Greetings from Amazon.com Delivers Black Studies

FEATURED IN THIS E-MAIL:
* "Denmark Vesey" by David Robertson
* "Winds Can Wake the Dead" edited by Louis J. Parascandola
* "The Black New Yorkers" by Howard Dodson, Christopher
Moore, and Roberta Yancy
* "Never Before, Never Again" by Eddie Robinson
* "Black Planet" by David Shields


"Denmark Vesey"
by David Robertson
http://www.amazon.com/exec/obidos/ASIN/067944288X/entertainmentsit
In 1822, Denmark Vesey, a Caribbean-born free Negro from
Charleston, South Carolina, led the largest attempted slave
revolt in U.S. history with over 9,000 blacks. Although it
failed--thanks to the confessions of a house slave to his
master--and Vesey was executed, his heroic attempt continues
to be a source of pride for African Americans. David
Robertson's well-researched book chronicles Vesey's life as
a slave in Haiti, his move to Charleston, his fluency in
English, Creole, and French, and his skillful use of
Christian teachings (and possibly Islamic ones, as well) to
inspire the slaves to rebel. "He was a black man of great
physical presence, strength, and intellect," Robertson
writes, "linguistically fluent and politically facile enough
to mold various African ethnic and religious groups into one
unified force." Using court testimony from Vesey's trial and
historical archives, Robertson unveils the stark and violent
climate of antebellum life in 18th-century America, bringing
to life a hero who fought for the same principles upon which
the democratic nation in which he was made a slave was
founded.


"Winds Can Wake the Dead: An Eric Walrond Reader"
edited by Louis J. Parascandola
http://www.amazon.com/exec/obidos/ASIN/0814327095/entertainmentsit
West Indian author, journalist, and essayist Eric Derwent
Walrond (1898-1966) was the least-known and arguably the
most complex writer of Harlem Renaissance. Born in Guyana
and raised in Barbados and Panama, Walrond had a view of
upper Manhattan's city within a city that was of an outsider
of Afro-Caribbean descent. "The white man in America
strangely does not consider the West Indian a 'nigger,'"
Walrond once remarked. He is to him a 'foreigner.'" But
unlike most of his countrymen who tended to mythologize
their differences and allegiances with the United States and
Great Britain, Walrond revealed deeper nuances of the race,
ethnicity, and immigrant life of West Indians. "Like many
people from the Caribbean, Walrond became a permanent
migrant, always having a sense of home while simultaneously
feeling the loss of it. This contradiction is what often
adds power and poignancy to his work," writes Professor
Louis J. Parascandola of Long Island University, who edited
"Winds Can Wake the Dead," a pleasing potpourri of Walrond's
eclectic work. It contains selections from his days as a
reporter and editor for the Panama Star and Marcus Garvey's
Negro World; his essays for the Urban League journal
Opportunity, and his marvelous collection of short stories,
"Tropic Death"--one of the most moving depictions of
Caribbean life ever written. From his perceptive portrayal
of Harlem in "The Black City" and his penetrating review of
Richard Wright's "Twelve Million Black Voices" to his
critique of the black condition in "The Negro Before the
World," Eric Walrond's newly recovered works are a welcome
addition to the Pan-African literary canon.


"The Black New Yorkers"
by Howard Dodson, Christopher Moore, and Roberta Yancy
http://www.amazon.com/exec/obidos/ASIN/0471297143/entertainmentsit
"The Black New Yorkers" is the companion volume to the
Schomburg Center exhibit as well as a resource for the PBS
history of New York City. With over 200 illustrations and
480 pages, it traces the nearly 400-year-old black presence
in New York--from the appearance of the free Afro-Caribbean
trader Jan Rodriguez in 1613, through the majesty of the
Harlem Renaissance in the 1920s, to the infamous 1998
Million Youth March. As Howard Dodson writes in his
introduction, "Here is an unparalleled reference source
designed to answer your questions about the history of Black
New York," and "a fascinating story of great achievement and
struggle in a dynamic global context." Indeed, we learn that
West Indians and native-born blacks make Brooklyn, not
Harlem, the largest concentration of people of African
descent in the U.S. We also learn of "Liberty," the
mid-19th-century drawing of a black woman that may have been
the model for the Statue of Liberty. We discover that the
bebop revolution was ushered in by Dizzy Gillespie and
Thelonious Monk in Harlem--and that salsa and Latin jazz
were also born there, thanks to musicians such as Mario
Bauza, Tito Puente, and Eddie Palmieri, who blended
Afro-Cuban and Afro-American rhythms and musical forms. The
collection also contains excellent biographical listings,
from Samuel Cornish--founder of the abolitionist newspaper
Freedom's Journal in 1827--to the city's first black mayor,
David Dinkins. "The Black New Yorkers" reveals the wealth
not only of the Big Apple, but also of the Schomburg Center,
arguably the most exhaustive resource on the African
diaspora.


"Never Before, Never Again"
by Eddie Robinson
http://www.amazon.com/exec/obidos/ASIN/0312242247/entertainmentsit
Grambling State's Eddie Robinson started coaching college
football when FDR was in the White House and didn't stop
until Bill Clinton's second term. Along the way, he racked
up 408 victories, but his real legacy isn't in the stats. A
black man coaching black athletes in the Deep South for 57
seasons, Robinson witnessed and took part in amazing changes
in society and in his sport, battling prejudice and hatred
to earn respect for himself and opportunity for his players.
"Never Before, Never Again" plays gamely in both those
arenas--society and sport--because it has to; for Robinson
they are one and the same.

"I never thought that schools like LSU and Alabama would
integrate," he can admit, aware that great performances by
black athletes competing at those schools played a big part
in their integration. Yet, amidst the upheavals of the '60s,
he also knew that doing his job wasn't just about coaching
football. He learned to harness that anger at the criticism
hurled his way from more militant quarters: "I wasn't going
to go out and hurt somebody or let one of my own get hurt to
disprove that I was an Uncle Tom." Robinson proved his
talents year in and year out, winning not just games and
championships, but respect and admiration. He also helped
change the face of his game in college and beyond, sending
more than 200 players to the NFL, including Super Bowl MVP
Doug Williams. The candor of "Never Before, Never Again" is
as refreshing as it is revealing; the story itself is pure
inspiration.


"Black Planet: Facing Race During an NBA Season"
by David Shields
http://www.amazon.com/exec/obidos/ASIN/060960452X/entertainmentsit
A word of explanation: technically speaking, "Black Planet"
is a chronicle of the Seattle SuperSonics during the
1994-1995 season. Since the team blew its shot at the
playoffs, there's no chance for an uplifting grand finale.
Yet David Shields had a different sort of hoop dream in mind
from the very beginning. "The NBA," he writes, "is a place
where, without ever acknowledging it--and because it's never
acknowledged, it's that much more potent and telling--white
fans and black players enact and quietly explode virtually
every racial issue and tension in the culture at large. Race,
the league's taboo topic, is the league's true subject."
It's the author's true subject, too, and he goes at it from
every angle--attending games, recording call-in radio shows,
and making some abortive attempts to cozy up to the players.
If Shields were simply slapping society on the wrist for its
half-submerged racism, "Black Planet" would wear out its
welcome in the first quarter. But he's consistently hardest
on himself, so the book becomes not only a social critique
but a critique of social critiques, cutting the ground from
under itself in an infinite and entertaining loop-the-loop.
Shields may not be the first writer to transform a fan's
notes into literary gold--Frederick Exley beat him to the
punch--but he's the most rigorously intelligent one in a
long, long time. Swish!

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