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DANCE & DJ: TOP 10 OF 1999

Editor, Mike McGonigal

It's been quite a year in dance music: Underground genres continued to splinter off into smaller factions. The influence of early-'80s electro was everywhere. French techno-pop artists Cassius and, most importantly, Basement Jaxx lit up the dance floors the world over with their infectious, melodic grooves. The leftfield Warp label celebrated its 10th anniversary. Leftfield finally released another album. This year also saw the death of the myth that "faceless" dance musicians do not have it in them to release many vital, full-length recordings over the course of their career. The Chemical Brothers, Orbital, Underworld, Moby, Everything but the Girl, and the Pet Shop Boys all produced great (awe-inspiring, even) albums. And the trance/progressive house scene finally got its due, thanks in no small part to a veritable mountain of releases by Paul Oakenfold, Sasha, Digweed, Dave Ralph, Nick Warren, Paul van Dyk, and Danny Tenaglia.

1. "Play"
Moby
Moby's "Play" is a breakthrough album, clearly the idiosyncratic, musically shape-shifting techno genius's finest work. Within months of its release, the disc was lauded as one of the finest recordings of the '90s by "Spin" magazine, nominated as one of the most important works of the century by NPR, and voted one of the top 100 recordings of the millennium by Amazon.com customers. It's easy to see why after just one listen to the album: the melodies are eerie yet relentlessly accessible. The cueball-headed one cleverly blends sacred and blues vocals with wah-wah guitars, tasty beats, moody synth washes, and old-school hip-hop. Read more

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2. "Scope"
Nobukazu Takemura
Whether recording under the alias Child's View or under his own name, as with the innovative and subtle "Scope," Nobukazu Takemura is something else. This vibrant musician (whose music is just now being issued in the U.S.) crafts agile, savvy electronic sounds that fit restlessly, almost perfectly, in between melody and out-there sound. "Scope" bristles with slowly evolving and melodic experimental techno. Read more

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3. "Global Underground 003: San Francisco"
Sasha
This is easily the best trance mix of the year. Sasha (who has gained worldwide fame recording the "Northern Exposure" series with partner John Digweed) has produced a double-disc set that climbs every house and techno peak while rolling effortlessly along top-quality, luscious trance-techno plateaus. This set is as good a Friday-night mix album as you can get. Read more

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4. "Remedy"
Basment Jaxx
Among the most hyped acts in recent memory--and with good reason--Basement Jaxx boldly redefine house music on "Remedy." The Jaxx do more than lay down booty-busting beats, luscious strings, and Bootsy Collins-ish ultrafunk bass. This French duo implode traditional song structures, arriving at new, pulse-quickening variations on poppy, beatcentric house music. "Remedy" surely was the party album of 1999: you not only couldn't escape it, you didn't want to. Read more

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5. "Temperamental"
Everything but the Girl
"Temperamental" illuminates Ben Watt and Tracey Thorn's evolution from an acoustic-guitar-based pair of suburban love griots to acoustically accomplished soundscape explorers who still have a weakness for a pleading melody. Watt has managed to create a bed of music that mirrors and complements Thorn's expressive vocals. "Temperamental" straddles the line between lovely folk and avant dance-pop in a most pleasing way; this is the pop music of tomorrow. Read more

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6. "Beaucoup Fish"
Underworld
It had been a while since their previous record, but Underworld really did it again on the luxurious "Beaucoup Fish." The album bursts with sinewy grooves capable of turning the dance floor into a raging, rhythmic inferno. Songs such as "Kittens," "King of Snake," and "Bruce Lee" are crammed with washes of lush sound set afire by Karl Hyde's signature spoken vocals and the combo's groovy, hypnotic beats. Read more

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7. "DJ Kicks"
Thievery Corporation
This "DJ Kicks" collection by brazen "sampladelic" duo Thievery Corporation (DC-based Eric Hilton and Rob Garza) is just the thing for winding down to the new year. This is danceable, groovy loungecore that's totally worthy of your attention; the blunted beats, sample-heavy bossa nova grooves, exotica flourishes, and deep soul underpinnings are all handled with flair, sophistication, and a sense of humor. Read more

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8. "Blush"
Bows
The virtually unheard of Bows record is exactly the sort of jungle-pop crossover that we all hoped the overhyped Roni Size's Breakbeat Era CD would be (and was not). As Amazon.com writer Jeff Salamon writes, "Jungle is built on one essential tension--between hyperspeed drums and half-speed bass lines. Bows' debut, 'Blush,' gives the screw another turn, setting tentative Bjork-like vocals, languorous strings, and slow-motion keyboards to jarringly frantic beats. Bows... is an art project first and a dance-music crossover second." Read more

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9. "The Middle of Nowhere"
Orbital
Having outgrown the happy house of the green and brown albums and exploited narrative too complex for merely ambient techno, the Hartnoll brothers--Phil and Paul--really do find themselves in some vaguely Far Eastern adventure in "The Middle of Nowhere." Thus they prove again that they are the most reliable innovators in danceable electronic composition. The inchoate political rage of 1994's "Snivilisation" is here, but it has found purely instrumental claws that are unafraid to dig for new melodies. Read more

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10. "Surrender"
Chemical Brothers
On "Surrender," the hugely popular Chemical Brothers turned their back on the big-beat sound they single-handedly created. Their new sound is a trance-savvy, electropoppy techno that's subtle yet invigorating. Our reviewer writes, "The leadoff track, 'Music: Response,' is a seamless trip back to 1985, complete with vocoderized singing and Morse-code beeps. And Sumner's 'Out of Control' replicates the thrill of hearing the gloomy Joy Division morph into a swell synthpop band." Read more

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