~Strumdabiz~
~# b # b # b # b # b ~
~| | | | | | | | | | ~
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C D E F G A B C
~__________________________~
The Piano's white keys comprise the 7-note pattern of the
C Major(Aeolian) Scale.These notes are defined as Natural.
~#b #b #b #b #b ~
~|| || || || || ~
|| || || || || || || ||
C D E F G A B C
The black keys of the Piano designate the 5 accidentals in an
octave of 12 pitches. Any guitarist's Fret position avails these
5 notes as sharp (#), or flat (b) ,each at most, a semitone away
from one of the 7 notes of the C major Scale. The combination
of the 5 accidentals yields 2 related scales :
The ^F#^/^Gb^
Major Pentatonic
~# b # b # b # b # b # b # b # b # b # b ~
~| | | | |R| |x| |x| |x| |x| |!| | | | | ~
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
C D E F ^ G A B C D E F ^ G A B C
Root. Second. Major third. Fifth. Sixth. Octave.
The ^F#^/^Gb^
Major Pentatonic
The ^Eb^ (^D#^) Minor pentatonic.
~ # b # b # b # b # b # b ~
~ |R| |x| |x| |x| |x| |!| ~
| | | | | | | | | | | | | | | | | |
D ^ E F G A B C D ^ E
Root. Minor Third. Fifth. Minor Seventh. Octave.
The ^Eb^ (^D#^) Minor pentatonic.
TEST
(C Major(relative A Minor), F Major (relative Minor D ,and
G Major (relative E Minor) yield a simliar pattern
in Natural Pitches ,from those root notes allout of the C Scale)
The remaining keys yield these patterns in a combination
of naturals and accidentals
The Lowest accidental note in Standard tuning is:
F#=Gb 2-fret-BassE String !, here ,with its first , and
second octaves.
__________F#_&_Gb_Pentatonic.Stops.
~E_A_D_G_B_E~ ____E|.^2^.4.|E
{- - NUT - -} / ___B|..2..4.|B
[- ! ! ! - -] / / __G|1..3...|G
[! - - - ! !] / / / _D|1...^4^|D
[- - - ! - -] / / / / A|1....4.|A
[! ! ! - ! !] / / / / /E|.^2^.4.|E
#\ \ \ \ \ \__/ / / / / /##########
n-\ \ \ \ \____/ / / / /-Tablature-
o;;\ \ \ \______/ / / /;;;;;;;;;;;;
t---\ \ \________/ / /-Tabulature--
e::::\ \__________/ /::::::::::::::
s-----\____________/Tabulature!!!!!
~# b # b # b # b # b ~
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C D E F G A B C
______________________________________________________
~# b # b # b # b # b # b # b # b # b # b ~
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C D E F G A B C D E F G A B C
______________________________________________
E to E Outlay at nut
