Reverential Apathy
They burrowed deep and deeper Out of his jellied shell With knives and forks and rules of court They conducted him through hell But something always blazed the path Before him as he rode His reverential apathy Thought but never told The king’s own stabled horses Could not teach him how to eat In the late Parisian style Of mugs of loam from Crete While patently unknowing The blind man shows the way Pointing out for all to see That this is where we stay A simpering sadists' reverie Under the palace ward Sent sycophants and toilet bowls Out looking for the guard Who lost his head and arms and legs Masturbating on the tower And spread it sticky jelly On the mob’s congested chest Now with this flood of agony Came wisdom by degree And a man could naked walk the earth Without a Ph.D. Oberlin 1968
I seriously doubt that anyone could have failed to note that existence is really an overly long kung-fu movie, i.e., atrocity followed by pain's bitter path to release in justice ("sweeter far than the dripping of honey"), as is witnessed here by the presence of the openings of some of our best known literary expressions of the kung-fu genre including the Iliad, the Mahabharata, Chu Hsi's Introduction to the Study of the Classic Book of Change and Wulangreh.
mhnin aeide qea Phlhiadew AcilhoV oulomenhn, h muri AcaioiV alge eqhke, pollaV d ifqimouV yucaV Aidi proiayen hrwwn, autouV de elwria teuce kunessin oiwnoisi
नारायणं नमस्कृत्य नरं चैव नरॊत्तमम TAN SINIPI
DOEKANIPOEN ai gar pwV
auton me menoV kai qumoV anhh BENDOE JAJAH
SINIPI qnmv macesqai
calepon× Pamedaring wasitaning ati, cumantaka aniru pujangga, dahat muda ing batine, nanging kedah ginunggung, datan wruh yen akeh ngesemi, paksa ngrum-rum pustaka, pasa kang kalantur, tutur kang katular-tular, tinalanten rinunruh kalawan ririh mring padanging sasmita.
morfhn d¢
allaxanta pathr filon uion aeiraV
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