Greetings from Amazon.com Delivers Classical Music Books and
Scores


Editor, Thomas May

FEATURED IN THIS E-MAIL:
* Titles of Interest: "Twentieth Century Opera: A Guide" by
George Martin and "Shostakovich: A Life Remembered" by
Elizabeth Wilson
* Coming Soon: "Stravinsky: A Creative Spring: Russia and
France, 1882-1934" by Stephen Walsh, "Mozart: A Cultural
Biography" by Robert W. Gutman, and "Andrea Bocelli: A
Celebration" by Antonia Felix
* Digital Download: "Goetterdaemmerung"
* New Orchestra and Opera Schedules for the 1999-2000 Season
* Amazon.com Presents the Best of the Century


TITLES OF INTEREST
******************
"Twentieth Century Opera: A Guide"
by George Martin
http://www.amazon.com/exec/obidos/ASIN/0879102756/entertainmentsit
In this fourth edition of his book, George Martin begins
with six essays, two of which offer general historical
overviews; the earlier one shows how World War I was the
defining event for the form of opera in this century. He
discusses what he sees as the two revolutions in opera
(12-tone music and electronic amplification), makes an
interesting comparison of religion with psychoanalysis, and
touches on the literary quality of opera librettos. The
later essay takes on the idea of rock in opera and the
waxing importance of stage directors and declares Martin's
view of newer operas as a return to "gigantism." These
chapters frame four others on specific composers: Puccini,
Prokofiev, Stravinsky (whose shorter operas Martin rather
persuasively deems "failures"), and Janacek. The bulk of
the book offers a chronological series of 90 plot synopses.
Martin spends more time on operas likely to be encountered
in actual performance and takes the chance of including
relatively recent works that have not yet made it into the
repertory. He is a refreshingly honest opera companion,
quite free with his opinions: he goes so far as to point out
places where a first-time listener might be bored--and why.

"Shostakovich: A Life Remembered"
by Elizabeth Wilson
http://www.amazon.com/exec/obidos/ASIN/0691044651/entertainmentsit
This book offers a unique perspective on one of our
century's most complex, enigmatic, and controversial
geniuses, set in the musical and political context of his
time. Author Elizabeth Wilson is well equipped for the task:
she is a cellist who studied with Mstislav Rostropovich in
Moscow from 1964 to 1971, when her father was British
ambassador there. Her book is a compendium of official
documents, private letters, diaries, and interviews with
Shostakovich's family, friends, and enemies (in Russia and
elsewhere), as well as articles written especially for the
book. The result is a fascinating, first-hand portrait of
Shostakovich the man as husband, widower, father, and
friend, and Shostakovich the composer, who--by turns
officially reviled and extolled--became a symbol for the
suffering of his people. Indomitably creative despite
constant fear, repression, bereavement, and debilitating
illnesses, his ultimate tragedy was that the political
"thaw" came too late for his failing health. Naturally, many
of Wilson's respondents are musicians who knew that
Shostakovich encoded his music with hidden subtexts to
express his secret thoughts. On the other hand, his
political statements, written and spoken under duress, were
often ambiguous and contradictory, and Wilson quotes both
conciliatory and hostile reactions to them. She also cites
many testimonials of his spontaneous generosity to friends
and colleagues in need.


COMING SOON
***********
"Stravinsky: A Creative Spring: Russia and France, 1882-1934"
by Stephen Walsh
http://www.amazon.com/exec/obidos/ASIN/0679414843/entertainmentsit
Already noted for a book on his subject's art, Stephen Walsh
is equally illuminating about Igor Stravinsky's turbulent
life. This first installment of a projected two-volume work
covers the years 1882 to 1934, during which time Walsh shows
the composer creating many of his famous works, most notably
"The Rite of Spring," whose riotous 1913 premiere announced
the arrival of a boldly modern classical music. He follows
Stravinsky from his native Russia to Switzerland and France,
as well as a 10-week tour of America in 1925. Delving into
Russian-language documents seldom consulted by Western
scholars, Walsh corrects many factual errors and, more
importantly, makes evident the importance of Stravinsky's
Russian roots and musical training, which the composer
himself often downplayed in later years in order to
"cultivate the image of the 'synthetic' international
master." He's similarly judicious in evaluating Stravinsky's
stormy 20-year association with Serge Diaghilev's Ballets
Russes and his seldom-adept juggling of a long-suffering
wife and a more sophisticated mistress. Candid about his
distaste for some of Stravinsky's behavior and character
traits, Walsh never seems nasty: "It is the richest
personalities," he reminds us, "who engage us most fully."

"Mozart: A Cultural Biography"
by Robert W. Gutman
http://www.amazon.com/exec/obidos/ASIN/015100482X/entertainmentsit
Readers who think of Wolfgang Amadeus Mozart (1756-1791) as
the shrieking vulgarian depicted in Peter Shaffer's hit play
(and movie) "Amadeus" will be astonished by the man they
meet in this biography by music historian Robert Gutman:
"affectionate and generous ... an austere moralist of vital
force, incisiveness, and strength of purpose." Without
scanting Mozart's often maladroit handling of his patrons or
his earthy way with words, Gutman portrays a musical genius
who slowly and painfully achieved personal maturity as he
emerged from the shadow of his domineering father. The rich
cultural life of 18th-century Europe forms a vivid
background for Mozart's professional and artistic evolution.
And Gutman's descriptions of Mozart's work are models of
music writing for the lay reader: they capture the
brilliance and beauty of the great composer's art in easily
accessible language, as in the analysis of the place of "The
Marriage of Figaro" in "a new aesthetic of surging movement
... the vocal and orchestral lines twine, separate, and
reunite in confrontation, opposition, and accommodation, an
ever-changing, effortless interlacing." The prose
delineating Mozart's complex personality is just as
full-bodied and perceptive.

"Andrea Bocelli: A Celebration"
by Antonia Felix
http://www.amazon.com/exec/obidos/ASIN/0312253095/entertainmentsit
Pre-order the much-anticipated upcoming biography of Andrea
Bocelli, timed for publication along with Bocelli's newest
release of classical religious music, "Ave Maria."


DIGITAL DOWNLOAD: GOETTERDAEMMERUNG
***********************************
When the Bayreuth Festival first reopened after the war in
1951, it was a summer to remember. It produced a truly
shattering account of the cataclysmic finale of the "Ring"
under Hans Knappertsbusch. This legendary "Goetterdaemmerung,"
featuring one of the most powerful casts in Bayreuth
history, has finally been released. You can download a track
and listen to the unbelievable chemistry between Astrid
Varnay and Bernd Altenhoff as the lovers Bruennhilde and
Siegfried, before the tragedy has run its course.
Classical


ORCHESTRA AND OPERA SCHEDULES: 1999-2000 SEASON
***********************************************
What's playing this season in leading U.S. concert halls and
opera houses? Amazon.com's staff of music experts has
listed noteworthy concerts and opera season schedules for
venues around the country, along with recommended recordings
of works being performed in the 1999-2000 season.
Classical


AMAZON.COM PRESENTS THE BEST OF THE CENTURY
*******************************************
As the century comes to a close, Amazon.com takes a look at
the landmarks in books, music, and video of the past 100
years. Selected by our editors, our lists take you decade by
decade from the turn of the century all the way to the end
of the millennium. But don't just take our word for it; cast
your vote for the best book, video, and CD in our
best-of-the-millennium poll for your chance to win our
customers' 300 favorite music, book, and video titles.
Music of the century

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