Film Background
The story for The SmoKing came from a combination of several different ideas - one of which is conformity... another addiction.  Having battled smoking myself, I felt that there were two sides to my personality: one that really enjoyed smoking and the other that despised the fact that I did.  From this, the Yin and Yang of Don Yearick's Smoke King and Emrys Berkower's non-smoker were borne. 

Many people see
The SmoKing as an anti-smoking film - still others have thought that it glamorized the habit...  As a filmmaker, I think of it as somewhat of a 'fractured fairy tale' that could have involved any vice taken to excess. 

I had originally tapped another actor to play the role of the Smoke King, but once I had met Don and learned of his enthusiasm for the idea, he became the only choice.  I further developed the idea and had Brian Kasonic and Tracey Mitchell on board early to help handle the production.  Things really got rolling with our first official pre-production meeting in May 1999 when we sketched out a shooting schedule and locations for the summer.  I formed Smoke King Productions and we got under way.

Our first weekend of shooting in early July was rather ambitious - we shot several scenes for the better part of three days at several different locations:  Don's house, Market Street, Centerway Square, my apartment, Lost Angel Glass, and finally the Glory Hole Pub & Eatery.  I think everyone involved would agree that we tried to do too much in too little time - but despite the hectic schedule, everything turned out beautifully.  The culmination of the 8 hour shoot at the Glory Hole that Sunday left everyone a bit smoked out - but the weekend was a tremendous success.

Scheduling difficulties prevented us from shooting the final scenes until the Fall - but they were equally successful.  We wrapped up with an outdoor scene shot in the Radisson's back lot complete with press coverage from the Corning Leader
(see article).

Post-production began almost immediately and lasted several months.  The time-consuming tasks included video and audio editing, narration recording, special video effects, and music scoring.  The film was completely finished on Saturday, February 5th 2000.

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