having
to find room for a 300m range in a expensive urban real estate
market.
As far as the clay target background colors in Sydney, yeah, they were
drab,
(and looked pretty drab on TV) but that's what you get when you have the
Summer Olys in the early spring local zulu. Cue the buds and
leaves...
>>The downsizing of the last quarter century is more an economy
move for local Oly organizers, not having to find >room for a 300m
range in a expensive urban real estate market.
I don't buy this excuse; other Olympic venues cost 10's of millions of
dollars and all countries that can afford to host the Olympics have a
military with centerfire rifle ranges that could be modified to be used
for Olympic 300m events.
It's not an excuse.
It's a hard, economic reality.
Huge 300m ranges take a big chunk of urban land and cost big money. Yes,
local Oly organizers do build multi-hundred million dollar stadiums for
baseball, soccer and such. They also seat many tens of thousands of
people,
at a pretty good chunk of change per head, and can be used daily or
weekly
for many years for other sports and events to pay off the construction
and
operating costs.
Shooting venues don't have those economic benefits. Sydney's range cost
some
20 million USD to construct. It seats maybe 1500 in the finals hall, at
maybe
$25.00 to 50.00 USD a head per event, and perhaps 5000 in portable
grandstands outside for clay target, at even less per head. Lots of those
seats were empty, or occupied by non-ticket payers like athletes and
coaches,
even at the Olys.
Let's face it, shooting, by its very nature, is not the most dramatic
sport
for the average spectator. Most all of the spectator seating comes out
after
the Olys, leaving you with a major facility and no way to seat
spectators,
thus no ticket revenue to help pay back construction and operating costs.
What do you think the hourly range user fees might be on that to pay back
the
huge construction loans? $100.00, or 500.00 or a thousand an hour?
Yes, Sydney will probably host an annual ISSF World Cup, the Oceania
Games,
their national and regional championships and a bunch of local
development
programs, but it won't be taking in TV revenue or spectator gate revenues
of
hundreds of thousands of dollars, week in and week out for the next
several
decades. Expecting the athletes alone to pay back the cost of
construction
and operations is also difficult, as it puts shooting beyond the reach of
many individuals and even many nations.
Yes, an existing 300m military range might be pressed into service. That
range is probably scores or hundreds of miles away from the rest of the
Olympic events. Might as well have Olympic shooting on the dark side of
the
moon for all the media exposure and ticket sales an outlying venue like
that
would generate.
I'm not trying to rain on your parade or demean your position. I too
would
like to see 300m return to the Olys and to other similar events. However,
we
as shooters also need to remember that economic reality drives the
shooting
sports just like every other business activity. Based on paltry
television ad
revenues and venue ticket sales, we should be glad that the Oly
organizers
and local governments subsidize our sport the way they do. If we had to
make
an economic go of it all by ourselves, we'd probably be shooting from
under
an Army surplus tent at the town dump.
> >Huge 300m ranges take a big chunk of urban land and cost big
money. Yes,
> >local Oly organizers do build multi-hundred million dollar
stadiums for
>baseball, soccer and such. They also seat many tens of thousands of
people,
>at a pretty good chunk of change per head, and can be used daily or
weekly
>for many years for other sports and events to pay off the
construction and
>operating costs.
You mean like the Montreal stadium that cost almost a billion dollars and
had the perpetual leaking roof and failing structural members?
> >Shooting venues don't have those economic benefits.
Like the crowds in weekly gymnastic, and wrestling, weight lifting,
swimming, track and field competitions throughout the year :-)
> >Let's face it, shooting, by its very nature, is not the most
dramatic
>sport for the average spectator.
I don't know about the Sydney games but I've been told that the Atlanta
shooting games were sold out.
> >Yes, an existing 300m military range might be pressed into
service. That
>tange is probably scores or hundreds of miles away from the rest of
the
>Olympic events.
That wouldn't be the first time, that some games were far away from other
venues.
>Might as well have Olympic shooting on the dark side of the moon for
all
>the media exposure and ticket sales an outlying venue like that would
>generate.
The shooting games could be downtown and the media wouldn't cover
it.