#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

FLY TO THE ANGELS (Bassline)
As recorded by Slaughter
(From the 1990 Album STICK IT TO YA)

Transcribed by Angie Jepson

Words and Music by M.Slaughter/D.Strum


Gtr I (Eb Ab Db Gb) - 'Untitled'

 4/4
  Gtr I
  Wx5            W          W          W
|------------||-----------|----------|------|
|------------||o----------|----------|------|
|------------||o----------|----------|------|
|------------||-----------|----------|------|


  Wx6
|--------|
|--------|
|--------|
|--------|


                                Gtr I (2nd time only)
  W          W          H.       Q
|----------|----------|--------------|
|----------|----------|--------------|
|----------|----------|--------------|
|----------|----------|---------12\--|


  $
  W          H..       E   H    a H
|----------|-------------|-------------|
|----------|-------------|-------------|
|----------|-------------|-------------|
|-0--------|-2---------0h|=1----1h3----|


  a H    Q  Q    H    a H      a H    Q  E E
|--------------|-------------|---------------|
|--------------|-------------|-----------7S9-|
|--------------|-------------|---------------|
|-3h5----3--1--|-3----3h5----|-5h7----5------|


                        Gtr I(intro first time)
  a  W           +H      H        Q.   E a E Q  E
|-------------|----------------||-----------------|
|-9h11--------|-(11)-----------||-----------------|
|-------------|----------------||------------5--7-|
|-------------|---------15\----||-3----3-5s7------|


  Q.   E E E E E   E E Q  Q.   E   E   E E E E   E E E
|----------------|---------------|---------------------|
|----------------|---------------|---------------------|
|-5----0-5-4-5-4-|-5-4-0--0------|-----0-0-0-3b4-0-0-0-|
|----------------|-------------0-|-3b4-----------------|


  Q.   E a E Q  E   Q.   E E E E E   q  Q  Q  Q
|-----------------|----------------|--------------|
|-----------------|----------------|--------------|
|------------5--7-|-5----0-5-4-5-4-|-0--0--0--0---|
|-3----3-5s7------|----------------|--------------|


                                                 To Coda
                                                        &
  E   Q  E E   E E E   Q.   E a E Q  E   Q.   E E E E E
|--------------------|-----------------|-----------------|
|--------------------|-----------------|-----------------|
|-3b4-0--------0-0-0-|------------5--7-|-5----0-5-4-5-4--|
|--------0-3b4-------|-3----3-5s7------|-----------------|


  E E Q  H       E Q  E E E Q     W
|-------------|-----------------|------|
|-------------|----2----4-2-----|------|
|-5-4-0--0----|-/4----4-----4\--|------|
|-------------|-----------------|-3----|


                       1.             2.
  W          W          +W             +W
|----------|----------|-------------||--------|
|----------|----------|------------o||--------|
|----------|-0--------|-(0)--------o||-(0)----|
|-2--------|----------|-------------||--------|


  Wx7
|--------|
|--------|
|--------|
|--------|


                    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
  E E E E E E E E   Q.   E +Q   Q    Q.   E +Q   Q
|---------------0-|-4----2-(2)-----|----------------|
|---------0-2-4---|-------------5--|-4----2-(2)-----|
|---0-2-4---------|----------------|-------------5--|
|-----------------|----------------|----------------|


                                          ~~~~~~~~~~~~~~
  E   E Q  Q.   E   E   E E E E   E E E   Q.   E +Q   Q
|-----------------|---------------------|-4----2-(2)-----|
|-----------------|---------------------|-------------5--|
|-3b4-0-0--0----0-|-3b4-0-0-------0-0-0-|----------------|
|-----------------|---------0-3b4-------|----------------|


  ~~~~~~~~~~~~~~
  Q.   E +Q   Q    E   E E E E E   E E   E   E E E E E E E
|----------------|---------------------|-----------------0-|
|-4----2-(2)-----|---------------------|-----------0-2-4---|
|-------------5--|-3b4-0-0-0-------0-0-|-----0-2-4---------|
|----------------|-----------0-3b4-----|-3b4---------------|


  ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
  Q.   E +Q   Q    Q.   E +Q   Q    E   E Q  Q.   E   E   E E E E   E E E
|-4----2-(2)-----|----------------|-----------------|---------------------|
|-------------5--|-4----2-(2)-----|-----------------|---------------------|
|----------------|-------------5--|-3b4-0-0--0----0-|-3b4-0-0-------0-0-0-|
|----------------|----------------|-----------------|---------0-3b4-------|


  ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
  Q.   E +Q   Q    Q.   E +Q   Q    E   E E E E E   E E   E   E E E E E E E
|-4----2-(2)-----|----------------|---------------------|-----------------0-|
|-------------5--|-4----2-(2)-----|---------------------|-----------0-2-4---|
|----------------|-------------5--|-3b4-0-0-0-------0-0-|-----0-2-4---------|
|----------------|----------------|-----------0-3b4-----|-3b4---------------|


                                                D.S. al Coda
                                                            $
  ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
  Q.   E +Q   Q    Q.   E +Q   Q    W          +H      H
|-4----2-(2)-----|----------------|----------|---------------||
|-------------5--|-4----2-(2)-----|----------|---------------||
|----------------|-------------5--|-0--------|-(0)-----------||
|----------------|----------------|----------|--------12\----||


  &
  E E q  Q.   E    E Q  E E E Q     H    E Q  E
|---------------|-----------------|-------------|
|---------------|----2----4-2-----|-------------|
|-5-4-0--0----0-|-/4----4-----4\--|------2-3--4-|
|---------------|-----------------|-3-----------|


  H    +E  E E E   E E E E E E E E   E E E E E E E E
|----------------|-----------------|-----------------||
|----------------|-7-7-4---5-4-----|-4---------------||
|-5----(5)-4-5-4-|-------7-----7-5-|---7-5-4-5-4-2-0-||
|----------------|-----------------|-----------------||


  ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
  Q.   E +Q   Q    Q.   E +Q   Q    E   E Q  Q.   E   E   E E E E   E E E
|-4----2-(2)-----|----------------|-----------------|---------------------|
|-------------5--|-4----2-(2)-----|-----------------|---------------------|
|----------------|-------------5--|-3b4-0-0--0----0-|-3b4-0-0-------0-0-0-|
|----------------|----------------|-----------------|---------0-3b4-------|


  ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
  Q.   E +Q   Q    Q.   E +Q   Q    E   E E E E E   E E
|-4----2-(2)-----|----------------|------------------------|
|-------------5--|-4----2-(2)-----|------------------------|
|----------------|-------------5--|-3b4-0-0-0-------0-0----|
|----------------|----------------|-----------0-3b4--------|


  E E E E E E E E   Q.   E +Q   E E   Q.   E E E E E
|-4-2-------------|-----------------|----------------|
|-----5-4-5-4-2---|-----------------|----------------|
|---------------5-|------2-(2)--3-4-|-5----0-5-4-5-4-|
|-----------------|-3---------------|----------------|


  E E E E Q.   E   E   E E E E   E E E   Q.   E +Q   Q
|----------------|---------------------|-4----2-(2)-----|
|---2------------|---------------------|-------------5--|
|-5---5-4-0----0-|-3b4-0-0-------0-0-0-|----------------|
|----------------|---------0-3b4-------|----------------|


  Q.   E +Q   Q    W          +W           Wx5
|----------------|----------|------------|--------*|
|-4----2-(2)-----|----------|------------|--------*|
|-------------5--|-0--------|-(0)--------|--------*|
|----------------|----------|------------|--------*|



Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
<n> - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers - <E/E./Q/Q./H/H.> = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths


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