Greetings from Amazon.com Delivers Books for Writers

Editor, Jane Steinberg

FEATURED IN THIS E-MAIL:
* "The Eleventh Draft," edited by Frank Conroy
* "2000 Writer's Market"
* "Ernest Hemingway on Writing"
* "The Novelist's Notebook"
* "The New York Times Manual of Style & Usage"
* Amazon.com Presents the Best of the Century


"The Eleventh Draft"
edited by Frank Conroy
http://www.amazon.com/exec/obidos/ASIN/0062736396/entertainmentsit
For "The Eleventh Draft," Frank Conroy solicited essays
about writing from 23 fiction writers--all of them one-time
Iowa Writers' Workshop students or faculty members. "My
instructions to them," says Conroy, "were deliberately
vague.... Leaving it open seemed to me to heighten the
chances of getting the strongest and least predictable
work." Conroy guessed right. Beyond the shared sentiment
that writing is hard work, there is, blessedly, no common
thread here. For T. Coraghessan Boyle, writing is an
addiction as powerful as "putting a bottle to your lips or a
spike in your arm." James Hynes claims that writing takes
such a toll that "just writing this essay is probably as bad
for me as a pack of cigarettes." And Barry Hannah describes
writers as "not always the most vital people in the room,
but often nearer ghouls sniffing at the trough of other
living blood."


"2000 Writer's Market"
edited by Kirsten C. Holm
http://www.amazon.com/exec/obidos/ASIN/0898799163/entertainmentsit
There's a reason the annual "Writer's Market" is many a
writer's most cherished, and dog-eared, possession. Where
else--besides the prohibitively expensive "Literary Market
Place"--can one find detailed listings for over 1,750
magazines, 1,150 book publishers, and 250 script buyers?
Just for kicks, let's throw in 70 pages worth of contests
and awards; 60 literary agents (and 20 script agents) who
swear they're willing to work with new writers; 35 newspaper
syndicates; and 35 greeting-card companies. With so many
prospective markets gathered between two covers, you're
certain, it seems, to find a loving home for your precious
prose or poesy.


"Ernest Hemingway on Writing"
edited by Larry W. Phillips
http://www.amazon.com/exec/obidos/ASIN/0684854295/entertainmentsit
"Throughout Ernest Hemingway's career as a writer," says
Larry W. Phillips in his introduction to "Ernest Hemingway
on Writing," "he maintained that it was bad luck to talk
about writing." Hemingway seems to have courted bad luck.
Phillips has amassed a slender book's worth of Hemingway's
reflections on writing, culled from letters, books,
interviews, speeches, and an unpublished manuscript. These
musings are arranged into topics such as "Advice to
Writers," "Working Habits," and "Obscenity" (of which there
is plenty here). Sometimes ponderous, other times offhand,
these thoughts form a portrait of a man driven to create not
solely the best writing he could, but the best writing,
period.


"The Novelist's Notebook"
by Laurie Henry
http://www.amazon.com/exec/obidos/ASIN/1884910424/entertainmentsit
There is a page in "The Novelist's Notebook" for figuring
out what keeps you from beginning your novel, and one for
imagining your characters 20 or 40 years after your story
ends. Author Laurie Henry offers paths for finding a
subject, and for reaching a story's denouement. Perhaps you
hunger for a simple writing exercise ("present the mood of a
crowd"), or to enrich the writing you are already doing.
"Think of the least likely action you can imagine any of
your characters doing," Henry suggests, "and then make them
do it." These writing exercises are all over the map, but
somehow the book works.


"The New York Times Manual of Style & Usage"

by Allan M. Siegal and William G. Connolly
http://www.amazon.com/exec/obidos/ASIN/0812963881/entertainmentsit
"A foolish consistency," Emerson insisted, "is the hobgoblin
of little minds." That may well be, but editors have enough
reasons to reject your work; don't let sloppy inconsistencies
be one of them. "The New York Times Manual of Style & Usage"
was written for the paper's editors and writers, but it is a
fine, up-to-date resource for anyone's use. Our language is
ever-mutating, and a guide such as this will ensure that you
understand the impact your words might have before they
reach print. Should you use "Native Americans" or "American
Indians"? Did you know that "thermos" is no longer a
trademark, but that "Popsicle" and "Dumpster" are? Writing,
when you get down to it, is nothing more than the careful
choosing of words. This style book will ensure that you
don't choose "carat" when you mean "karat," "jury-rigged"
when you want "jerry-built," or "V-8" when you could have
had a "V8." A naysayer may bridle against the strictures of
such a rule book, but the authors believe "the rules should
encourage thinking, not discourage it." Plus, "a rule," they
say, "can shield against untidiness in detail that might
make readers doubt large facts." We'd call the book
"user-friendly," but that, we've learned, can be downright
"reader-tiresome."

--Jane Steinberg was a longtime editor at Seattle Weekly
and a stringer for Glamour magazine. She now writes from
her home in New Jersey.


AMAZON.COM PRESENTS THE BEST OF THE CENTURY
*******************************************
As the century comes to a close, Amazon.com takes a look at
the landmarks in books, music, and video of the past 100
years. Selected by our editors, our lists take you decade by
decade from the turn of the century all the way to the end
of the millennium. But don't just take our word for it; cast
your vote for the best book, video, and CD in our
best-of-the-millennium poll for your chance to win our
customers' 300 favorite music, book, and video titles.
Books of the century

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