Greetings from Amazon.com Delivers Independent and University Presses

FEATURED IN THIS E-MAIL:
* "Gap Creek" by Robert Morgan
* "Crossing the Expendable Landscape" by Bettina Drew
* "Cracks" by Sheila Kohler
* "The New Military Humanism: Lessons from Kosovo" by Noam
Chomsky
* "Wild Kingdom" by Vijay Seshadri
* Amazon.com Presents the Best of the Century


"Gap Creek"
by Robert Morgan
Publisher: Algonquin Books
http://www.amazon.com/exec/obidos/ASIN/1565122429/entertainmentsit
Robert Morgan's "Gap Creek" opens with one wrenching death
and ends with another. In between, this novel of turn-of-
the-century Appalachian life works in fire, flood,
swindlers, sickness, and starvation--a truly biblical
assortment of plagues, all visited on the sturdy shoulders
of 17-year-old Julie Harmon. Indeed, scarcely 15 pages have
passed before she's forced to observe her baby brother's
gruesome moonlit death, his tiny body shuddering and white
worms spewing out of his mouth. "Human life don't mean a
thing in this world," she concludes. "People could be born
and they could suffer, and they could die, and it didn't
mean a thing.... The world was exactly like it had been and
would always be, going on about its business."

A few months and another death later, Julie meets and
marries handsome young Hank Richards. But nothing comes easy
in her world, and their first year together is no exception.
Some of what follows is extraordinarily painful to read, but
throughout, Morgan chronicles Julie's trials in prose of
great dignity and clarity, resisting the temptation to make
his long-suffering characters into saints. Clearly, the
author has done his research too--the descriptions of
physical labor practically leap off the page. (Suffice to
say, you'll learn far more about hog slaughtering than you
ever dreamed of knowing before.) In novels like "The Truest
Pleasure" and "The Hinterlands," Morgan proved his ability
to create memorable heroines. In "Gap Creek," he writes with
great feeling--but not a touch of sentimentality--about a
life Julie aptly calls "both simple and hard." --Mary Park


"Crossing the Expendable Landscape"
by Bettina Drew
Publisher: Graywolf Press
http://www.amazon.com/exec/obidos/ASIN/1555972799/entertainmentsit
"Crossing the Expendable Landscape" is a remarkable book--by
turns scathing and mournful, witty and sad. The essays in
this volume are much more than just a savage indictment of
mass architecture in this country, they're a penetrating
look at what our buildings say about Americans as a people.
In our eagerness to get rid of our "built past," Bettina
Drew writes, we have institutionalized a kind of historical
amnesia. To remind us of how urban renewal first drained our
cities of their character, she visits Stamford, Connecticut;
to examine the vogue for gated communities with highly
restrictive "covenants," she visits Hilton Head, North
Carolina; and to judge the fruits of "New Urbanism," she
visits the Disney town of Celebration, Florida. Add stops in
Las Vegas, Dallas, and even Branson, Missouri, and an ugly
picture begins to take shape.

"I would have liked to live in a world where past effort
actually mattered," Drew mourns, as she chronicles the way
of life destroyed along with downtown Stamford. The
popularity of gated communities like Hilton Head "speaks
volumes for how willingly people have given up their
democratic rights, and how acceptable autocratic rule really
is to large numbers of Americans." Celebration represents
progress of sorts, but the fact that community is now a
"product we can purchase, rather than something we create
for ourselves, suggests how deeply the values of the
marketplace have penetrated our domestic lives." As a
doctoral student in Yale's American Studies program, Drew
writes from the perspective not of an architect or urban
planner but of a passionate advocate of old-fashioned
cities. Rather than concentrating on theories or even
solutions, she records what it feels like to travel through
the bland malls, freeways, and office parks of edge city.
And it feels bad. It's impossible to read this book without
feeling that our desecration of the American landscape has
impoverished our inner landscapes as well. --Mary Park


"Cracks"
by Sheila Kohler
Publisher: Zoland Books
http://www.amazon.com/exec/obidos/ASIN/158195008X/entertainmentsit
Put adolescents together in a confined environment with only
minimal adult supervision, and bad things will happen--a
truism in literature as well as life. (Think "The Children's
Hour," think "Lord of the Flies.") But in Sheila Kohler's
eerie, atmospheric "Cracks," the bad things that will happen
are not the ones you might expect, and the message is far
more complex than just "Children are savages." (Although
they certainly are.) Written in an ominously anonymous first
person plural, the novel follows 12 girls on the swim
team at a South African boarding school. They include the
jock, the pretty one, the brain, the fat girl, and perhaps
most interestingly, the shadowy Sheila Kohler, a storyteller
whose tales all "came to the same dramatic finale: violent
death..." A "crack," as it turns out, is a crush, and
unsurprisingly, all 12 of the girls are in love with the
dashing Miss G, their swim instructor.

When they're not swimming or mooning over their coach, the
members of the team amuse themselves by torturing new girls
and taking turns fainting in chapel--until Fiamma Coronna
throws everything off balance. A breathtaking Italian
princess, a first-class swimmer, Fiamma quickly earns the
girls' enmity by becoming Miss G's favorite. Worse still,
she shows no interest in her teammates at all, and the usual
hazing soon escalates to something far more serious. Heat,
dust, frangipani, adolescent sexuality simmering just under
the surface: this could all have gone terribly, terribly
wrong. It doesn't, and Kohler's elegant prose is the main
reason why. The girls may be overheated, but the author's
language never is. --Chloe Byrne


"The New Military Humanism: Lessons from Kosovo"
by Noam Chomsky
Publisher: Common Courage Press
http://www.amazon.com/exec/obidos/ASIN/1567511767/entertainmentsit
Scarcely had the dust settled on NATO's 1999 bombing of
Serbia when prolific political commentator Noam Chomsky
brought out "The New Military Humanism," which raises
incisive, unsettling questions about the motives of the
United States and England--the two most vocal proponents of
Operation Allied Forces--and the efficacy of their handiwork.
Chomsky pulls together much damning evidence, including
testimony from the military commander who led the attack, to
demonstrate that the assault was not intended to bring an
end to Serbian leader Slobodan Milosevic's "ethnic
cleansing" of the disputed territory in Kosovo; it seems
very likely, in fact, that President Bill Clinton and Prime
Minister Tony Blair knew full well that their actions would
ultimately exacerbate the situation. Chomsky also points out
that if the United States was genuinely concerned with
ending the horrors of genocide, its continued financial and
military support of repressive regimes in countries like
Turkey and Indonesia is at the very least extremely
puzzling. ("The New Military Humanism" was written and
published before the international community decided in
September 1999 to intervene in East Timor, which had been
subject to Indonesian occupation for over 20 years.)
Ultimately, Chomsky suggests, such contradictions exist
because what the United States claims to be a "humanitarian"
mission is--no matter how glowingly the mass media portrays
it--nothing more than American muscle flexing. "The contempt
of the world's leading power for the framework of world
order," he concludes, "has become so extreme that there is
little left to discuss." --Ron Hogan


"Wild Kingdom"
by Vijay Seshadri
Publisher: Graywolf Press
http://www.amazon.com/exec/obidos/ASIN/1555972365/entertainmentsit
Vijay Seshadri is a poet of street scenes and seascapes,
twisted alder stumps and spawning salmon, as well as
drive-by shootings and thumping reggae bass. In "Wild
Kingdom" he goes in search of the primordial face behind the
civilized mask, the place where "wolfpacks of nothingness
stalk / the signature stinks and blood trails of man." He
doesn't have far to travel. Whether his subject is the
"ancient terror" of marriage, in "Prothalamion," or a
northwester "glittering with malice" in "The Lump," Seshadri
seems peculiarly subject to powers both old and inexorable.
"All this was the brainchild of water," as the lost hiker of
"Lifeline" realizes, and throughout "Wild Kingdom" groundwater
rises in crevices, polar icecaps melt, and rain wears its
passage through rock. Nature here is as pervasive as myth,
and just as annihilating. Yet not all is Sturm und Drang:
witness the joyous "Big Mama!" that ends a stanza of the
prehistoric love poem "My Esmeralda," or the ebullient voice
of God in "An Oral History of Migration": "You be that
thing, He said." Making use of long, conversational lines as
well as meticulous rhymes, Seshadri's voice is elegant,
energetic, and startlingly original--who else would say of a
refugee that he is "pinned like a flower on the genocidal
past"? "I can see by your faces that / your hearts are good,
and like to think / mine is, too," he writes in "The
Testimonies of Ramon Fernandez." As the rest of the poem
tells us, we should believe him, stand back, and let him
work. --Mary Park


AMAZON.COM PRESENTS THE BEST OF THE CENTURY
*******************************************
As the century comes to a close, Amazon.com takes a look at
the landmarks in books, music, and video of the past 100
years. Selected by our editors, our lists take you decade by
decade from the turn of the century all the way to the end
of the millennium. But don't just take our word for it; cast
your vote for the best book, video, and CD in our
best-of-the-millennium poll for your chance to win our
customers' 300 favorite music, book, and video titles.
Books of the century

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