Thomas Ankersmit (Berlin) saxophone, synthesizer, computer
Thomas Ankersmit is among a handful of improvisers exploring the sonic extremes
of their respective instruments, pushing them into radically new territory.
During the last few years, Ankersmit has performed and recorded solo and with
artists such as Takehisa Kosugi, Alvin Lucier, Phill Niblock, Kevin Drumm, Jim
O’Rourke, Taku Sugimoto, Gert-Jan Prins and Axel Dörner throughout
Europe, North America and Japan. Influenced more by experimental and electroacoustic
practices than (free) jazz, Ankersmit’s sound ranges from post-minimal
explorations of barely audible phenomena occurring around the instrument to
Niblock/Conrad-inspired overtone density. His music is characterized by intense
and detailed sonic events, which often seem more electronic than acoustic in
their nature.
2004 will see the release of his debut solo CD for the A Bruit Secret label
and a split LP with Jim O'Rourke, among other releases.
Ankersmit’s installations have been shown in galleries and museums in
Berlin, Venice, New York, Chicago, Los Angeles, Tokyo and Osaka.
"The effect is intense (very) and fascinating, resolutely harsh but not
off-putting, creating a virtual hive of activity, overtones swirling between
one’s ears like a horde of angered wasps. The music is unique, unyielding
to the point of obsessiveness and, for the adventurous listener, very rewarding.
Along with only a handful of other reed players, Ankersmit is treading in entirely
new ground. Highly recommended." Brian Olewnick, All-Music Guide
