Comment
| 001 | Aurora | 3 | Pd | POLY | Phaser 1 | Pad voice with fantastical sound change
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| 002 | Tri Pad | 2 | Pd | POLY | CrossDelay | Simple, transparent pad
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| 003 | Expander | 3 | Pd | POLY | 2 Band EQ | Classic analog-polosynth pad
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| 004 | DancePulse | 2 | Pd | POLY | Celeste 4 | Simple dance-music pad
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| 005 | Rezzy | 2 | Pd | POLY | Symphonic | Simple resonant sawtooth-wave pad
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| 006 | Pulse Wmod | 2 | Pd | POLY | 3 Band EQ | Simple pulsed pad
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| 007 | Seq Saw1 | 1 | Ba | POLY | 3 Band EQ | Simple synth bass; sawtooth waveform
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| 008 | Seq Saw2 | 1 | Ba | POLY | 2 Band EQ | Classic sawtooth-based synth bass
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| 009 | Seq Pulse | 1 | Ba | POLY | 3 Band EQ | Classic square-wave-based synth bass
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| 010 | Seq+Sin-MW | 2 | Ba | POLY | 3 Band EQ | Synth bass with control from MW
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| 011 | Pulse25 | 1 | Ba | MONO | 3 Band EQ | Synth bass based on Pulse25 waveform
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| 012 | Amped | 2 | Ba | POLY | 3 Band EQ | Amplified picked bass
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| 013 | Crawl | 1 | Ba | POLY | 3 Band EQ | Electric bass with warm attack & reverb
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| 014 | These Days | 3 | Ba | POLY | Delay L,R | Electric bass with slow delay
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| 015 | Precision | 2 | Ba | POLY | 2 Band EQ | Fingered bass with warm reverb
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| 016 | HvyWeather | 3 | Ba | POLY | DelayL,C,R | Reverberant fretless bass
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| 017 | Harmo Lead | 2 | Ba | POLY | 3 Band EQ | Bass harmonics; good as solo lead
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| 018 | Opus | 3 | Fx | POLY | CrossDelay | Sharp, jumpy, spacy FX synth voice
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| 019 | Light&Body | 3 | Fx | POLY | Delay L,R | Looping synth sound with portamento
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| 020 | Sprite | 3 | Fx | POLY | 2 Band EQ | Vibrant, refreshing FX voice
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| 021 | Sanctuary | 4 | Fx | POLY | Celeste 4 | Chorus with mysterious format changes
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| 022 | Eerie | 2 | Fx | POLY | Celeste 1 | Synth sound with looping filter change
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| 023 | Slow Morph | 3 | Fx | POLY | CrossDelay | Changes slowly from pad to choir
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| 024 | Heli Drone | 3 | Fx | POLY | CrossDelay | Thunderous synth FX
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| 025 | Ambient-AT | 1 | Fx | POLY | Flanger 3 | Strong filter sweep&aftertouch pitchbend
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| 026 | Sub Oscltr | 2 | Br | POLY | Celeste 4 | Powerful analog-polosynth brass
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| 027 | Obie Soft | 1 | Br | POLY | 2 Band EQ | Fat analog-synth brass, gentle attack
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| 028 | Dance Saw | 2 | Br | POLY | CrossDelay | Simple analog-synth brass; sawtooth wavef.
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| 029 | Brother | 2 | Br | POLY | 3 Band EQ | Straight powerful acoustic brass section
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| 030 | Sforzando | 2 | Br | POLY | 2 Band EQ | Changes character as envelope develops
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| 031 | HrnSect ff | 4 | Br | POLY | 2 Band EQ | Orchestra horn section
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| 032 | Big Ens | 3 | Br | POLY | Rev Stage1 | Orchestral brass in large hall
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| 033 | Tijuana | 3 | Br | POLY | 2 Band EQ | Live brass section, with mild reverb
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| 034 | Miles Away | 1 | Br | POLY | DelayL,C,R | Muted trumpet with clear attack
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| 035 | Back Horns | 2 | Br | POLY | 2 Band EQ | Horn section; mild reverb
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| 036 | Shining | 2 | Se | POLY | Delay L,R | Hold down for explosive SE
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| 037 | Robo Chat | 2 | Se | POLY | CrossDelay | Robot conversation
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| 038 | Dance SE | 1 | Se | POLY | Phaser 1 | Violent looping sound with LFO-oscillation
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| 039 | S&H303 | 1 | Se | POLY | Flanger 3 | Based on LFO S&H wf. Aftertouch = pitch
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| 040 | Devil Bell | 2 | Se | POLY | Delay L,R | Continuous tubler bell
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| 041 | Rez Set4 | 4 | Se | POLY | 2 Band EQ | Split voice: four resonant SEs
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| 042 | Compact | 2 | Or | POLY | Rotary Sp. | Simulation of vintage organ
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| 043 | PhaseOrgan | 2 | Or | POLY | Phaser 1 | Organ, with gentle phaser effect
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| 044 | Door | 3 | Or | POLY | 2 Band EQ | Vox organ; very distinctive in high regs.
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| 045 | Principal | 4 | Or | POLY | Rev Hall 1 | Sounds like small street organ
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| 046 | Theatr Org | 1 | Or | POLY | Rotary Sp. | Electric organ in wide hall
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| 047 | Sixties | 3 | Or | POLY | 3 Band EQ | Organ with 60s feel
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| 048 | DistHamOrg | 3 | Or | POLY | G-Amp.Sim. | Warm distortion organ
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| 049 | Click Jazz | 3 | Or | POLY | Rotary Sp. | Jazzy organ with clicking attack
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| 050 | Gospel | 2 | Or | POLY | Rotary Sp. | Refined, laid-back organ, good for gospel
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| 051 | Tango | 2 | Or | POLY | 2 Band EQ | Accordion; good tango accompaniment
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| 052 | Musette | 3 | Or | POLY | 2 Band EQ | Accordion with distinctive Euro-acoustics
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| 053 | Jan | 1 | Ld | MONO | Phaser 1 | Synth lead; resonance changes with touch
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| 054 | Thick | 1 | Ld | POLY | Delay L,R | Synth lead with fat attack and portamento
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| 055 | Saw Horn | 1 | Ld | POLY | Delay L,R | Thick versatile synth lead (sawtooth wvfm)
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| 056 | Plucky | 1 | Ld | MONO | Delay L,R | Light and versatile synth lead (pulsed wf)
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| 057 | Pure Sine | 2 | Ld | MONO | DelayL,C,R | Simple synth lead (sine wave)
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| 058 | Pure Tri | 2 | Ld | MONO | CrossDelay | Simple synth lead (triangular waveform)
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| 059 | Scat Line | 2 | Ld | POLY | Phaser 1 | Synth lead with mixed-in vocal elements
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| 060 | Glass Cut | 2 | Sc | POLY | Symphonic | Versatile synth voice for backing & leads
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| 061 | Syn Clavi | 1 | Sc | POLY | Phaser 1 | Resonant synth clavi., based on pulsed wv.
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| 062 | SeqQoirVel | 1 | Sc | POLY | Phaser 1 | Feat. mixed-in vocal elements & filter ch.
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| 063 | Vocoder | 2 | En | POLY | Symphonic | Vocoder simulation
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| 064 | Reso Choir | 2 | En | POLY | CrossDelay | Synth chorus with resonant filter changes
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| 065 | Tron Choir | 2 | En | POLY | 2 Band EQ | Synth chorus; low-fi Melotron simulation
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| 066 | HybriCHoir | 2 | En | POLY | DelayL,C,R | Hybrid Synth chorus: synth plus chorus
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| 067 | Dance Pno2 | 2 | Pf | POLY | Rev Room 1 | Hard piano; good for dance music
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| 068 | CheapDance | 2 | Pf | POLY | 2 Band EQ | Cheaper hard dance-music piano
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| 069 | Hard | 2 | Pf | POLY | 2 Band EQ | Bright hard piano with clear attack
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| 070 | Wire Piano | 2 | Pf | POLY | 2 Band EQ | Piano with harpsichord-like attack
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| 071 | Rock | 2 | Pf | POLY | 2 Band EQ | Hard piano with limited touch response
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| 072 | CP80Chorus | 1 | Pf | POLY | Celeste 4 | Yamaha CP80 electric piano, with chorus
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| 073 | CP80 Heavy | 1 | Pf | POLY | 3 Band EQ | CP80 shifted 1 octave down for heavy feel
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| 074 | Jazzy CP70 | 2 | Pf | POLY | Auto PAN | Light, jazzy Yamaha CP electric piano
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| 075 | Wurlitz | 2 | Pf | POLY | 3 Band EQ | Simulated Wurlitzer vintage el.piano
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| 076 | PanWurlitz | 2 | Pf | POLY | Tremolo | Simulated Wurlitzer el.piano with tremolo
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| 077 | Digi Roads | 2 | Pf | POLY | 2 Band EQ | Simulated el.piano with digi-wave attack
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| 078 | PhaseRoads | 1 | Pf | POLY | Phaser 1 | Simulated el.piano with phaser effect
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| 079 | Panning EP | 1 | Pf | POLY | Auto PAN | Another simulated el.piano, with autopan
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| 080 | Noisy Clav | 2 | Pf | POLY | Phaser 1 | Highly distinctive synth clavi, noisy at.
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| 081 | 70thClavnt | 2 | Pf | POLY | 3 Band EQ | Wowwy clavi., the resonance with touch
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| 082 | Cembalo | 2 | Pf | POLY | 2 Band EQ | Large cembalo sound
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| 083 | Woman | 2 | Gt | POLY | OverDrive | El.guitar with warm, overdrive distortion
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| 084 | Half Drive | 2 | Gt | POLY | G-Amp.Sim. | El.guitar with slight amp-distortion
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| 085 | Cry-MW | 3 | Gt | POLY | Auto Wah | Distortion-type guitar, MW to control wah
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| 086 | FunkWah-MW | 2 | Gt | POLY | Auto Wah | Clean guitar, the MW controls the wah
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| 087 | ChrusStrat | 4 | Gt | POLY | Symphonic | Clean electric guitar, with chorus
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| 088 | Classic | 3 | Gt | POLY | 2 Band EQ | Nylon guitar with great acoustics
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| 089 | Sevilla | 2 | Gt | POLY | 2 Band EQ | Simulation of Spanish guitar
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| 090 | Benson | 2 | Gt | POLY | 2 Band EQ | Jazz guitar with distinctive, mild attack
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| 091 | Hawai DoA | 1 | Gt | POLY | Rev Hall 1 | Hawaiian steel guitar, PB-use recommended
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| 092 | MarcStrngs | 2 | St | POLY | Rev Hall 1 | Acoustic strings with marcato attack
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| 093 | Ana Strngs | 2 | St | POLY | DelayL,C,R | Analog-synth strings with darkish feel
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| 094 | Chamber | 3 | St | POLY | Rev Room 1 | Live-strings chamber group
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| 095 | SfzTremolo | 3 | St | POLY | 2 Band EQ | Tremolo strings with sforzando dvlpmnt.
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| 096 | Oct | 3 | St | POLY | Rev Stage1 | Live strings with octave overlap
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| 097 | StereoPizz | 3 | St | POLY | Rev Stage1 | Expansive string piccato
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| 098 | LoFi Str | 2 | St | POLY | 2 Band EQ | Synth strings; low-fi Melotron simulation
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| 099 | ViennaWltz | 2 | St | POLY | Rev Hall 1 | Acoustic strings, touch = speed and sound
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| 100 | DarkStrngs | 3 | St | POLY | DelayL,C,R | Darkish mix of live and synth strings
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| 101 | Grapelli | 2 | St | POLY | Rev Room 1 | Glossy solo violin
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| 102 | Hand Bell | 3 | Cp | POLY | 2 Band EQ | Hand bell with sweet, showy attack
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| 103 | Jazz Vibes | 3 | Cp | POLY | Rotary Sp. | Mild jazz vibraphone, with tremolo
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| 104 | White Bell | 4 | Cp | POLY | Celeste 4 | Beautiful resounding bell, plus pad layer
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| 105 | Bluez-MW | 2 | Rd | POLY | G-Amp.Sim. | Blues harp, use MW to control the wah
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| 106 | Toots | 1 | Rd | POLY | 2 Band EQ | Harmonica voice, aftertouch applies PB
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| 107 | Alto | 1 | Rd | POLY | 3 Band EQ | Strong, glossy alto sax
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| 108 | Solo Oboe | 2 | Rd | POLY | 3 Band EQ | Mild oboe
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| 109 | PicoRecrdr | 2 | Rd | POLY | Rev Stage1 | Cute piccolo recorder sound
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| 110 | Picco Solo | 2 | Rd | POLY | Rev Hall 1 | Piccolo
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| 111 | PercuFlute | 3 | Rd | POLY | DelayL,C,R | Breathy, jazzy flute
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| 112 | Ravi | 1 | Et | POLY | 2 Band EQ | Sitar with lingering, profound sound
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| 113 | Shaku | 3 | Et | POLY | 2 Band EQ | Shakuhachi with strong husky breath
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| 114 | Rich Koto | 2 | Et | POLY | 2 Band EQ | Koto with fat, solid string acoustics
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| 115 | Bali | 2 | Et | POLY | 2 Band EQ | Ethnic-sounding Indonesian balafon
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| 116 | Shami | 2 | Et | POLY | 2 Band EQ | Strongly picked shamisen
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| 117 | Santur2 | 3 | Et | POLY | 2 Band EQ | Lingering santur
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| 118 | Zither | 2 | Et | POLY | 2 Band EQ | Typical zither
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| 119 | Hack Brett | 3 | Et | POLY | EarlyRef.1 | Hack brett (European folk instrument)
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| 120 | Scott Pipe | 4 | Et | POLY | 3 Band EQ | Bagpipe with clogged-breath sound
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| 121 | Xylopad | 2 | Et | POLY | Delay L,R | Percussion loop with ethnic feel
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| 122 | Strynx&Pno | 3 | Co | POLY | EarlyRef.1 | Strings in left hand, piano in right
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| 123 | Fairy | 2 | Co | POLY | Delay L,R | Layered harp and chorus
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| 124 | EP&Strings | 2 | Co | POLY | DelayL,C,R | Layered: DX electric piano + synth pad
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| 125 | 70th Crime | 3 | Co | POLY | DelayL,C,R | Left: bass + sax. Right: slow pad
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| 126 | Funk Split | 3 | Co | POLY | 2 Band EQ | Left: lay.bass + guitar. Right: guitar
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| 127 | Haendel | 3 | Co | POLY | Rev Hall 1 | Layered chorus and pipe organ
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| 128 | Zamphir | 4 | Co | POLY | Rev Hall 1 | Organ in left hand, pan flute in right
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