Comment
| 001 | Evil | 4 | Ld | POLY | THRU | Fat lead sound with strong oscillators
|
| 002 | Dist Reso | 1 | Ld | MONO | G-Amp.Sim. | Dissolved with plenty of resonance
|
| 003 | Knock Out | 2 | Ld | MONO | THRU | Lead sound with sticky vibrato
|
| 004 | Wah 5th | 2 | Ld | MONO | EarlyRef.2 | Lead with amplified wah
|
| 005 | Whistle | 2 | Ld | MONO | THRU | Strange whistle sound
|
| 006 | Frogs | 1 | Ld | POLY | Flanger 1 | An agressive one with a killer frog
|
| 007 | Dynamics | 2 | Sc | MONO | THRU | Velocity FEG Rate & Level reversed
|
| 008 | Fat Lead | 2 | Ld | POLY | Delay L,R | The right one for sharp rave hooks
|
| 009 | Syncy | 3 | Ld | MONO | EarlyRef.1 | Hard sync for rhythmical background
|
| 010 | Velo Sync | 4 | Ld | MONO | EarlyRef.1 | Changed upper tone structure after strike
|
| 011 | Cheap | 1 | Or | POLY | THRU | Play organ cheaper and more squalid
|
| 012 | Pulstar MW | 4 | Fx | POLY | DelayL,C,R | Shorter pulse
|
| 013 | Zip | 2 | Fx | MONO | THRU | Some kind of squeaking sound
|
| 014 | Hi Reso | 2 | Sc | MONO | Phaser 1 | Phased pad, lets space for other sounds
|
| 015 | Detune Wah | 2 | Ld | POLY | G-Amp.Sim. | Wah sound with strong detuned saw waves
|
| 016 | Trip | 2 | Vo | POLY | Phaser 2 | Breathing voice pad with dream character
|
| 017 | Noiz Pad | 2 | Pd | POLY | EarlyRef.1 | Industrial pad with light random tuning
|
| 018 | Ugly Brass | 3 | Br | POLY | Rev Room 1 | Put your dancing shoes on
|
| 019 | Bees | 2 | Fx | POLY | Auto PAN | Surrounds your head very unquietly
|
| 020 | Velo Voice | 2 | Vo | POLY | EarlyRef.2 | Vocoder sound, vocal between "a" and "j"
|
| 021 | Eye | 2 | Vo | MONO | THRU | Says "ei", MW controlled timbre
|
| 022 | Owe | 2 | Vo | MONO | THRU | Says "ou", MW controlled timbre
|
| 023 | You | 2 | Vo | MONO | THRU | Says "you", MW controlled timbre
|
| 024 | Yeah | 2 | Vo | MONO | THRU | Says "yeah", MW controlled timbre
|
| 025 | Eayah | 2 | Vo | MONO | THRU | Says "eayah", MW controlled timbre
|
| 026 | Wow | 2 | Vo | MONO | THRU | Says "wau", MW controlled timbre
|
| 027 | Whip | 1 | Vo | POLY | THRU | Light shouted, rhythmically good used
|
| 028 | Breathy | 2 | Vo | POLY | DelayL,C,R | Chorus with a lot of aspirations
|
| 029 | Fragile | 2 | Vo | POLY | 2 Band EQ | More lighten with higher frequencies
|
| 030 | Yeah Choir | 2 | Vo | POLY | 3 Band EQ | Inhales "yeah", MW controlled timbre
|
| 031 | Swell Bass | 1 | Ba | MONO | ReversGate | Bass with slow filter course
|
| 032 | Sens Bass | 1 | Ba | MONO | THRU | Bass, stroke controls resonance and filter
|
| 033 | DoubleBass | 2 | Ba | MONO | THRU | Stereo bass with light sounds L & R
|
| 034 | Panning | 3 | Ba | MONO | THRU | After every stroke different pan
|
| 035 | TB Over | 2 | Ba | MONO | THRU | Sounds light without distortion
|
| 036 | TB Acc Saw | 2 | Ba | MONO | G-Amp.Sim. | Typical TB sound with hard accent
|
| 037 | TB Acc Sqr | 2 | Ba | MONO | G-Amp.Sim. | Similar to 37, but based on square
|
| 038 | Acc Pulse1 | 2 | Ba | MONO | G-Amp.Sim. | Changes pulse rate on stroke
|
| 039 | Acc Pulse2 | 2 | Ba | MONO | G-Amp.Sim. | Like 38, however not so hard
|
| 040 | Decay Saw | 1 | Ba | MONO | G-Amp.Sim. | TB sound with slow filter decay
|
| 041 | Fat Bass | 3 | Ba | MONO | THRU | The name ist the programm
|
| 042 | Pwm Bass | 3 | Ba | MONO | THRU | Very impressive with slower filter on MW
|
| 043 | Wah Bass | 2 | Ba | MONO | THRU | Wah one octave below the base tone
|
| 044 | AttackBass | 3 | Ba | MONO | THRU | Fat bass, stroke controls filter rates
|
| 045 | Chorus | 1 | Ba | MONO | THRU | Inconspicuously light saw bass
|
| 046 | Dry Moog | 2 | Ba | MONO | THRU | Moog bass with amplified bite
|
| 047 | Voice Bass | 3 | Ba | MONO | Phaser 1 | Vocoder bass, like "Velo Voice"
|
| 048 | Yeah Bass | 3 | Ba | MONO | THRU | Vocoder bass, like "Yeah"
|
| 049 | It Bytes | 2 | Sc | POLY | 2 Band EQ | Clear poly synth, very universal
|
| 050 | Choir EP | 1 | Pf | POLY | Auto PAN | Chorus sound with electric piano feeling
|
| 051 | Deep Pad | 2 | Pd | POLY | Overdrive | Amplified dark synth pad
|
| 052 | MW Phased | 3 | Pd | POLY | Chorus 1 | Pad with MW controlled phase effect
|
| 053 | Jungle Pad | 4 | Co | POLY | 2 Band EQ | Thick pad with light exotic character
|
| 054 | Break Stri | 2 | Pd | POLY | Rev Room 1 | String pad with short release time
|
| 055 | Reso Pad | 2 | Pd | POLY | Phaser 1 | Pulsing pad with amplified resonance
|
| 056 | Colour Pad | 2 | Pd | POLY | Rev Room 1 | Coloured pad with strong impact
|
| 057 | Trance Pad | 2 | Pd | POLY | THRU | Fat soft synth pad with distinct attack
|
| 058 | Harmonics | 1 | Pd | POLY | THRU | MW controlls the accent of the upper tone
|
| 059 | Harmosweep | 2 | Pd | POLY | Phaser 2 | Like 58, passes upper tone automatically
|
| 060 | Harmopad | 2 | Pd | POLY | Phaser 2 | Like 58, however with LFO modulated
|
| 061 | Breath O/A | 3 | Vo | POLY | Phaser 2 | Breathing chorus, sings "uh" or "ah"
|
| 062 | Dyna Trig1 | 1 | Vo | POLY | 2 Band EQ | Percussive chorus sound, very dynamic
|
| 063 | Dyna Trig2 | 1 | Vo | POLY | 2 Band EQ | Other one similar to 62
|
| 064 | Hi Pass | 2 | Sc | POLY | THRU | Agressive pad sound
|
| 065 | Mono Syn | 1 | Sc | MONO | Delay L,R | Synthetic basic sound, very universal
|
| 066 | Poly Syn | 1 | Sc | POLY | THRU | Basic one, good for polyphone arpeggios
|
| 067 | Syn Sitar | 2 | Et | POLY | Phaser 2 | Full synthetic sitar sound
|
| 068 | House | 1 | Or | POLY | ReversGate | House organ, nothing other to say
|
| 069 | Drunken Pf | 1 | Pf | POLY | Phaser 2 | The piano has been drinking too much
|
| 070 | Minor Pf | 3 | Pf | POLY | Phaser 1 | CP70 plays minor chord
|
| 071 | Sax Stab 1 | 4 | Co | MONO | Rev Room 1 | High tension stab
|
| 072 | Sax Stab 2 | 4 | Co | MONO | Rev Room 1 | Basic from 71
|
| 073 | Pure Minor | 3 | Sc | MONO | CrossDelay | Clear and tuned minor chord for trance
|
| 074 | Pure m7 | 3 | Sc | MONO | CrossDelay | Clear and tuned minor7 chord for trance
|
| 075 | Pure Major | 3 | Sc | MONO | CrossDelay | Clear and tuned major chord for trance
|
| 076 | Pure Maj7 | 3 | Sc | MONO | CrossDelay | Clear and tuned major7 chord for trance
|
| 077 | Comet | 2 | Se | POLY | THRU | Comet fall with short sustain
|
| 078 | Shattered | 2 | Fx | POLY | EarlyRef.2 | Forever times
|
| 079 | Ghost | 1 | Vo | MONO | ReversGate | What's the rustle over there ?
|
| 080 | Push | 1 | Fx | POLY | ReversGate | You can listen to it very long
|
| 081 | Alien Song | 1 | Fx | POLY | THRU | Is not tuned, gives more vibrato
|
| 082 | RingMod 1 | 2 | Fx | MONO | 3 Band EQ | Sound with many unharmonical tones
|
| 083 | RingMod 2 | 4 | Fx | MONO | CrossDelay | Very dynamic sound, tunes during action
|
| 084 | RingMod 3 | 1 | Fx | MONO | G-Amp.Sim. | Successful start with no end
|
| 085 | Random | 2 | Fx | MONO | 3 Band EQ | Confused scifi sound
|
| 086 | Game 1 | 2 | Fx | MONO | THRU | Luxury laser gun
|
| 087 | Game 2 | 2 | Fx | MONO | THRU | Some kind of scifi noise
|
| 088 | Alarm | 2 | Fx | MONO | Auto PAN | Scifi alarm tone
|
| 089 | DownBeat | 2 | Fx | POLY | Flanger 3 | Rhythmical noise with flanging
|
| 090 | Blub | 2 | Pc | MONO | Auto PAN | Stalactite by night
|
| 091 | Tuned Noiz | 1 | Pc | POLY | ReversGate | Noise with chromatic filter resonance
|
| 092 | Noise Hit | 2 | Pc | POLY | ReversGate | Percussive noise sound
|
| 093 | Noise Jet | 2 | Se | MONO | G-Amp.Sim. | Two detuned noise samples make flanging
|
| 094 | Meditation | 4 | Se | POLY | THRU | Venerable tone of QS300, between C# and D
|
| 095 | Sweep Noiz | 1 | Pc | MONO | ReversGate | Short rhythmical noise sweep
|
| 096 | Harmo Noiz | 4 | Pc | MONO | ReversGate | Hard to describe, but very penetrating
|
| 097 | Strange | 2 | Pc | POLY | ReversGate | Percussive noise sound with slap back
|
| 098 | Wind Noise | 2 | Se | POLY | THRU | Always good named one
|
| 099 | Combat 1 | 1 | Pc | MONO | G-Amp.Sim. | Big explosion, alarming one
|
| 100 | Combat 2 | 2 | Pc | MONO | THRU | Like 99, but darker and distant
|
| 101 | Pg BD 1 | 2 | Pc | MONO | G-Amp.Sim. | Bass drum from demosong, hard and direct
|
| 102 | Pg BD 2 | 3 | Pc | MONO | THRU | Bass drum with noise attack
|
| 103 | Pg BD 3 | 3 | Pc | MONO | G-Amp.Sim. | Bass drum with amplified basses
|
| 104 | Pg BD 4 | 1 | Pc | MONO | G-Amp.Sim. | Big and fat bass drum
|
| 105 | Pg BD 5 | 3 | Pc | MONO | THRU | Stroke dependent bass drum
|
| 106 | Pg BD 6 | 2 | Pc | MONO | G-Amp.Sim. | Short dry bass drum
|
| 107 | Pg BD 7 | 3 | Pc | MONO | G-Amp.Sim. | Bass drum with long decay
|
| 108 | Pg BD 8 | 1 | Pc | MONO | G-Amp.Sim. | Hard and dry pushed one
|
| 109 | BD 800S | 2 | Pc | MONO | THRU | Other TR one, short and dry, changes
|
| 110 | BD 800L | 2 | Pc | MONO | THRU | Like 109, but with longer decay
|
| 111 | Pg SD 1 | 2 | Pc | POLY | THRU | 909 Snare with velocity switch
|
| 112 | Pg SD 2 | 2 | Pc | POLY | EarlyRef.2 | Short, high tuned snare
|
| 113 | Pg SD 3 | 2 | Pc | POLY | EarlyRef.2 | Snare drum with controlled decay time
|
| 114 | Big Claps | 2 | Pc | POLY | THRU | Double claps, key scaling changes pan
|
| 115 | Pan Cymbal | 2 | Pc | POLY | 2 Band EQ | Typical for dance, with key scaling
|
| 116 | Perc Noiz | 1 | Pc | POLY | ReversGate | Percussive tuned noise sound
|
| 117 | Shut Down | 1 | Pc | POLY | ReversGate | Typical filter snap, very dynamic
|
| 118 | HH eScale | 1 | Pc | MONO | THRU | Hats, key scaling controlls decay
|
| 119 | HH ePhase | 2 | Pc | MONO | THRU | Like 118, but with phasing
|
| 120 | HH XG Fase | 4 | Pc | MONO | EarlyRef.2 | Hihat with XG equipped phasing
|
| 121 | HH XG Acc | 4 | Pc | MONO | 2 Band EQ | Hihat with XG phasing and accent
|
| 122 | HH XG E-1 | 3 | Pc | MONO | THRU | TR Hihat with XG effects
|
| 123 | HH XG E-2 | 3 | Pc | MONO | THRU | Like 122, but more distorted
|
| 124 | HH XG E-3 | 3 | Pc | MONO | THRU | Like 122 with metallic accent
|
| 125 | Pan Tamb | 2 | Pc | MONO | THRU | Tambourine with key scaling
|
| 126 | Gated Set | 3 | Pc | POLY | 2 Band EQ | Complete drum set, gated length
|
| 127 | Sharp Set | 2 | Pc | POLY | 2 Band EQ | Drum set with effect on hard stroke
|
| 128 | Real Set | 3 | Pc | POLY | EarlyRef.1 | Dynamic drum set good for drum loops
|