#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

BURNIN BRIDGES (Bassline)
As recorded by Slaughter
(From the 1990 Album STICK IT TO YA)

Transcribed by Brian

Words and Music by Mark Slaughter and Dana Strum


Gtr I (D G C F) - 'Electric bass'

 Intro
  Moderate Rock Q=134
 4/4
  Gtr I
  W          W          W          W          W
|----------|----------|----------|----------|------|
|----------|----------|----------|----------|------|
|----------|----------|----------|----------|------|
|----------|----------|----------|----------|------|


  W          W          W          W
|----------|----------|----------|------||
|----------|----------|----------|------||
|----------|----------|----------|------||
|----------|----------|----------|------||


 1st Verse
  W          W          W
|----------|----------|------|
|----------|----------|------|
|----------|----------|------|
|----------|----------|------|


  W          W          W
|----------|----------|------|
|----------|----------|------|
|----------|----------|------|
|----------|----------|------|


                                       2nd,3rd Verses
  H    E  E  Q     Q.   E +Q   Q        E E E E e E E E
|----------------|------------------||------------------|
|----------------|------------------||o-----------------|
|----------------|------------------||o-----------------|
|--------10-10\--|-3----2-(2)--3b4--||--5-5-5-3-5---5-3-|


  E E E E  E E E E   E E E E e E E E   E E E E E E E E
|------------------|-----------------|-----------------|
|------------------|-----------------|-----------------|
|------------------|-----------------|-----------3-2---|
|-5-5-5-3s15-0-3-4-|-5-5-5-3-5---5-3-|-5-5-5-3-5-----5-|


  E E E E e E E E   E E E E  E E E E   E E E E e E E E
|-----------------|------------------|-----------------|
|-----------------|------------------|-----------------|
|-----------------|------------------|-----------------|
|-5-5-5-3-5---5-3-|-5-5-5-3s15-0-3-4-|-5-5-5-3-5---5-3-|


                    Pre-Chorus
  E E E E E E E E    +E  E E E E E E E   +E  E E E E E E E
|-----------------||-------------------|-------------------|
|-----------------||-------------------|-------------------|
|-----------------||-------7---7-------|-------------3-2---|
|-5-5-5-3-5-3-2-0-||-(0)-0---0---0-2-3-|-(3)-3-3-3-3-----3-|


  e E E E E E E E   +E  S S E E E E E E   +E  E E E E E E E
|-----------------|---------------------|--------------------|
|-----------------|---------5---4-5-----|--------------------|
|-----------4---5-|-(5)-5-5---5-----5---|--------------------|
|-5---5-5-5-------|-------------------0-|-(0)-0-0-0-0-0-2-3--|


  H    Q  Q     E  E  E E E E E E   E E E E e E E E
|------------|--------------------|-----------------||
|------------|--------------------|-----------------||
|---------5S=|=10-10-10-9-9-9-7-7-|-7-5-5-5-3---2---||
|-2----3-----|--------------------|---------------5-||


 Chorus
  $
  +E  E E E e E E E   E E E E  E E E E   E E E E e E E E
|-------------------|------------------|-----------------|
|-------------------|------------------|-----------------|
|-------------------|------------------|-----------------|
|-(5)-5-5-3-5---5-3-|-5-5-5-3s15-0-3-4-|-5-5-5-3-5---5-3-|


                                               To Coda
                                                      &
  E E E E E E E E   E E E E e E E E   E E E E E E E E
|-----------------|-----------------|-------------------|
|-----------------|-----------------|-------------------|
|-----------3-2---|-----------------|-------------------|
|-5-5-5-3-5-----5-|-5-5-5-3-5---5-3-|-5-5-5-3-5-3-2-0---|


  +E  E E E E E E E   H    Q.   E     +E  E E   +E  E E E E
|-------------------|---------------|-----------------2--------|
|-------------------|---------------|-----2--------------------|
|-------7---7---7---|------5----3b4-|-(3)---3b4r(3)-0---0-3b4r=|
|-(0)-0---0---0---0-|-3-------------|--------------------------|


                                                     1.
  +E  E E E    +E  E E  E     +E  E E   +E  E E E E   +E  E E E +E  E E E
|---------------------------|-----------------------|----------------------||
|-----2---4b5==(4)-4-4r-----|-----2-----------------|---------------------o||
|-(3)---3---------------3b4-|-(3)---3b4r(3)-0-------|-------2-5-(5)-------o||
|---------------------------|-----------------0-2-3-|-(3)-5---------0-3-4--||


  2.
   E  E E E +E  E E E     +E  E E   +E  E E E E      E  E E E    +E  E E  E
|-----------------------|-----------------2-------|---------------------------|
|-----------------------|-----2-------------------|-----2---4b5==(4)-4-4r-----|
|-------2-5-(5)-5-5-3b4-|-(3)---3b4r(3)-0---0-3b4r|=(3)---3---------------3b4-|
|-(3)-5-----------------|-------------------------|---------------------------|


  +E  E E   +E  E E E E   +E  E E E +E  E Q     E E E E E E E E
|-----------------------|--------------------||-----------------|
|-----2-----------------|--------------------||-----------------|
|-(3)---3b4r(3)-0-------|-------2-5-(5)-5-5--||-2-2-2-0-2-2-2---|
|-----------------0-2-3-|-(3)-5--------------||---------------0-|


  +E  E E E E E E E   E E E E E E E E   +E  E E E E E E E
|-------------------|-----------------|-------------------|
|-------------------|-----------------|-------------------|
|---------------5-4-|-2-2-2-0-2-2-2-5-|-(5)-7-7-7-----5-4-|
|-(0)-2-2-2-0-2-----|-----------------|-----------0-2-----|


  E E E E E E E E   +E  E E E E E E E   E E E E E E E E
|-----------------|-------------------|-----------------|
|-----------------|-------------------|-----------------|
|-2-2-2-0-2-2-2---|---------------5-4-|-2-2-2-0-0-0-2-2-|
|---------------0-|-(0)-2-2-2-0-2-----|-----------------|


  E E E E E E E E     W          Q  E  S  S  E  e E  e
|------------------||----------|------------14---------|
|------------------||----------|------12-14----14---14-|
|-2-0-0-0-5---6-7\-||----------|-----------------------|
|------------------||----------|-----------------------|


   Q   +Q    H      Q  E  S  S  E  e E  e    W
|-----------------|------------14---------|-14----|
|-----------------|------12-14----14---14-|-------|
|-12--(12)\-------|-----------------------|-------|
|-----------------|-----------------------|-------|


   +H.       Q     e E Q  H      Q  E  S  S  S  S  S  S  S  S  S  S
|-(14)-----------|-------------|------------14-14-------------------|
|----------------|-------------|------12-14-------14-14-------14-14-|
|-----------12\--|-0-----------|------------------------12-12-------|
|----------------|-------------|------------------------------------|


   W           +H..        E    W
|-----------|----------------|-------|
|-12--------|-(12)-----------|-12----|
|-----------|-------------12-|-------|
|-----------|----------------|-------|


   +Q.    S  S  E  E  S  S  S  S    W           +Q.    S  S  E  E E  E
|--------------14----------------|-----------|--------------14s15---16S==|
|-(12)---12-14----14-------14-14-|-----------|--------12-14--------------|
|--------------------12-12-------|-12--------|-(12)----------------------|
|--------------------------------|-----------|---------------------------|


                                         D.S. al Coda
                                                     $
   H.       Q      E  E  E E E E E E   E E E E E E E E
|-18------------|--------------------|-----------------||
|---------------|--------------------|-----------------||
|----------16\--|-10-10-10-9-9-9-7-7-|-7-5-5-5-3p0-2-0-||
|---------------|--------------------|-----------------||


  &
   E  E E E E E E E   E E E E E E E E   W
|-------------------|-----------------|------|
|-------------------|-5-4-2-----------|------|
|-------7---7---7---|-------5-3-2-----|------|
|-(0)-0---0---0---0-|-------------3-4-|------|


  W          W          W
|----------|----------|------|
|----------|----------|------|
|----------|----------|------|
|----------|----------|------|


  W          W          W
|----------|----------|------|
|----------|----------|------|
|----------|----------|------|
|----------|----------|------|


  E E E E E E E E
|--------------------|
|--------------------|
|--------------------|
|-3-3-3-2-2-0-3-4----|


  W          W          W          W
|----------|----------|----------|------|
|----------|----------|----------|------|
|----------|----------|----------|------|
|----------|----------|----------|------|


  W          W          W          W
|----------|----------|----------|------|
|----------|----------|----------|------|
|----------|----------|----------|------|
|----------|----------|----------|------|


  W          E E E E E E E E   E E E E Q  E E
|----------|-----------------|----------------|
|----------|-----------------|----------------|
|----------|-----------------|----------------|
|----------|-3-3-3-2-2-2-3-3-|-3-2-2-2-3--4-5-|


  +H.       Q    Q  Q  Q  E E   W          +W           W
|--------------|--------------:----------:------------:------*|
|--------------|-7------------:----------:------------:------*|
|----------/7--|----7--4s=5s4-:----------:------------:------*|
|-(5)----------|--------------:-5--------:-(5)--------:------*|



Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
<n> - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers - <E/E./Q/Q./H/H.> = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths


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